UNT Music Library - 62 Matching Results

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Echoes

Description: Recording of Beatriz Ferreyra's "Echos" with vocals by Mercedes Cornu. The piece was made from the "destructuration" of four Latin American songs: two Argentinian and two Brazilian. Cornu uses a variety of vocal sounds (long and short sounds, breaths, coughs, etc.).
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Date: 1979
Duration: 8 minutes 53 seconds
Creator: Ferreyra, Beatriz, 1937-
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Solipsismo

Description: Recording of Bruno D'Auzon's Solipsismo. This work combines a finished text (in Portuguese) and its relation to a musical context. The composer has tried to combine the movement between sounds and speech, a poetic language without concern for meaning and in which sound objects or musical phrases may more easily support a concept or an image than words. The piece is divided into five parts, with the middle part playing a relaxing role where the theme is no longer human language.
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Date: 1975/1976
Duration: 34 minutes 50 seconds
Creator: Auzon, Bruno d', 1948-
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Ensemble: 2018-11-03 – Beginner and Advanced Afro-Cuban Ensembles, Brazilian Ensemble and Latin Jazz Lab Band

Description: Beginner and Advanced Afro-Cuban Ensembles, Brazilian Ensemble and Latin Jazz Lab Band concert performed at the UNT College of Music Voertman Hall.
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Date: November 3, 2018
Duration: 1 hour 31 minutes 46 seconds
Creator: University of North Texas. Beginner & Afro-Cuban Ensembles.
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Location: 33.210901 -97.149939

Rabo-de-Arraia

Description: Recording of Marcus Bittencourt's Rabo-de-Arraia. This work was composed under the theme of "Les Maitres Sonneurs" and shares some folk traditions of Brazil. The idea of this work comes from several of the composer's memories of watching capoeira circles which acts as a martial art, dance, sport, game, and musical event. The ensemble of capoeira musicians in this work was recreated by computer algorithms.
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Date: 2004
Duration: 5 minutes 27 seconds
Creator: Bittencourt, Marcus (Marcus Alessi), 1974-
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Tempora

Description: Recording of Daniel Barreiro's Tempora. This composition is a result of research on musical time that includes voice and the percussion of various objects. The voice presents excerpts of texts on musical time and narrative time written by various authors. This piece premiered during the IV Studio de Mœsica at the Instituto de Artes da UNESP in Sao Paulo, Brazil, in October 2001.
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Date: 2000/2001
Duration: 5 minutes 21 seconds
Creator: Barreiro, Daniel Luís, 1974-
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Peixe

Description: Recording of Michelle Agnes Magalhaes' Peixe. This is a work for electronics that includes spoken Portuguese, piano, and percussion.
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Date: 2002
Duration: 6 minutes 09 seconds
Creator: Magalhaes, Michelle Agnes, 1979-
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O ar do texto opera a forma do som interior

Description: Recording of Miguel Azguime's O ar do texto opera a forma do som interior. The composer describes this as a sound poetry stage work for a speaker/actor. This piece is made of 4 sections that follow each other without interruption and have the following subtitles: "Ar do Texto" (the Air in the Text), "Formant-Melodies", "Sem Recurso" (Without Resources), and "O Som Interior" (the Inner Sound). Although there are some spoken words in Portuguese, most of the text is meaningless and was written as … more
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Date: 2001/2002
Duration: 15 minutes 38 seconds
Creator: Azguime, Miguel
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Comunicacones

Description: Recording of Miguel Azguime's Comunicacones. The sound materials in this piece come from concrete sounds from a Lisbon port, communication satellites, and texts in more than 30 different languages, as well as synthetic and instrumental sounds. This work was commissioned by the Lisbon World Fair Expo'98 and the concert version premiered at the "Musica em Novembro" festival in Lisbon.
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Date: 1999
Duration: 7 minutes 55 seconds
Creator: Azguime, Miguel
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