UNT Music Library - 276 Matching Results

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Abandoned Lake in Maine

Description: Recording of Mara Helmuth's Abandoned Lake in Maine. This work's compositional process uses technology to return the listener closer to nature, and into new relationships with nature. The composer's software, instruments, and algorithmic programs were used to create much of the material. The sources for this piece are recorded sounds of the loon in its environment and a naturalist's voice. This work uses field recordings of Maine.
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Date: 1997
Duration: 12 minutes 05 seconds
Creator: Helmuth, Mara
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Absorption

Description: Recording of Jongwoo Yim's Absorption. This work includes instrumental sounds as well as electronic sounds (both from tape and live electronics). The clarinet line is a spotlight and eventually gets pulled into the harmonies of the other parts.
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Date: 1997/1998
Duration: 9 minutes 32 seconds
Creator: Yim, Jongwoo
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Affirmation

Description: Recording of Anna Elizabeth Hinkle Turner's Affirmation. This work uses pre-recorded sounds and electroacoustic technique to find new sound possibilities. The composer's utilized; ProTools, SoundEdit 16, StudioVision Pro and SoundHack for the generation and mixing of all sound files.
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Date: 1997
Duration: 9 minutes 03 seconds
Creator: Hinkle-Turner, Elizabeth
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African Violet

Description: Recording of Jo Thomas' African Violet. For electronics and pre-recorded audio.
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Date: 1997
Duration: 8 minutes 40 seconds
Creator: Thomas, Jo, 1972-
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Agnaby

Description: Recording of Francesco Giomi's Agnaby. Realized at the Sheffield University Sound Studio (UK). Agnaby is an electroacoustic drama freely inspired by the novel "L'Etranger" by Albert Camus. It is also an attempt to get in touch, from a musical point of view, with Arab culture and language. The material is derived from a) environmental sounds of the Arab urban life and culture; b) fragments from Arab traditional music and texts; c) excerpts from the French text of the book read by Daniel Arfib. T… more
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Date: 1997
Duration: 10 minutes
Creator: Giomi, Francesco, 1963-
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Air

Description: Recording of Zlatko Tanodi's Air. This piece was composed for bass clarinet and tape in 1997, and was first performed at the Music Biennale Zagreb festival in 1997 (the soloist for that performance was Ratko Vojtek). The composer's inspiration was the polysemy of the word air (air, atmosphere, area, aria, song with accompaniment). The motto of the whole work is a paraphrase of the concept of “air you were, air you are, and into air you shall return;” sound is treated as a special physical condi… more
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Date: 1997
Duration: 8 minutes 33 seconds
Creator: Tanodi, Zlatko, 1953-
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Aire

Description: Recording of Germán Toro Perez's Aire. This recording consists of two movements for tape: I. Aliento and II. Humedad. The composer used material from the piece "Stichwörter" by Georg Riedl, which consists of live bass clarinet and electronics. The main interest was to explore the transitions between noisy and harmonic sound.
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Date: 1997/1998
Duration: 9 minutes 42 seconds
Creator: Toro, Germán, 1964-
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Altered in transmission

Description: Recording of Andrew May's Altered in transmission. For percussion and tape.
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Date: 1997
Duration: 16 minutes 23 seconds
Creator: May, Andrew, 1968-
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April fool

Description: Recording of Petri Kuljuntausta's April fool. For electronics and pre-recorded sound.
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Date: 1997
Duration: 28 minutes 38 seconds
Creator: Kuljuntausta, Petri
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Aquapolis

Description: Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.
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Date: 1997
Duration: 28 minutes 54 seconds
Creator: Mallozzi, Lou, 1957-
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Ash

Description: Recording of Peter Dudak's Ash. Tape music for flute, cello, percussion, and violin.
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Date: 1997
Duration: 11 minutes 40 seconds
Creator: Dudak, Peter
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Atlas folisipelis

Description: Recording of Florivaldo Menezes' Atlas folisipelis. This work was written for oboe, English horn, and percussion. This work's sound materials were created by oboe, different countries' skin instruments, and 13 different bagpipes. The piece establishes a sound map of various geographical locations and focuses on the different archetypical elements of civilization. The composer separated the piece into 13 distinct parts that are connected without interruption.
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Date: 1997
Duration: 23 minutes 51 seconds
Creator: Menezes Filho, Florivaldo, 1962-
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Au loin... bleu

Description: Recording of Elsa Justel's Au lion...bleu. Words, phonemes, vocal gestures are transformed into a musical flow enriched by the colors specific to each of the participating languages. The word disguises itself as an atmosphere; it expresses its essence to merge with the music. Clouds of sighs fly away in a blue space, like fugitive wings rushing towards a distant horizon. The voice becomes matter of an unknown language. However, the sound discourse communicates a meaning to us. Of the lived exp… more
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Date: 1997
Duration: 11 minutes 32 seconds
Creator: Justel, Elsa
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Ausbruch

Description: Recording of Carlos Gratzer's Ausbruch. This work was commissioned by INA-GRM and produced in their studios in Paris. The piece explores the relationship between sounds of nature and synthesized sounds. The composer modified and distorted the sounds of nature to persuade the listener into forgetting their origin and instead hear them as new material entirely.
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Date: 1997
Duration: 12 minutes 25 seconds
Creator: Grätzer, Carlos
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Available instruments

Description: Recording of William Kleinsasser's Available instruments. This work is meant to be performed by one piano, one Disklavier piano, and a computer system. The computer music in this piece results from various sound transformational processes applied to recordings of the piano music. The work as a whole explores the intrigue and risk of engaging musical instruments that are on technology's developmental edge.
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Date: 1997
Duration: 14 minutes 41 seconds
Creator: Kleinsasser, William, 1961-
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Aveugle

Description: Recording of Johannes Schutt's Aveugle. This work is divided into two 4-track recordings of separate sound material that come together to create the stereo version.
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Date: 1997
Duration: 49 minutes 57 seconds
Creator: Schütt, Johannes
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Ballu

Description: Recording of Francesco Giomi's Ballu.
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Date: 1997
Duration: 1 minute 54 seconds
Creator: Giomi, Francesco, 1963-
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Ban (Bahn)

Description: Recording of Andrey Dergatchev's Ban (Bahn). Made for electronics and various concrete sounds.
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Date: 1997
Duration: 23 minutes 54 seconds
Creator: Dergachev, Andreĭ
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Bandejas

Description: Recording of Guto Caminhoto's Bandejas. The title of this piece comes from the solely sound source used: a group of metal trays (bandejas). The gestural and textural sounds were achieved by using various granulation processes. Bandejas was premiered on 1998 Wave Festival eXstatic Project (Melbourne, Australia).
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Date: 1997/1998
Duration: 7 minutes 23 seconds
Creator: Caminhoto, Guto
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Barren lands

Description: Recording of Rajmil Fischman's Barren lands. The structure of this work is modelled on the periodicity of surf, consisting of repeated series of waves of increasing size and power. When the most powerful wave is at peak, the cycle begins again. There is one cycle made of three waves which are preceded by an introduction and followed by an epilogue. Each wave begins with the thinnest of sounds, builds towards a climax and, finally, dissolves.
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Date: 1997
Duration: 10 minutes 11 seconds
Creator: Fischman, Rajmil, 1956-
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The bells of infinity

Description: Recording of Artem Vassiliev's The bells of infinity. The musical material of this piece is based on a juxtaposition of several prerecorded sounds including excerpts from Bela Bartok's Concerto for Orchestra, noises of the concert hall before the performance begins and a sound of whispering voice. These sounds have been transformed by using various studio techniques (time stretching, pitch shifting, equalization, dynamic compression, etc.). The expressive function of the bells remains constant … more
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Date: 1997
Duration: 12 minutes 41 seconds
Creator: Vassiliev, Artem
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Boou'97

Description: Recording of Valentin Lazarov's Boou'97. The computerization of sound and its representation as music and timbre dramaturgy underlie this piece. From choral melodiousness to percussion resonance: all these are sound objects mirrored and re-synthesized in various sound directions.
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Date: 1997
Duration: 7 minutes 28 seconds
Creator: Lazarov, Valerio, 1935-2009
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Borgo 12 am

Description: Recording of Josep Oriol Graus Ribas' Borgo 12 am. This work uses both pre-recorded processed sound and electronically built sound. There is moments of ambient textures followed by processed sound. This work explores the possibilities of combining both mediums into one unified piece.
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Date: 1997
Duration: 12 minutes 42 seconds
Creator: Graus Ribas, Josep Oriol
Item Type: Refine your search to only Sound
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