UNT Music Library - 126 Matching Results

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[Nat Adderly Lecture, February 28, 1984: Part 1]

Description: Jazz Lecture Series presentation by Nat Adderly on February 28, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Nat Adderley, interspersed with questions from the audience.
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Date: February 28, 1984
Duration: 1 hour 19 minutes 58 seconds
Creator: Adderley, Nat, 1931-2000
Item Type: Refine your search to only Sound
transcript

[Nat Adderly Lecture, February 28, 1984: Part 2]

Description: Jazz Lecture Series presentation by Nat Adderly on February 28, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Nat Adderley, interspersed with questions from the audience.
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Date: February 28, 1984
Duration: 1 hour 14 minutes 10 seconds
Creator: Adderley, Nat, 1931-2000
Item Type: Refine your search to only Sound

Epoche 2 -1984

Description: Recording of Miroslav Bázlik "Epoche 2 - 1984" performed by Jozef Podhoránský, cellist, along with tape recording.
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Date: 1984
Duration: 17 minutes 34 seconds
Creator: Bázlik, Miroslav
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La Logica de la Sorpresa

Description: Recording of José Manuel Berenguer's La Logica de la Sorpresa.
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Date: 1984
Duration: 19 minutes 16 seconds
Creator: Berenguer, José Manuel, 1955-
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A pocketful of posies

Description: Recording of Jonathan Berger's "A pocketful of posies." The title refers to the Black Death of the 14th century, a time when people dealt with impending doom in much the same way as people do today. It was premiered at Stanford University in March 1984.
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Date: 1984
Duration: 9 minutes 21 seconds
Creator: Berger, Jonathan, 1954-
Item Type: Refine your search to only Sound

A Quiet Disturbance

Description: This piece for magnetic tape is - from several points of view - a confrontation of various worlds. First of all, on the music-technical level: the production process. The means of the classic studio, the manual aspect of the work on one side, the generation of basic sound materials on the other side. In addition, the piece is a confrontation of concrete sounds and electronic sounds.The complex spectrum of the human voice is used in this case as a "plastic algorithm" of great flexibility and con… more
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Date: 1984
Duration: 14 minutes 25 seconds
Creator: Beyls, P. (Peter), 1950-
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Ambitos

Description: This work was made from basic material taken from human voice and electronic sources and was ended at the beginning of 1984.
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Date: 1984
Duration: 8 minutes 30 seconds
Creator: Blanco, Juan, 1919-2008
Item Type: Refine your search to only Sound

Bucolica

Description: Recording of Juan Blanco's Bucolica.
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Date: 1984
Duration: 28 minutes 06 seconds
Creator: Blanco, Juan, 1919-2008
Item Type: Refine your search to only Sound
transcript

[Michael Brecker Lecture, March 6, 1984: Part 1]

Description: Jazz Lecture Series presentation by Michael Brecker on March 3, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Michael Brecker, saxophone, interspersed with questions from the audience.
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Date: March 6, 1984
Duration: 1 hour 11 minutes 06 seconds
Creator: Brecker, Michael
Item Type: Refine your search to only Sound
transcript

[Michael Brecker Lecture, March 6, 1984: Parts 2 and 3]

Description: Jazz Lecture Series presentation by Michael Brecker on March 3, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Michael Brecker, saxophone, interspersed with questions from the audience.
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Date: March 6, 1984
Duration: 1 hour 38 minutes 47 seconds
Creator: Brecker, Michael
Item Type: Refine your search to only Sound

Chicarra's

Description: "Chicharra's" is an ode to the Spanish landscape and the men populating this landscape. Sounds of nature such as the breath of the wind, the rushing of the rain, the rustling of the sea carry life in themselves. Thus the rustling of "Chicharra's", the cicadas, their singing narrative was recorded as a set of precious voices. These voices were sent electronically to the strings and then turned into new sounds. This process is comparable to that of instrumental music where the violin bow is coate… more
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Date: 1984
Duration: 13 minutes 52 seconds
Creator: Bruynèl, Ton
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Vivo

Description: “Vivo” is the "remake" of a work that has suffered several accidents; the worst of which was the partial erasure of the only existing copy, dice to a mysterious magnetic field. The changes have also affected his title, which now manifests its perplexity and its way of existence.
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Date: [1984..1988]
Duration: 18 minutes 30 seconds
Creator: Caesar, Rodolfo, 1950-
Item Type: Refine your search to only Sound

Promenade dans un espace insolite

Description: This piece was made at the Montgets in the summer of 1980 or 81 with simple production means, 3 Revox tape recorders, a pair of scissors and a small 4/2 mixer. It relies on sound recordings made during a weekend spent with the Théâtre du Rafeau du Mans (French Tanguy, Laurence Châble ...). In particular, I used a recording made during the descent and the rope climb at the bottom of a former wheat silo where we had a picnic and played some music. The piece uses this material by metaphorising it … more
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Date: 1984
Duration: 17 minutes 45 seconds
Creator: Cahen, Roland 1958-
Item Type: Refine your search to only Sound
transcript

[Ron Carter Lecture, April 17, 1984: Part 1]

Description: Recording of a Jazz Lecture Series presentation by Ron Carter on April 17, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Ron Carter, bass, interspersed with questions from the audience.
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Date: April 17, 1984
Duration: 1 hour 18 minutes 43 seconds
Creator: Carter, Ron, 1937-
Item Type: Refine your search to only Sound
transcript

[Ron Carter Lecture, April 17, 1984: Part 2]

Description: Recording of a Jazz Lecture Series presentation by Ron Carter on April 17, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Ron Carter, bass, interspersed with questions from the audience.
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Date: April 17, 1984
Duration: 1 hour 5 minutes
Creator: Carter, Ron, 1937-
Item Type: Refine your search to only Sound

Possible Orchestras (At the 21 st Harmonic)

Description: Recording of John Celona's Possible Orchestras (At the 21 st Harmonic). The sound material for this composition was produced using several FM synthesis techniques. When listening to the piece, high regions of formants are obtained when compared to the frequencies at which the fundamentals are placed. Periodic vibrato is used to modify pitches across the entire width of the harmonic spectrum.
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Date: 1984
Duration: 1 hour 21 minutes 35 seconds
Creator: Celona, John, 1947-
Item Type: Refine your search to only Sound

Mascaras

Description: Mascaras is a work that tries to evoke all the multiplicity of situations, sensations, states of mind and atmospheres to which masks are linked ... Masks arise in procession, merging, hiding, to each other: the game, the mockery, the clown, the theater, the carnival, the joy ... And also the mysterious, the occult, the cruel and the savage, the solitude and the funeral, the fear. This work was realized at the Institute of Fonology in 1984.
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Date: 1984
Duration: 7 minutes 44 seconds
Creator: Chácon Pérez, Roberto, 1959-
Item Type: Refine your search to only Sound

Uppvaknande

Description: Recording of Michael Clarke's Uppvaknande.
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Date: 1984
Duration: 11 minutes 08 seconds
Creator: Clarke, Michael, 1956-
Item Type: Refine your search to only Sound

De Wang

Description: "De Wang" is a monologue set to music and wants to emancipate the "sound" at the same time. The piece is a musical reflection on isolation (and psychiatry) as a political remedy and as a reflection on musical aesthetics. The specific use of psychiatry and the treatment of prisoners shows how an incumbent government can deal with its contentious elements. Sensory depravation, (isolation), electroshock, medical treatment, psychosurgery, in fact new means of torture that are not yet recognized as … more
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Date: [1984..1986]
Duration: 9 minutes 55 seconds
Creator: Clercq, Eric de, 1960-
Item Type: Refine your search to only Sound

Dawn

Description: This is a work based on the idea of a studio filling an orchestra. The introduction is obviously a play on works by composers such as Copland and other works by contemporaries of Copland, a play that quickly demonstrates the power of electroacoustic music to deal with large and colorful sound patterns. The development of the material and the structure is clear. There is also an obvious relationship to "Minimal" music, in reference to the way in which certain small models are structured together… more
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Date: 1984?
Duration: 14 minutes 42 seconds
Creator: Davidow, Joe
Item Type: Refine your search to only Sound

...Mourir un peu

Description: Where we speak, of course, departure, travel, farewell ("Leaving is a little dying ..."); but also of escape, of pleasure, of initiatory journeys, of imagined space and, again, of loss, oblivion, absence, "little death" and "great journey". It is not irrelevant that this piece was created in Marseilles, among the remains of the ancient Phocaean port; the first movement is a quick allusion to this journey back in time. The sea so close, inexhaustible and plural symbol, was to be present. She is… more
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Date: 1984
Duration: 44 minutes 55 seconds
Creator: Dhomont, Francis, 1926-
Item Type: Refine your search to only Sound
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