UNT Music Library - 118 Matching Results

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What if...

Description: Recording of Kristi Allik's "What if...". The title refers to the composer's most common thought during the creation of the composition; the work was the result of constant questioning and exploration, mainly in the area of timbral synthesis and sound juxtaposition.
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Date: 1983
Duration: 6 minutes 36 seconds
Creator: Allik, Kristi
Item Type: Refine your search to only Sound
transcript

[Wayne Andre Lecture, April 19, 1983: Part 1]

Description: Jazz Lecture Series presentation by Wayne Andre on April 19, 1983 at 9:30AM at the UNT College of Music. Includes lecture and performance by Wayne Andre, trombone, interspersed with questions from the audience.
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Date: April 19, 1983
Duration: 1 hour 12 minutes 54 seconds
Creator: Andre, Wayne
Item Type: Refine your search to only Sound
transcript

[Wayne Andre Lecture, April 19, 1983: Part 2]

Description: Jazz Lecture Series presentation by Wayne Andre on April 19, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Wayne Andre, trombone, interspersed with questions from the audience.
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Date: April 19, 1983
Duration: 1 hour 18 minutes 23 seconds
Creator: Andre, Wayne
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Chréode I

Description: Jean-Baptiste Barrière: "Chréode " is a borrowed term from morphology and biology (from the Greek "cre" it is necessary," and "Odos" path: Necessary path). It is used here as a metaphor for a systematic and intersecting investigation of the material and the organization. It is about my time of a generic title for a set of computer works, of which "Chréode I " is the first element. Although the materials are very worked, the attention in this piece carries more specialty on the organization. … more
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Date: 1983
Duration: 48 minutes 03 seconds
Creator: Barrière, Jean-Baptiste
Item Type: Refine your search to only Sound

Chreode I

Description: Recording of Jean-Baptiste Barriere's Chreode I. The title Chreode I serves here as a metaphor for a systematic and intersecting investigation of material and organization. At the same time, it is a generic title for a set of computer works, of which "Chreode I" is the first element. Although the materials are very elaborate, the attention in this piece is more specifically on the organization. This research on musical processes, their fields of action and their limits, was conceived as a strat… more
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Date: 1983
Duration: 48 minutes 03 seconds
Creator: Barrière, Jean-Baptiste
Item Type: Refine your search to only Sound

Huellas

Description: Recording of Juan Marcos Blanco's Huellas.
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Date: 1983
Duration: 20 minutes 01 second
Creator: Blanco, Juan, 1919-2008
Item Type: Refine your search to only Sound

Shift of Emphasis

Description: Recording of Maria Luisa Bon's Shift of Emphasis. The piece was composed at the Computational Sonoma Center of the University of Padua. It is based on 21 complex sound blocks, each having a different structure and origin.
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Date: 1983
Duration: 8 minutes 46 seconds
Creator: Bon, Maria Luisa
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Three Spheres

Description: Recording of George Skip Brunner's Three Spheres.
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Date: 1983
Duration: 8 minutes 01 second
Creator: Brunner, George, 1951-
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Métabole n° 1

Description: Recording of Roland Cahen's Métabole n° 1. The atmosphere of the piece is that of a place of "dark clouds like the sky of Flanders." It was realized at the IPEM of Ghent in Belgium headed by Lucien Goethals. The piece is one of Cahen's first musical compositions.
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Date: 1983
Duration: 7 minutes 31 seconds
Creator: Cahen, Roland 1958-
Item Type: Refine your search to only Sound

Comeclose and Sleepnow

Description: Recording of Lelio Camilleri's Comeclose and Sleepnow. The piece is made up of six sections. In each section are developed parts of the transformed text and are highlighted sentences or words of the poetry. All the sound material of the piece is composed only by the transformation of the recited text. "Comeclose and Sleepnow" is based on the namesake poetry by R. Mac Gough, recited by Stephen Montagne.
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Date: 1983
Duration: 1 hour 9 minutes 15 seconds
Creator: Camilleri, Lelio
Item Type: Refine your search to only Sound

Overfall

Description: Recording of Lelio Camilleri's Overfall. Transformed piano sounds and sound structures realized by means of voltage control make up the sound material of the piece.
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Date: 1983
Duration: 14 minutes 53 seconds
Creator: Camilleri, Lelio
Item Type: Refine your search to only Sound

Tess In Stonehenge

Description: Recording of Lelio Camilleri's Tess In Stonehenge. The piece explores the relationship between fast sound structures and sounds with a longer duration and different types of envelopes. The sound equipment consists of filtered white noise bands, frequency modulated bands, and sound structures obtained by the control voltage technique.
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Date: 1983
Duration: 11 minutes 25 seconds
Creator: Camilleri, Lelio
Item Type: Refine your search to only Sound

Comeclose and sleepnow

Description: "Comeclose and sleepnow" is based on the homonymous poem by R. Mac Gough, recited by Stephen Montagne. The piece is composed in six sections. In each section are developed parts of the converted text and are highlighted phrases or words of poetry. All the sound material of the piece was composed solely by transforming the recited text.
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Date: 1983
Duration: 1 hour 9 minutes 15 seconds
Creator: Camilleri, Lelio (1957-)
Item Type: Refine your search to only Sound

Incontro con Rama

Description: "Incontro con Rama" was created for the first time in 1982 after a work of absolute complementarity between the indications, the aspirations of Luigi Ceccarelli and the technical practice of Renzo Brocculi: a splendid creature generated in a single week of close engagement with two trombones, a tuba and a complex electronic device for delaying and accumulating sounds, built by the author to do this work. The writing of this work moves on two main tracks: on the one hand the preference to the ti… more
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Date: 1983
Duration: 18 minutes 30 seconds
Creator: Ceccarelli, Luigi 1953-
Item Type: Refine your search to only Sound

In a World

Description: Recording of Chris Chafe's "In a World" for cello and computer sound. Computer sounds were realized at Stanford University's Center of Computer Research in Music and Acoustics. Software was created to control legato phrasing of singing voice models, and to perturb them in direction of other instrumental sounds,
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Date: 1983
Duration: 9 minutes 27 seconds
Creator: Chafe, Chris
Item Type: Refine your search to only Sound

Voyage to California

Description: Recording of Henri Chopin and Larry Wendt's Voyage to California.
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Date: [1983..1985]
Duration: 10 minutes 17 seconds
Creator: Chopin, Larry, 1922- & Wendt, Larry
Item Type: Refine your search to only Sound

Rag, Rag, Rag

Description: Recordings of Marek Choloniewski's "Rag, Rag, Rag" (includes five recordings, the last of which is a reduction). The piece is a transcription of the constructions of instrumental music with added electronic improvisation. Traditions of contemporary music meet those of jazz and rock, giving the piece a three part structure.
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Date: 1983
Duration: 2 hours 5 minutes 13 seconds
Creator: Chołoniewski, Marek, 1953-
Item Type: Refine your search to only Sound

Des nombres et des mots

Description: Recording of Louis Chretiennot's "Des nombres et des mots." The piece begins with a man reciting numbers 1-10 in French; after the first reading, electronic manipulation is added.
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Date: 1983
Duration: 13 minutes 43 seconds
Creator: Chrétiennot, Louis 1954-
Item Type: Refine your search to only Sound

Soundings

Description: Recording of John Michael Clarke's Soundings. This piece is an exploration of the sound world of the cello from which the title “Soundings.” The title refers to “resonances,” the tape being a reflection of what the cello plays “live.” Indeed, most of the tape sounds come from recorded cello sounds that were later transformed into an electronic music studio. There is also in the middle part, some sounds produced by computer.
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Date: 1983
Duration: 9 minutes 37 seconds
Creator: Clarke, John Michael
Item Type: Refine your search to only Sound

Soundings

Description: Recording of John Michael Clarke's Soundings. This piece is an exploration of the sonic world of the cello hence the title "Soundings". The title relates to "resonances", the tape being a reflection of what the "live" cello is playing. This is because most tape sounds come from recorded cello sounds that were then processed in an electronic music studio. There are also some computer generated sounds in the middle part.
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Date: 1983
Duration: 9 minutes 37 seconds
Creator: Clarke, Michael, 1956-
Item Type: Refine your search to only Sound
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