UNT Music Library - 2,794 Matching Results

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Arco Voltaico

Description: Recording of Teodoro Pedro Cromberg's Arco Voltaico. This is a work for electronics that was created for cellist, Andrea Espinzo. In this piece the cello has been integrated into the electroacoustic mix. Four improvised performances of the cello were taken by the analogical recorder and then used to create different mixtures for the final product.
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Date: 1995
Duration: 7 minutes 23 seconds
Creator: Cromberg, Teodoro, 1955-
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Gritos y Gritarras

Description: Recording of Teodoro Pedro Cromberg's Gritos y Gritarras. This is a work for electronics that includes voice and guitar as well as sound samples from Jimi Hendrix, Led Zeppelin, and Deep Purple songs. The composer has attempted to make these songs and motifs recognizable without compromising the independence of the electroacoustic piece itself. The title is a play on words that is untranslatable; "Gritarras" is a made-up word that means something like the cry of the guitar.
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Date: 1993
Duration: 7 minutes 24 seconds
Creator: Cromberg, Teodoro, 1955-
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Nuo Ri Lang

Description: Recording of Xiaofu Zhang's "Nuo Ri Lang". Draws inspiration from the composer's visit to Tibet. The composition involves electroacoustic looping techniques and bronze, leather, wood, and stone percussion instruments. Commisioned by the INA-GRM (France) at the international music festival 96 PRESENCES in Paris. There is also a mix edition that combines live performance and electroacoustic music sound and a version that include videos.
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Date: 1996
Duration: 6 minutes 58 seconds
Creator: Zhang, Xiaofu, 1954-
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Couleur de Pékin

Description: Recording of Yuanlin Chen's Couleur de Pékin. This is a work for electronics.
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Date: 1999
Duration: 8 minutes 16 seconds
Creator: Chen, Yuanlin (Composer)
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Amarcord - Chilhood (l'enfance)

Description: Recording of Bor Turel's Amarcord - Chilhood (l'enfance). This piece is the third movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.
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Date: 1996/1997
Duration: 11 minutes 55 seconds
Creator: Turel, Bor
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Amarcord - Golden age (l'age d'or)

Description: Recording of Bor Turel's Amarcord - Golden age (l'age d'or). This piece is the first movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.
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Date: 1996/1997
Duration: 11 minutes 35 seconds
Creator: Turel, Bor
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Amarcord - Dreams (les rêves)

Description: Recording of Bor Turel's Amarcord - Dreams (les rêves). This piece is the second movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.
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Date: 1996/1997
Duration: 10 minutes 18 seconds
Creator: Turel, Bor
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Maquinaria del Ansia

Description: Recording of Rogelio Sosa's Maquinaria del Ansia. This composition is an attempt to translate into sound the sensations that are felt during a state of anxiety. The challenge was to create a musical discourse starting from a minimal number of elements, in this case only one recording of a stroke on a wood body was used. This sound, through transformation and manipulation, created all material for this piece.
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Date: 1999
Duration: 8 minutes 28 seconds
Creator: Sosa, Rogelio Ricardo, 1977-
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Radio 1

Description: Recording of Luz Maria Sanchez's Radio 1. This is a work for electronics that includes sounds of distorted voices.
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Date: 1997
Duration: 6 minutes 03 seconds
Creator: Sánchez Cardona, Luz María
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Under the Green time

Description: Recording of Roger Doyle's Under the Green time. This work was commissioned by Distant Relations exhibition with funds provided by the Arts Council / An Chomhairle Ealaion. This is an electronic work for tape, flute, and Uilleann pipes.
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Date: 1995/2004
Duration: 6 minutes 31 seconds
Creator: Doyle, Roger
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Camello

Description: Recording of Rubén Hinojosa Chapel and Bérengère de Tarlé's Camello. This work tells an imaginary story by taking elements from real life including the sounds of public transportation in Havana. It is a soundscape of a part of the daily life in Havana. The composer points to the importance of the words in the piece from people speaking and public announcements as it holds symbolism for the Cuban people. This work premiered at the "XIII Festival de La Habana de Música Contemporánea".
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Date: 1998
Duration: 12 minutes 43 seconds
Creator: Hinojosa Chapel, Rubén & de Tarlé, Bérengère
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FX 1050

Description: Recording of Rubén Hinojosa Chapel's FX 1050. This piece explores the possibility of electroacoustic music creation with limited means. The entire piece was developed from a sound fragment of a dot matrix printer. It premiered at the "XIV Festival de La Habana de Música Contemporánea" in 1999.
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Date: 1999
Duration: 4 minutes 25 seconds
Creator: Hinojosa Chapel, Rubén
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Satélites

Description: Recording of Rubén Hinojosa Chapel's Satélites. This work was created by means of the Fractal Composer system using the calculus of the Henon Map. Most notes were generated by the computer by means of the system's real time interactive capabilities. It premiered in the Havana's XII Contemporary Music Festival.
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Date: 1997
Duration: 9 minutes 56 seconds
Creator: Hinojosa Chapel, Rubén
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El fin del caos llega quietamente

Description: Recording of Rubén Hinojosa Chapel's El fin del caos llega quietamente. This piece was intended to demonstrate that mathematics can also be a path to music. It was created entirely in real time from the calculus of the Logistic function by means of the Fractal Composer system and recorded in one pass.
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Date: 1998
Duration: 3 minutes 07 seconds
Creator: Hinojosa Chapel, Rubén
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Impromptu 2

Description: Recording of Yves Daoust's Impromptu 2. This is a work for electronics that includes piano and keyboard instrumentation.
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Date: 1995
Duration: 16 minutes 27 seconds
Creator: Daoust, Yves
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Fête (3 mvt de Bruits)

Description: Recording of Yves Daoust's Fête (3 mvt de Bruits). This is a work for electronics that includes 3 movements: Children's Corner, Nuit, and Fête. This work was commissioned by the Sonic Art Network (Great Britain) in which they asked the composer to create an environmental painting. The dominant element is noise: "smooth" noise, constant noise, and immutable noise made up of the sum of human machines.
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Date: 1997/2000
Duration: 29 minutes 55 seconds
Creator: Daoust, Yves
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Thrum

Description: Recording of John Gibson's Thrum. This is an electroacoustic piece that revolves around a wide range of sounds played on an acoustic guitar. Many of the guitar textures were created by a virtual player that read short guitar samples and created a pulsed repetitive texture. The composer's aim was to create music that balances human qualities against the regularity of machines.
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Date: 1998
Duration: 9 minutes 11 seconds
Creator: Gibson, John, 1960-
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