UNT Music Library - 203 Matching Results

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A Method of Singing

Description: From Novello's Music Primers and Educational Series, a method intended to "explain ... the simple laws of sound and their bearing upon the technique of singing," according to the author's introduction.
Date: 1884
Creator: Stockhausen, Julius, 1826-1906

Grundsätze des Generalbasses als erste Linien zur Composition; Allgemeinfasslicher Unterricht im Generalbass: mit Rücksicht auf den jetzt herrschenden Geschmack in der Komposition, durch treffende Beispiele erläutert

Description: Two separate works bound together. The Kirnberger work includes 3 Abtheilungen, paged separately, containing musical examples. The 2nd and 3rd Abtheilungen are bound in reverse order.
Date: 178u
Creator: Kirnberger, Johann Philipp, 1721-1783 & Vierling, Johann Gottfried, 1750-1813

La fileuse: parodie d'Omphale

Description: "A parody in one act on André Cardinal Destouches' opera, Omphale."
Date: unknown
Creator: Vadé, M.(Jean Joseph), 1719-1757

Suite for Piano

Description: Six compositions for solo piano.
Date: 1970
Creator: Johnson, Merritt

Oeuvres de J. Haydn, Cahier VIII

Description: This volume contains fifteen sacred and secular songs for one to four voices with piano accompaniment. Contrary to the title page, the titles of each song are given either in German or German and Italian. When both languages are present in the text underlay, the Italian text sits directly below the staves with German below the Italian. Most songs either give "Singstimme" or a voice part for the vocal staves; some give names of characters, possibly indicating a theatrical or semi-dramatic performance context. Songs for one voice tend to be strophic while part songs are through-composed. Authors such as Gellert, Metastasio, and Shakespeare figure among the authors (most anonymous) of the texts. As with the other binlingual pieces in this volume, the scene "Arianna a Naxos" is set in Italian and German. The interaction of the soprano voice and piano accompaniment as well as the structural alternation between arioso/aria and recitative reveals this piece to be a solo cantata. The volume concludes with a four-page catalog of all of Breitkopf und Härtel's publications in Leipzig complete with price in thalers for each piece and a table of contents. The positioning of the Inhalt at the end of the volume reflects the influence of Italian publishing practices.
Date: 1799
Creator: Haydn, Joseph (1732-1809)

Oeuvres de J. Haydn, Cahier IX contenant XXXIII Airs et Chansons

Description: Though the cover of this volume is in French, the title page gives the same information in German. This latter language also receives pride of place in the text underlay: Most songs are solely in German but, when lyrics are given in two languages, German is immediately below the musical staves with either Italian or French in italics below the German. Songs use one to three voices with the voice part sometimes integrated into the top staff of the piano part with text underlay indicating when to sing. Several songs are set for three-part Männerchor or four-part chorus with piano accompaniment. In strophic settings, only the first stanza of poetry appears in the score; the rest are included as addenda at the end of the piece. The volume concludes with a table of contents given the name and first line of each song in all languages used for each entry.
Date: 1799
Creator: Haydn, Joseph (1732-1809)