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November settting

Description: Recording of Gottfried Martin's November setting.
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Date: 1974
Duration: 11 minutes 54 seconds
Creator: Martin, Gottfried

Strephanade

Description: Recording of Loretta Jankowski's Strephanade. The piece makes extensive use of voltage-controlled equipment. It was entirely electronically generated and produced. Strephanade was realized at the Electronic Music Studio at the University of Michigan.
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Date: 1974
Duration: 4 minutes 43 seconds
Creator: Jankowski, Loretta, 1950-

Genesis

Description: Recording of Barton MacLean's Genesis.
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Date: 1974
Duration: 16 minutes 42 seconds
Creator: MacLean, Barton

Soft Song

Description: Recording of Ton Bruynèl's Soft Song.
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Date: 1974
Duration: 8 minutes 09 seconds
Creator: Bruynèl, Ton

Poliritmica

Description: Recording of Peter Kolman's Poliritmica. The framework of the work - the beginning and the end - form multi-layered rhythmic structures that complement each other to produce a regular pulsating movement. The whole composition represents a correlation between rhythmically regular, rhythmically irregular and rhythmically not articulated (thus continuously fluid) structures.
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Date: 1974
Duration: 8 minutes 01 second
Creator: Kolman, Peter

Renascence

Description: Recording of Jonathan Kramer's Renascence. This piece uses clarinet, tape delay system, and mixer to create a continuous melody with interspersed counter-melodies. The texture eventually becomes so dense that individual lines cannot be distinguished. The title refers to both a poem of the same title by Edna St. Vincent Millay and the rebirth of continuity from fragmentation within the piece.
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Date: 1974
Duration: 10 minutes 59 seconds
Creator: Kramer, Jonathan, 1942-2004

Piano d'ombres

Description: Recording of Pierre Bernard's Piano d'ombres
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Date: 1974
Duration: 16 minutes 04 seconds
Creator: Bernard, Pierre

Mappings

Description: Recording of James Dashow's Mappings. This piece is in three large sections, each of which explores a particular kind of texture by developing the composition or structural possibilities implied in the timbral relationships between the cello and the electronic sounds. At the same time, each section contains forward and/or backward references to later/earlier material. In the third section, the cello/tape integration is brought to its maximum by turning the solo instrument into what might be cal… more
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Date: 1974
Duration: 15 minutes 57 seconds
Creator: Dashow, James, 1944-

Movements

Description: Recording of Miklós Maros's Movements
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Date: 1974
Duration: 7 minutes 33 seconds
Creator: Maros, Miklós

Gestes II

Description: Recording of Peter Tod Lewis's Gestes II.
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Date: 1974
Duration: 14 minutes 17 seconds
Creator: Lewis, Peter Tod

Tides

Description: Recording of Bengt Hambræus's Tides
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Date: 1974
Duration: 14 minutes 26 seconds
Creator: Hambræus, Bengt, 1928-2000

The Conqueror Worm

Description: Recording of Krysztof Knittel's The Conqueror Worm. The music structure of this composition depends on the word structure of the poem of the same title written by Edgar Allan Poe. The sound material is based on electronic sounds as well as on the violin and trombone sounds transformed electronically and recorded by Weronika Szrajber-Knittel and Stanislaw Pierozek. The work was realized at the Experimental Studio of Polish Radio in collaboration with Barbara Okon in 1974 and premiered at the War… more
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Date: 1974/1976
Duration: 13 minutes 15 seconds
Creator: Knittel, Krzysztof

Strummin'

Description: Recording of Stephen Montague's Strummin'. This piece is based on a single chord which is pre-set by use of rubber wedges to depress the keys and evoked by a gentle sweeping of the piano strings with the right and left hands. The electronic sound grows from the acoustic chord, sustaining and gently transforming it.
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Date: 1974/1975
Duration: 11 minutes 26 seconds
Creator: Montague, Stephen

Computer Fantasy

Description: Recording of John Rogers's Computer Fantasy. This work uses rotational arrays to determine the vertical pitch structures. It is unique in using “controlled random” melodic motion between array elements. The sonic surface of the piece is characterized by a great use of variable digital band pass filters.
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Date: 1974/1975
Duration: 6 minutes 54 seconds
Creator: Rogers, John

Relativity

Description: Recording of Lily Greenham's Relativity
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Date: 1974
Duration: 8 minutes 31 seconds
Creator: Greenham, Lily

The loud piece

Description: Recording of Joseph Paul Taylor's The loud piece
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Date: 1974
Duration: 6 minutes 50 seconds
Creator: Taylor, Joseph Paul
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