UNT Music Library - 322 Matching Results

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10C.7D1.023-0.1
Recording of Gianluca Ruggieri's 10C.7D1.023-0.1. This is a work for electronics and consists of 4 untitled movements.
Accessus
Recording of Fabián Esteban Luna's Accessus. This work represents the search for equilibrium and includes an implicit metaphor of the sea to act as a symbol for the search. This work was created by sampling sources and diverse synthesis.
Aerial
Recording of Monty Adkins' Aerial. This is a work for electronics and is included on the album "Mondes Inconnus" by the composer.
Alba
Recording of Mauro Cardi's Alba. This is a work for electronics, zarb, and spoken word. The composer references the Persian God, Shams Tabrizi, in their description of the piece.
Alf Tua (para flauta y soporte digital)
Recording of Gonzalo Biffarella's Alf Tia (para flauta y soporte digital). Alf Tua is a work for transverse flute and electronics. The electroacoustic part is composed entirely of sounds that we had previously searched for and recorded together with the flutist. In the live version the instrumentalist plays along with the playback of a CD.
Alizés
Recording of David Fortez' Alizés. The composer describes this work as more of a "recomposition" than an original composition. It was born from the cross between two pieces that the composer had just finished: Giocoso and Bleu Nuit. The composer took the main parts from both this pieces and furthered his abstraction of the sound material. This piece was mixed entirely in stereophony using concrete sounds.
Allamuchy
Recording of Elizabeth Hoffman's Allamuchy. This work explores moving through and being surrounded by various densities of substance by using a few natural sounds, comb filters, and other techniques.
L'altra dimensione
Recording of Thuridur Jonsdottir's L'altra dimensione. This is a work for electronics.
L'altruise de l'épinoche
Recording of Agnés Poisson's L'altruise de l'épinoche. This is a work for electronics and contains various sound samples that are percussive in origin. The composer hopes to convey a deeper meaning through the percussion sounds playing off of each other.
analogia e identidad
Recording of Daniel Sergio Cervantes' analogia e identidad. This piece belongs to a group of compositions based on texts of Jorge Luis Borges. This piece is a play that attempts to represent philosophical ideas of the circular character of time, where our acts through it sentence us to repetition.
Angels and devils
Recording of Natasha Barrett's Angels and devils. This piece is one of two shorter acousmatic works underlying a theatre creation called "Agora". This recording is meant to explore the psychology of good versus evil and includes fragments from an old Norse poem: Volundkvadet.
Arc-en-ciel nocturne
Recording of Tomonari Higaki's Arc-en-ciel nocturne. This is an acousmatic work separated into 12 movements. The sounds in this work are meant to create a back and forth between reality and imagination, leading the listener into disarray and anxiety.
Arioso dolente/Beethoven op. 110
Recording of Theodoros Lotis' Arioso dolente/Beethoven op. 110. This work is based on Beethoven's Piano Sonata op. 110, more specifically the third movement "Adagio ma non troppo". The composer was more interested in the spiritual aspects of this sonata and tried to enhance this aspect in his composition. This work was commissioned by Amici della Musica di Gagliari for the festival "Beethoven 2002" in Italy.
Asagao
Recording of Shinichi Morita's Asagao. This is a work for electronics and contains sound samples from the environment, including the sound of cars driving through water.
Awha
Recording of David Shepherd's Awha. This work was created as part of the open project called "The Seasons". It explores the power and ferocity of the storms that lash Wellington's south coast every winter and attempts to sonically recreate the essence of these storms.
Ayame
Recording of Shinichi Morita's Ayame. This is a work for electronics that includes concrete sounds of the voice, birds, and wind.
Back to the guitar
Recording of César Daniel Alarcon's Back to the guitar. This is a work for electronics that includes samples of various guitar sounds.
Baoding
Recording of David Berezan's Baoding. This work was inspired by Baoding Iron Balls, which were used during the Ming dynasty for therapeutic benefits. Sounds of these iron balls as well as fragments from the Beijing and Kun opera, were used to create the material in this piece. The composer states that this piece consists of 3 miniatures: ecstatic, intimate, and pulsing.
Belladonna
Recording of David Behar's Belladonna. This work was composed for the ″Synthèse 2002″ festival in Bourges with the theme "The Seasons".
Berceuses
Recording of Agnés Poisson's Berceuses. This work has 4 movements based on the seasons: Automne, Eté, Hiver, and Printemps. The composer based this work on their childhood memories throughout the seasons and includes sound samples that reflect that. This work was created for children and is meant to act as a lullaby.
Bjm Piano Studio
Recording of Mario Bajardi's Bjm Piano Studio. This work is a study dedicated to the composer's piano. The idea was to represent the emotions and moods which the piano has created for him and express them with sound processing/elaborations. This piece was created with only basic sounds from the composer's piano.
Blank Mirror
Recording of Erdem Helvacioğlu's Blank Mirror. This work premiered at the Microburst Electroacoustic Concert in 2002. The composer states that this piece is about a man seeking salvation in the modern world where confronting oneself is becoming increasingly difficult. The work expresses his journey of finding the meaning of his existence and ends with him finding peace.
Burning
Recording of Hideko Kawamoto's Burning. The imagery for this piece was derived by two anonymous poems, Western Wind and Lak. The visual images of Western Wind are portrayed with the words from Lak, offering a connection that can then be used in creating the sound. The electronic sounds are accompanied by various concrete sounds as well as five live instruments (alto flute, piccolo, violin, cello, and piano) meant to enforce the images behind the computer-generated sounds.
Burnt Umber
Recording of Robert Dow's Burnt Umber. This is a work for electronics that includes the sounds of fire and chimes.
Caminando... part III
Recording of Andrés Lewin-Richter's Caminando... part III. This work consists of 3 parts that are meant to be played continuously. It was commissioned by the Spanish National Radio and the Spanish Center for Contemporary Music. It celebrates the 100th birthday of Nicolas Guillen, a Cuban poet, whose voice has been used in the piece. The title means walking and is meant to reference the "walk" of life.
Il canto del Poeta
Recording of Maria Cristina De Amicis' Il canto del Poeta. This is a work for electronics and includes vocal sound samples.
Cantos de antes
Recording of Beatriz Ferreyra's Cantos de antes. This work was commissioned by the Association pour la recherche et l'Expérimentation Musicale and is dedicated to Simone Rist and Roger Cochini. This piece was created from transformed texts performed by Simone Rist, the voice of Roger Cochini, and other electroacoustic sounds. The composer states that this piece speaks to very old stories lost thousands of years ago.
Cellotronicum
Recording of Michal Talma-Sutt's Cellotronicum. This is a work for cello and computer and was suggested to the composer by the Polish cellist, Andrzej Bauer. It was also commissioned by the "Warsaw Autumn Friends" Foundation with funds from the Ernst von Siemens Musikistiftung. The computer in this work is meant to take the role usually performed by tape and live electronics and is used to transform recorded sounds of the cello.
Chameleon Fantasy (cimbalom and tape)
Recording of Gyula Pintér's Chameleon Fantasy (cimbalom and tape). This is a work for electronics that includes the instrumentation of a cimbalom.
Le Cheval
Recording of Etienne Saur's Le Cheval. This work was created for the retirement of the composers teacher, Pierre Boeswillwald. The composition was an exercise given by his instructor to new students and consisted of cutting and editing snippets of spoken text to create an original phrase or concept.
Chorus
Recording of Robert Normandeau's Chorus. The music is inspired by the subject of the theater play Nathan le Sage by G. E. Lessing written in 1779 which demonstrated the tolerance ideal of that century. The sound material used in the work represents the typical sonorities of the three monotheist religions: the shofar for the Judaism, the church bells for the Christianism and the call for the pray for the Islam.
Chorus of Spring Ice Run
Recording of Pekka Siren and Agnieszka Waligorska's Chorus of Spring Ice Run. This work was composed for the IMEB Synthese project and its premiere. It represents the beginning of spring and the changes in nature that come with it.
Ciauapaua
Recording of Claudio Chianura's Ciauapaua. The composition "ciauapaua" takes its name from the word invented by the child Aruna at the age of three to indicate "cioccolato" (chocolate). It is a piece consisting exclusively of sounds sampled and then modified in DSP, recorded on three tracks (ADAT format). The duration, number, quantity and association of the sound components reproduce with precision a celebrated Italian recipe for the preparation of a chocolate mousse - apart from the final 30 minutes in the refrigerator.
Cloches
Recording of Philippe Moenne-Loccoz's Cloches. This work was created only using one sound, the ringing of a bell, and is meant to represent the season of spring.
Coincidenze
Recording of Marco Dibeltulu's Coincidenze. This work was inspired by the season, Autumn, and its significance in referencing the passage of time and the end of a cycle. This work uses modified concrete sounds as well as electronic sounds.
Cold dislocation
Recording of Jamie Fawcus' Cold dislocation. This piece is a construction of impressions and sound images of winter in Sweden, infused with a sense of abrupt separateness and dislocation from surrounding frames of reference that i experienced whilst walking outside
Collection 1 "Musée sonore"
Recording of Roxanne Turcotte's Collection 1 "Musée sonore". This work consists of 11 movements that the composer has named "sound scenarios". Each of these movements include ambient sounds and elements of nature that tell a story. This work was inspired by the imaginary Tintin museum.
Colours
Recording of Ludger Kisters' Colours. This is an electroacoustic work that includes live Japanese and European instrumentals as well as recorded tape. This piece represents the research of the composer concerning space and sound as the audience is surrounded by musicians. The intercultural, artistic dialogue is based on the collaboration with the Indonesian musician, Dody Satya Ekagustdiman.
Controls
Recording of Jean-Christophe Banaszak's Controls. This is a work for electronics.
Creation
Recording of Rudolf Ruzicka's Creation. This work is a large-scale computer electronic composition and consists of 9 parts each with their own Latin title: Stridor, Clangor, Sonor, Clamor, Fremor, Canor, Fragor, Rumor, and Plangor. This work was made with the help of the CCOMP computer program for the composition of instrumental, vocal, and electronic works. The inspiration behind the work is the concept of creation, especially when considering the significance of man on Earth in both a creative (birth) and destructive (death) sense. This recording is accompanied by a video.
CredoXrequiem
Recording of Ludger Brümmer's CredoXrequiem. For electronics and pre-recorded sound.
The Day
Recording of Minsoo Cho's The Day. This work is intended to reveal the brutality of war. It tells the story of the aftermath of a bomb destroying a city, focusing on the survivors.
Derailed
Recording of Michael Thompson's Derailed. This is an electroacoustic piece that premiered at Rein a voir in Montreal, Canada.
Derivative Two - A Dozen Shades Of Sunlight
Recording of Per Arvidsson Bremmers' Derivative Two - A Dozen Shades Of Sunlight. The composer describes this work as "considering the lightning, the fierce thunder, the angry swarms of flies or the traffic of the city".
Dict-On
Recording of Eric Mulard's Dict-On. This work was composed as part of the open project with the theme "The Seasons". The composer describes this work as a "sound sketch" around old sayings about the weather and seasons.
Doctoral Lecture Recital: 2002-04-22 – David Spencer, trumpet
Doctoral recital at the UNT College of Music Recital Hall.
Doctoral Lecture Recital: 2002-04-22 – Jemmilou Rye Rushing, soprano
Doctoral lecture recital at the UNT College of Music Concert Hall.
Doctoral Recital: 2002-02-04 – Micah Standley, bassoon
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Doctoral Recital: 2002-02-04 – Micah Standley, bassoon
Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Doctoral Recital: 2002-03-05 – Chang-Eun Im, conductor
Doctoral recital at First United Methodist Church, Denton, Texas.
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