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Abstract for the AMS Southwest Chapter’s April 11, 2015 Spring Conference

Description: This is an abstract for a presentation that was given at the American Musicological Society Southwest Chapter's Spring Conference on April 11th, 2015. The presentation was given alongside a poster display. This abstract highlights Serge Jaroff's Don Cossack Choir, which was founded at a Turkish concentration camp in 1921, and went on to perform around the world. This abstract gives details on the history of the choir and the type of concerts that Jaroff gave. In addition, it explains the lack of scholarly attention that Jaroff and his choir have received.
Date: April 11, 2015
Creator: Arnold, Donna M.

Achilles. An opera.

Description: John Gay is credited with inventing the ballad opera, a genre that blends spoken plays and previously composed songs to new texts. Although The Beggar’s Opera (1728) was his most successful endeavor, he continued to compose English musical dramas. Achilles was finally performed in 1733, one year after Gay died. In this story, Achilles appears as a girl named Pyrrha, unknown to most of the inhabitants of the island of Scyros, in order to circumvent a prediction that he will die in battle. Deidamia (the king’s daughter) knows the secret, however, because she is carrying the disguised man’s child. After Achilles’s identity is revealed, he and Deidamia are able to wed. Then, in a fateful twist of irony, Achilles plans to join the Greeks in the Trojan War.
Date: 1733
Creator: Gay, John, 1685-1732

Acis and Galatea

Description: This is a ca. 1743 score of Acis and Galatea, a musical masque (also considered an English pastoral opera) by Handel to a libretto by John Gay. The performance forces include: oboes (2), flauto [recorder], violins, basso continuo, and chorus of mixed voices (mostly soprano, three tenors and bass) and vocal soloists. On the front cover the name Morgan appears imprinted on a red stamp with golden ornaments and letters. The names Anna Maria [Lawes] and Mary Anne Morgan were written at the top of the title page and the inscription, "the gift [of] her uncle T. Morgan, 1808." Underneath the dedication: WH London, 1890.
Date: 1743
Creator: Handel, George Frideric, 1685-1759.

[Adam Nussbaum Lecture, February 28, 1989: Part 3]

Description: Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: February 28, 1989
Creator: Nussbaum, Adam

[Adam Nussbaum Lecture, February 28, 1989: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: February 28, 1989
Creator: Nussbaum, Adam

Alexander's Feast or the Power of Musick.

Description: A secular choral work in two parts for four soloists (SSTB) and mixed chorus (SATB) with orchestra acc. (2 oboes, 2 bassoons, 2 trumpets, 3 violins, viola, violoncello, and continuo). The names of the vocal soloists (Mr. [John] Beard, Signora [Anna Maria] Strada, Miss. [Cecilia] Young, and Mr. Erard) are printed at the top of their designated songs.
Date: 1743
Creator: Handel, George Frideric, 1685-1759. & Dryden, John, 1631-1700.

Artaxerxes. An English opera.

Description: 1763 English libretto for Thomas Arne's opera Artaxerxes. Thomas Arne most likely wrote his own libretto for Artaxerxes, which enjoyed a successful run at Covent Garden beginning on 2 February 1762. Artaxerxes follows the structure of Metastasio’s Italian libretto on the same subject; no other English-language opera has been recognized as following the principles of Metastasian opera seria.
Date: 1763
Creator: Arne, Thomas Augustine, 1710-1778

[Arthur Godfrey and Gene Hall on The Talent Scout Show]

Description: Photographs of Arthur Godfrey and Gene Hall sitting together during NBC's "The Talent Scout Show" that have been attached to a sheet of white paper. The first five photos features the two middle aged men in dark suits, with Godfrey sitting to the left of the bespectacled Hall. Curtains are visible behind the two. A desk microphone sits between them. On the second page, below the two photos of Hall and Godfrey, there is a photo composed of four pictures. The the top two feature Godfrey and Hall again, while the bottom two feature George Mosse playing a clarinet (left) and George Mosse, Gene Murray playing a trumpet, and Phil Elliot playing a trombone. These three men are wearing striped black and white shirts.
Date: 1957

Arthur Godfrey Show - 1957

Description: Photographs of George Mosse (clarinet), Gene Murray (trumpet), and Phil Elliot (trombone) performing on the Arthur Godfrey Show while wearing striped shirts. The top left and bottom right photos show the three men playing together in front of a piano. The top right photo features Murray alone playing the clarinet. The photo on the bottom left contains four images. The top two images on this split photo show Arthur Godfrey (left) and Gene Hall (right) speaking together at a desk with a small microphone between them. The two photos underneath show two more images of Mosse, Murray, and Elliot performing together.
Date: 1957

Arthur Godfrey Talent Scouts - 1957

Description: Photographs of Arthur Godfrey and Gene Hall sitting together during NBC's "The Talent Scout Show" that have been attached to a sheet of white paper. The first five photos features the two middle aged men in dark suits, with Godfrey sitting to the left of the bespectacled Hall. Curtains are visible behind the two. A desk microphone sits between them.
Date: 1957

[Band Performing on Stage]

Description: Photograph of the North Texas State College Laboratory Dance Band performing on stage. They are wearing shirts and ties. From left to right are: a man playing a tuba; a man with his back to the camera playing a piano with its strings exposed; a clarinetist; a banjo player; and trumpeter; a trombonist; and a partially obscured drummer. Handwritten text beneath the photo says "Group simulating old style dixieland - opening number for concert in 1954-"
Date: 1954

Bay Area Community Colleges Information Competency Assessment Project (ICAP)

Description: This presentation details a "collaborative project among community college librarians in the San Francisco Bay Area to develop and field-test an information competency assessment instrument. This competency assessment instrument would "assess community college students' proficiency with information competency skills. This presentation was given as part of the Music Library Association Conference on February 23, 2006.
Date: 2006
Creator: Arnold, Donna M.

Beggar's opera

Description: This is a 1735 fourth ed. of the three-act ballad opera "The beggar's opera" by John Christopher Pepusch and John Gay. It includes the score for the overture (for violins (2), viola, and bass ensemble) and the melodies of each song. The inscription, "Nos haec novimus esse nihil" (transl. as, We know these to be nothing) that appears on the t.p. is an epigram by Marcus Valerius Martialis from his Books of Epigrams. On the back of the t.p. appears the advertisement of these works printed by John Watts: Fifty one new fables in verse; The tunes to the songs in the Beggar's Opera, transposed for the flute; and Gay's opera "Achilles." A table of songs shows the first lines of text for each act. The item includes a list of characters.
Date: 1735
Creator: Pepusch, John Christopher, 1667-1752. & Gay, John, 1685-1732.