Latest content added for UNT Digital Library Partner: UNT College of Visual Arts and Designhttps://digital.library.unt.edu/explore/partners/UNTCVA/browse/?fq=dc_language:eng&start=230&sort=date_d2024-02-15T11:06:42-06:00UNT LibrariesThis is a custom feed for browsing UNT Digital Library Partner: UNT College of Visual Arts and DesignNewspaper Angelfish2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551083/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551083/"><img alt="Newspaper Angelfish" title="Newspaper Angelfish" src="https://digital.library.unt.edu/ark:/67531/metadc1551083/small/"/></a></p><p>Work of art in newspaper by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers". Fish created from current newspaper headlines about the degradation of the oceans</p>33.210659 -97.147261Pastel Pink2021-05-13T08:30:21-05:00https://digital.library.unt.edu/ark:/67531/metadc1796215/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1796215/"><img alt="Pastel Pink" title="Pastel Pink" src="https://digital.library.unt.edu/ark:/67531/metadc1796215/small/"/></a></p><p>Work of art of oil on canvas by artist Hannah Aaron as part of a 2020 MFA Exhibition, entitled "A Narrative Rewritten"</p>Power Punch2021-05-13T08:30:20-05:00https://digital.library.unt.edu/ark:/67531/metadc1796197/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1796197/"><img alt="Power Punch" title="Power Punch" src="https://digital.library.unt.edu/ark:/67531/metadc1796197/small/"/></a></p><p>Work of art of oil on canvas by artist Hannah Aaron as part of a 2020 MFA Exhibition, entitled "A Narrative Rewritten"</p>[View of Installation Title for "Beauty Remains" MFA Exhibition]2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551096/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551096/"><img alt="[View of Installation Title for "Beauty Remains" MFA Exhibition]" title="[View of Installation Title for "Beauty Remains" MFA Exhibition]" src="https://digital.library.unt.edu/ark:/67531/metadc1551096/small/"/></a></p><p>Work of art in digital image by artist Megan A. DeSoto as part of a 2019 MFA Exhibition, entitled "Beauty Remains, Object Portraiture"</p>33.213108 -97.145816Wave of Change2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551172/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551172/"><img alt="Wave of Change" title="Wave of Change" src="https://digital.library.unt.edu/ark:/67531/metadc1551172/small/"/></a></p><p>Work of art in vinyl and post its by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers". Interactive art about the environmental threats to the ocean. Called participants to include prayersor ideas, or to speak out</p>33.210659 -97.147261Will She Miss Me2021-05-13T08:31:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1796427/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1796427/"><img alt="Will She Miss Me" title="Will She Miss Me" src="https://digital.library.unt.edu/ark:/67531/metadc1796427/small/"/></a></p><p>Work of art of tea bags, string, book, Secret Life of Objects by artist Traci O’Dwyer as part of a 2020 MFA Exhibition, entitled "Of My Own Making".</p>Will She Miss Me2021-05-13T08:31:23-05:00https://digital.library.unt.edu/ark:/67531/metadc1796418/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1796418/"><img alt="Will She Miss Me" title="Will She Miss Me" src="https://digital.library.unt.edu/ark:/67531/metadc1796418/small/"/></a></p><p>Work of art of tea bags, string, book, Secret Life of Objects by artist Traci O’Dwyer as part of a 2020 MFA Exhibition, entitled "Of My Own Making".</p>Word Salad2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551101/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551101/"><img alt="Word Salad" title="Word Salad" src="https://digital.library.unt.edu/ark:/67531/metadc1551101/small/"/></a></p><p>Work of art in cotton fabric, cotton batting (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".</p>33.213108 -97.145816You Know What to Do2021-10-31T19:30:02-05:00https://digital.library.unt.edu/ark:/67531/metadc1854160/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1854160/"><img alt="You Know What to Do" title="You Know What to Do" src="https://digital.library.unt.edu/ark:/67531/metadc1854160/small/"/></a></p><p>Work of art in reclaimed textbook, tape, gesso by artist Matthew Johnson as part of a 2021 MFA Exhibition, entitled "Phantom Pain." (Reclaimed surgeon textbook featuring diagrams that were appropriated into pieces in the show, as explained in the Project Report.)</p>Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy2018-08-08T08:27:24-05:00https://digital.library.unt.edu/ark:/67531/metadc1225783/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1225783/"><img alt="Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy" title="Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy" src="https://digital.library.unt.edu/ark:/67531/metadc1225783/small/"/></a></p><p>This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.</p>Observing the Absurd: Artist Statement2019-06-13T07:27:03-05:00https://digital.library.unt.edu/ark:/67531/metadc1506221/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1506221/"><img alt="Observing the Absurd: Artist Statement" title="Observing the Absurd: Artist Statement" src="https://digital.library.unt.edu/ark:/67531/metadc1506221/small/"/></a></p><p>Artist Statement for the MFA Exhibition "Observing the Absurd" as shown at the Cora Stafford Gallery in Denton, Texas.</p>Observing the Absurd: Videos2019-06-13T07:27:03-05:00https://digital.library.unt.edu/ark:/67531/metadc1506213/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1506213/"><img alt="Observing the Absurd: Videos" title="Observing the Absurd: Videos" src="https://digital.library.unt.edu/ark:/67531/metadc1506213/small/"/></a></p><p>Video from the MFA Exhibition "Observing the Absurd" as shown at the Cora Stafford Gallery in Denton, Texas.</p>Business, soft power, and whitewashing: Three themes in the US media coverage of “The Great Wall” film2018-02-28T18:41:07-06:00https://digital.library.unt.edu/ark:/67531/metadc1114895/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1114895/"><img alt="Business, soft power, and whitewashing: Three themes in the US media coverage of “The Great Wall” film" title="Business, soft power, and whitewashing: Three themes in the US media coverage of “The Great Wall” film" src="https://digital.library.unt.edu/ark:/67531/metadc1114895/small/"/></a></p><p>This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.</p>Exhibition Installation View2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551175/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551175/"><img alt="Exhibition Installation View" title="Exhibition Installation View" src="https://digital.library.unt.edu/ark:/67531/metadc1551175/small/"/></a></p><p>Work of art in archival inkjet prints (various sizes) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".</p>33.213108 -97.145816Hope For Change2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551113/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551113/"><img alt="Hope For Change" title="Hope For Change" src="https://digital.library.unt.edu/ark:/67531/metadc1551113/small/"/></a></p><p>Work of art in ceramic sculpture, wood and bronze by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers". The Sea Otter was hunted to near extinction in the 19th century. Now, thanks to their protected status under the Endangered Species Act & Marine Mammal Protection Act, sea otters are making a comeback in California, Washington, and Alaska. Proof that when people come together and fight for change, there is hope.</p>33.210659 -97.147261No Cap2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551019/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551019/"><img alt="No Cap" title="No Cap" src="https://digital.library.unt.edu/ark:/67531/metadc1551019/small/"/></a></p><p>Work of art in charcol and tape on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"</p>33.213108 -97.145816Other2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551055/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551055/"><img alt="Other" title="Other" src="https://digital.library.unt.edu/ark:/67531/metadc1551055/small/"/></a></p><p>Work of art in embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"</p>33.213108 -97.145816Outer Body2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551097/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551097/"><img alt="Outer Body" title="Outer Body" src="https://digital.library.unt.edu/ark:/67531/metadc1551097/small/"/></a></p><p>Work of art in cut cloth and charcoal by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"</p>33.213108 -97.145816Plugged In2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551214/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551214/"><img alt="Plugged In" title="Plugged In" src="https://digital.library.unt.edu/ark:/67531/metadc1551214/small/"/></a></p><p>Work of art in crochet and Knot Wool, Wool Roving (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".</p>33.213108 -97.145816Them Us You2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551090/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551090/"><img alt="Them Us You" title="Them Us You" src="https://digital.library.unt.edu/ark:/67531/metadc1551090/small/"/></a></p><p>Work of art in charcol and embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"</p>33.213108 -97.145816Objects from a Future Past: Artist Statement2019-06-13T07:27:03-05:00https://digital.library.unt.edu/ark:/67531/metadc1506231/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1506231/"><img alt="Objects from a Future Past: Artist Statement" title="Objects from a Future Past: Artist Statement" src="https://digital.library.unt.edu/ark:/67531/metadc1506231/small/"/></a></p><p>Artist Statement from the MFA Exhibition "Objects from a Future Past" as shown at the Erin Cluley Gallery in Dallas, Texas.</p>Perceived ease of use and usefulness of sustainability labels on apparel products: application of the technology acceptance model2018-09-24T13:56:26-05:00https://digital.library.unt.edu/ark:/67531/metadc1248342/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1248342/"><img alt="Perceived ease of use and usefulness of sustainability labels on apparel products: application of the technology acceptance model" title="Perceived ease of use and usefulness of sustainability labels on apparel products: application of the technology acceptance model" src="https://digital.library.unt.edu/ark:/67531/metadc1248342/small/"/></a></p><p>This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.</p>Kimono-inspired dress2022-06-20T11:41:26-05:00https://digital.library.unt.edu/ark:/67531/metadc1944548/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1944548/"><img alt="Kimono-inspired dress" title="Kimono-inspired dress" src="https://digital.library.unt.edu/ark:/67531/metadc1944548/small/"/></a></p><p>Kimono inspired dress. Main body of viscose rayon in ivory and brown spots on black background; hem, sleeve cuffs and bodice detail of silk in red and ivory floral pattern on pink background. Long kimono sleeves; knee length. Center back zipper closure.
Label at center back neckline: "Duro Olowu / London"</p>Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times2017-07-11T19:49:35-05:00https://digital.library.unt.edu/ark:/67531/metadc984092/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc984092/"><img alt="Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times" title="Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times" src="https://digital.library.unt.edu/ark:/67531/metadc984092/small/"/></a></p><p>This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.</p>Search and Find (Diptych)2019-10-02T11:27:25-05:00https://digital.library.unt.edu/ark:/67531/metadc1551174/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1551174/"><img alt="Search and Find (Diptych)" title="Search and Find (Diptych)" src="https://digital.library.unt.edu/ark:/67531/metadc1551174/small/"/></a></p><p>Work of art in Cotton Fabric, Cotton Batting (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".</p>33.213108 -97.145816Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 12018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062084/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062084/"><img alt="Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1" title="Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1" src="https://digital.library.unt.edu/ark:/67531/metadc1062084/small/"/></a></p><p>This article provides retrospective insight on incorporating geographic information systems into medieval studies research.</p>Dress2022-06-06T13:17:47-05:00https://digital.library.unt.edu/ark:/67531/metadc1939790/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1939790/"><img alt="Dress" title="Dress" src="https://digital.library.unt.edu/ark:/67531/metadc1939790/small/"/></a></p><p>Dress constructed of multi-fabric panels in floral motifs on black backgrounds. Midi length. Asymmetric neckline trimmed in black satin ribbon, five black velvet covered buttons and black satin ribbon bow. Long sleeves have burgundy satin ribbon hem; trimmed with five matching black velvet covered buttons over hidden snap closure with double row of snaps on black grosgrain. Shirred shoulders. Center back zipper closure; unlined.
Designer label: Marc Jacobs.</p>Ensemble2022-06-06T13:17:47-05:00https://digital.library.unt.edu/ark:/67531/metadc1939789/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1939789/"><img alt="Ensemble" title="Ensemble" src="https://digital.library.unt.edu/ark:/67531/metadc1939789/small/"/></a></p><p>Dress ensemble of navy blue polyester/wool blend accented with Ndebele-inspired graphic designed fabric.
A) Sheath style dress with center front panel of Ndebele-inspired cotton/elastane blend. Center front split; princess seams; midi length. Sleeveless; rounded neckline. Extra long tie belt. Center back zipper closure. Lined in burgundy acetate/viscose satin striped herringbone.
Designer label: Stella Jean
B) Ulster-inspired cape style jacket echoing the shape of men’s great coats from the early nineteenth century. Double breasted bibbed front. Turn down collar. Side half belts extend from front bib and buckle at back sides. Lined in Ndebele-inspired fabric with "Stella Jean" signature in design.</p>Activewear ensemble2020-04-15T14:36:36-05:00https://digital.library.unt.edu/ark:/67531/metadc1634324/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1634324/"><img alt="Activewear ensemble" title="Activewear ensemble" src="https://digital.library.unt.edu/ark:/67531/metadc1634324/small/"/></a></p><p>Activewear ensemble of jacket, shirt, training shorts, and leg sleeves in floral prints.</p>Bias-cut silk ensemble2024-01-04T20:47:04-06:00https://digital.library.unt.edu/ark:/67531/metadc2221063/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2221063/"><img alt="Bias-cut silk ensemble" title="Bias-cut silk ensemble" src="https://digital.library.unt.edu/ark:/67531/metadc2221063/small/"/></a></p><p>a) Blouse of light pink silk charmeuse, gentle v neckline, sleeveless, center front seam, two oversized bows of self on left shoulder and one oversized tie of self on the right shoulder, hip length, unlined, center back invisible zipper. Label: Oscar de la Renta, P16, 6.
b) Skirt of reverse (dull) side of silk charmeuse, gore construction, draped on the bias, narrow waistband, full length, unlined.
c) Narrow belt of light pink silk faille, belt buckle of oversized teardrop, round, and marquis-shaped faceted stones in champagne or off white and light pink creating symmetrical layout around a large light orange stone, silver-toned metal.
d) Clip-on earrings of faceted stones on champagne or off-white, light pink, and light orange mounted in gold-toned metal.
e) Tank top or shell of light pink silk charmeuse, dull or reverse side visible, unlined, with round neckline on one side and shallow v-neckline on reverse.
f) Wide belt or sash of self with angled ends, no markings.</p>Coat2023-12-14T12:39:21-06:00https://digital.library.unt.edu/ark:/67531/metadc2203657/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2203657/"><img alt="Coat" title="Coat" src="https://digital.library.unt.edu/ark:/67531/metadc2203657/small/"/></a></p><p>Structured coat of bright neon pink or coral wool, oversized bow of self at side neckline, center front buttons, kimono sleeves, knee-length, fully lined in silk.</p>Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created2018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062094/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062094/"><img alt="Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created" title="Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created" src="https://digital.library.unt.edu/ark:/67531/metadc1062094/small/"/></a></p><p>This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.</p>The Lady of the Marshes: Place, Identity, and Coudrette’s Mélusine in Late-Medieval Poitou2018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062068/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062068/"><img alt="The Lady of the Marshes: Place, Identity, and Coudrette’s Mélusine in Late-Medieval Poitou" title="The Lady of the Marshes: Place, Identity, and Coudrette’s Mélusine in Late-Medieval Poitou" src="https://digital.library.unt.edu/ark:/67531/metadc1062068/small/"/></a></p><p>This article discusses the use of the poetic romance, Mélusine or Le Roman de Parthenay, as a tale of identity, place, and the foundational role of women in the creation of dynastic, land-based legacies, supported through visual imagery analysis and theoretical models from cultural geography.</p>Relevant Interdisciplinarity: Taking the Art History Classroom to the Field2018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062052/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062052/"><img alt="Relevant Interdisciplinarity: Taking the Art History Classroom to the Field" title="Relevant Interdisciplinarity: Taking the Art History Classroom to the Field" src="https://digital.library.unt.edu/ark:/67531/metadc1062052/small/"/></a></p><p>This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.</p>Visibility & Control in the Vendee2018-01-23T05:28:11-06:00https://digital.library.unt.edu/ark:/67531/metadc1062087/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1062087/"><img alt="Visibility & Control in the Vendee" title="Visibility & Control in the Vendee" src="https://digital.library.unt.edu/ark:/67531/metadc1062087/small/"/></a></p><p>This article uses fieldwork and the concept of relative aging to argue that the system of canals within the Vendee region of western France were begun in the tenth and eleventh centuries in conjunction with the Maillezais Abbey relocation and rebuilding.</p>Tweed ensemble2024-01-04T20:47:04-06:00https://digital.library.unt.edu/ark:/67531/metadc2221062/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2221062/"><img alt="Tweed ensemble" title="Tweed ensemble" src="https://digital.library.unt.edu/ark:/67531/metadc2221062/small/"/></a></p><p>a) Cropped jacket of black and white textured tweed with braided trim at neckline and center front opening and black and white beaded fringe at hem and cuffs, narrow band collar, center front opening, bracelet-length set-in sleeves, lined. Label: Oscar de la Renta, Spring 2015, 12.
b) A-line dress of black and white textured tweed, high round neckline, sleeveless, natural waistline, center front wide inverted box pleat, knee-length, center back invisible zipper, lined.
c) Belt of black and white textured tweed with oval-shaped buckle.</p>Abstract printed coat2024-01-04T20:47:18-06:00https://digital.library.unt.edu/ark:/67531/metadc2221070/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2221070/"><img alt="Abstract printed coat" title="Abstract printed coat" src="https://digital.library.unt.edu/ark:/67531/metadc2221070/small/"/></a></p><p>Coat of print and white oversize snakeskin print, likely polyester-silk gazaar. Round neckline, three-quarter length sleeves, center front opening without closures, oversize barrel line silhouette, lined in light pink silk. Label:</p>Black cocktail dressBa2024-02-15T11:06:37-06:00https://digital.library.unt.edu/ark:/67531/metadc2280686/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280686/"><img alt="Black cocktail dressBa" title="Black cocktail dressBa" src="https://digital.library.unt.edu/ark:/67531/metadc2280686/small/"/></a></p><p>A: Dress of black viscose, cotton, and silk blend cloque with crinkled embossing. Silhouette has capped sleeves and a dropped waistline followed with a full gathered skirt. Princess seams construct the garment at the center front seam and center back seam with an invisible zipper attached. Label: Balenciaga Edition
B: Belt of black cloque.</p>Book Review: Elizabeth Valdez del Álamo, Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century2018-07-30T12:01:24-05:00https://digital.library.unt.edu/ark:/67531/metadc1213683/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1213683/"><img alt="Book Review: Elizabeth Valdez del Álamo, Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" title="Book Review: Elizabeth Valdez del Álamo, Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" src="https://digital.library.unt.edu/ark:/67531/metadc1213683/small/"/></a></p><p>Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.</p>Brocade shirt dress2024-01-04T20:47:13-06:00https://digital.library.unt.edu/ark:/67531/metadc2221067/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2221067/"><img alt="Brocade shirt dress" title="Brocade shirt dress" src="https://digital.library.unt.edu/ark:/67531/metadc2221067/small/"/></a></p><p>Belted shirtwaist evening dress.
A: Evening dress of grey/taupe organza with gold brocade in abstract floral pattern. Collared, with rhinestone closure at neck. Single-breasted center front closure from top to bottom of gown, with grey/taupe plastic buttons. Sleeves are slightly puffed at the top, 3/4-length with angled cuffs and rhinestone-button closure. Princess-line with natural waist and full-length skirt.
B: Tie belt of grey/taupe organza with gold brocade; angled ends.</p>Floral dress2023-08-07T13:50:54-05:00https://digital.library.unt.edu/ark:/67531/metadc2146423/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2146423/"><img alt="Floral dress" title="Floral dress" src="https://digital.library.unt.edu/ark:/67531/metadc2146423/small/"/></a></p><p>Dress of red and metallic gray wool/silk blend brocade in floral (poppy?) motif. Street length. Sleeveless; sweetheart neckline. Princess seams. Pleats at natural waist. Center back zipper closure; lined in dark gray silk.
Designer's label: "Carolina Herrera / New York"</p>"Tulip Print" evening dress2023-07-05T10:44:13-05:00https://digital.library.unt.edu/ark:/67531/metadc2136348/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2136348/"><img alt=""Tulip Print" evening dress" title=""Tulip Print" evening dress" src="https://digital.library.unt.edu/ark:/67531/metadc2136348/small/"/></a></p><p>Evening dress of red/orange, yellow, brown, blue, and green multicolor "Tulip Print" silk/cotton blend. Strapless, empire waist, with large "Lyla Bow" at back; floor length with slit at center back from knee height to bottom of dress. Label: MILLY, Made in U.S.A. with fabric made in Italy</p>Victor Costa2015-12-06T08:26:05-06:00https://digital.library.unt.edu/ark:/67531/metadc789285/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc789285/"><img alt="Victor Costa" title="Victor Costa" src="https://digital.library.unt.edu/ark:/67531/metadc789285/small/"/></a></p><p>Short documentary on fashion designer Victor Costa. Created on the occasion of Mr. Costa receiving the Legend's Award of the University of Houston's College of Technology in November 2015, the video includes archival still and motion images, interviews with Victor Costa, Robert Sakowitz, Roz Pactor, and Jerry Ann Woodfin Costa. Discusses his early life in Houston, education, and work as a fashion designer. Footage includes early interviews and fashion shows.</p>Dess ensemble2023-07-05T10:44:17-05:00https://digital.library.unt.edu/ark:/67531/metadc2136352/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2136352/"><img alt="Dess ensemble" title="Dess ensemble" src="https://digital.library.unt.edu/ark:/67531/metadc2136352/small/"/></a></p><p>Dress ensemble of black and white cotton-silk blend faille with oversized rose or floral pattern created through ikat or warp-dyed thread technique.
A) Dress of black cotton-silk blend with white floral or rose ikat pattern, sleeveless, round neckline, natural waist, a-line skirt, center back zipper and hook-and-eye closure, fully lined in black silk. Label: Oscar de la Renta, P14, 10, Made in Italy
B) Jacket of white cotton-silk blend with black rose or floral ikat pattern, jewel neckline, center front opening with oversize black round flower buttons over hidden snaps covered in black silk, three-quarter length sleeves, fully lined in black silk. Label: Oscar de la Renta, P14, 10, Made in Italy</p>Ball gown2024-02-15T11:06:42-06:00https://digital.library.unt.edu/ark:/67531/metadc2280689/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280689/"><img alt="Ball gown" title="Ball gown" src="https://digital.library.unt.edu/ark:/67531/metadc2280689/small/"/></a></p><p>Ball gown of delicate machine-made netting lace. Round neckline accented with floral lace, 3/4 length set-in sleeves fitted bodice, natural waist, full skirt with tiers of netting with black floral lace applique, v-neckline at the center back, center back closure, belt of wide back satin ribbon at waistline, lined in light brown with bustier-style bodice. Label: Oscar de la Renta, 12, R14, Made in USA</p>Draped floral dress2024-01-04T20:47:02-06:00https://digital.library.unt.edu/ark:/67531/metadc2221061/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2221061/"><img alt="Draped floral dress" title="Draped floral dress" src="https://digital.library.unt.edu/ark:/67531/metadc2221061/small/"/></a></p><p>a) Day dress of silk faille with yellow, green, and white painterly floral pattern, wide round neckline, sleeveless, modified princess seams creating draped effect diagonally across bodice, natural waistline with darks throughout skirt into waistline, center back invisible zipper, a-line knee-length skirt, fully lined in silk. Labels: Oscar de la Renta, S14, 10.
b) Narrow belt of self with self-covered rectangular buckle</p>Floral ikat dress2024-01-04T20:46:59-06:00https://digital.library.unt.edu/ark:/67531/metadc2221060/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2221060/"><img alt="Floral ikat dress" title="Floral ikat dress" src="https://digital.library.unt.edu/ark:/67531/metadc2221060/small/"/></a></p><p>Cocktail dress of white silk faille with small black polka dot and multicolored floral ikat pattern (in red, pink, yellow, greens, and purple). Bodice with bateau neckline, sleeveless, (taken in slightly at underarms,) shallow vertical darts from horizontal band from empire to natural waist, low rounded scoop back, invisible zipper; a-line knee-length skirt, pockets at side seams, wide band of crinoline at hem of skirt; lined, Hong Kong seams. Labels: Oscar de la Renta, S14, 10.</p>Digitally printed dress2022-06-20T11:41:26-05:00https://digital.library.unt.edu/ark:/67531/metadc1944547/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc1944547/"><img alt="Digitally printed dress" title="Digitally printed dress" src="https://digital.library.unt.edu/ark:/67531/metadc1944547/small/"/></a></p><p>Sheath style dress of digitally printed silk knit in black and magenta tones with tree pattern with an engineered print. Knee length; long sleeves; rounded neckline.
Designer's label at center back neckline: "Mary Katrantzou"</p>Brocade coat2023-07-05T10:44:16-05:00https://digital.library.unt.edu/ark:/67531/metadc2136350/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2136350/"><img alt="Brocade coat" title="Brocade coat" src="https://digital.library.unt.edu/ark:/67531/metadc2136350/small/"/></a></p><p>Coat of white silk/polyester blend with brown and black leopard print in gradient with center motifs more sparse and revealing white ground, swing silhouette and mid-thigh length, revers collar accented with large black button, center front hidden button placket marked with black top stitching, long set-in two-piece sleeve with cuff detail, vent at center back, fully lined in black silk. Label: Marc Jacobs</p>Brocade skirt2023-07-05T10:44:16-05:00https://digital.library.unt.edu/ark:/67531/metadc2136351/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2136351/"><img alt="Brocade skirt" title="Brocade skirt" src="https://digital.library.unt.edu/ark:/67531/metadc2136351/small/"/></a></p><p>Skirt of white silk/polyester blend with brown and black leopard print in a gradient from dense and dark to more sparse and whiter from left to right, straight silhouette, narrow waistband, center back zipper and hook-and-eye closure, fully lined in black silk. Label: Marc Jacobs, 6.</p>