UNT College of Visual Arts + Design - 8,803 Matching Results

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Headpiece

Description: Headpiece of off-white satin. Designed as an open oval ring, the headpiece is made of a 1 inch wide stuffed headring overlaid with a veil of black net with embroidered floral forms. The veil extends down at front, and is gathered at sides. Retailer's label: "Neiman-Marcus"
Date: 1955~

Headpiece

Description: Headpiece, possibly for a wedding. The headpiece is formed as a "butterfly" shaped wired under-structure covered with white velvet, curved to fit the wearer across the top of the head from ear to ear. The "wings" of the butterfly are covered with a wide white mesh, and on each side is a large artificial flower of white taffeta and white velvet, with green velvet leaves with rhinestones. Some remains of beige veiling. No labels or tags.
Date: 1955~

Headpiece

Description: Headpiece of black satin. Headpiece formed as an openwork braided cylinder made of three thick black satin segments. Black grosgrain ribbon inner band, to which is sewn a brown plastic comb to help fasten hat to wearer's head. No labels.
Date: 1940/1970

Headpiece

Description: Headpiece of chicken wire, sequins, and beads. The bandeau or tiara form has a base of curved metal fitting across the wearer's head, on top of which is a segment of chicken wire which is embellished with sequins, glittery material, beads, and one small rhinestone brooch at center.
Date: 1930~

Headpiece

Description: Headpiece of moderately muted red orange velour. The covered wire bandeau is designed to be worn over head, encircling ears, and has about thirty velour loops accented with eight randomly tied dangling pendants. Each pendant consists of three silver-colored globular beads and three silver oval beads and one larger white opaque globular glass bead at the end of each pendant. Donor stated that the piece had been worn by the Russian ballet dancer, Anna Pavlova.
Date: 1920

[Hearse]

Description: Photograph of a hearse in Hiroshima, Japan. The hearse is visible in the foreground driving across a bridge. The city of Hiroshima is visible in the background.
Date: 1978
Creator: Gough, Ray

[Heian Shrine]

Description: Photograph of the Heian Shrine in Kyoto, Japan. The front of a building is visible in the foreground. A covered stairway is partially visible in the right foreground. The building has a black tile roof.
Date: 1978
Creator: Gough, Ray

[Heian Shrine]

Description: Photograph of the Heian Shrine in Kyoto, Japan. The shrine is visible in the left foreground. A person walks by the shrine. Another building and trees are visible in the background.
Date: 1978
Creator: Gough, Ray

[Heian Shrine Garden]

Description: Photograph of the Heian Shine Garden in Kyoto, Japan. Numerous workers are visible in the foreground. Some workers gather leaves while others trim trees on ladders. Trees are visible in the background.
Date: 1978
Creator: Gough, Ray

[Heian Shrine Garden]

Description: Photograph of the Heian Shrine Garden in Kyoto, Japan. The roof of an open building is visible in the foreground. The roof arches as well as the wooden beams underneath. Tree branches intersect the frame in the foreground.
Date: 1978
Creator: Gough, Ray

[Heian Shrine Garden]

Description: Photograph of the Heian Shrine Garden in Kyoto, Japan. In the foreground, a wooden pavilion extends over the water. People sit on the benches of the pavilion. Trees on the shore are visible in the background.
Date: 1978
Creator: Gough, Ray

A Hen

Description: The nautilus shell is enhanced with the addition of sculpted gold turning the shell into the shape of a hen.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: unknown
Creator: Jamnitzer, Christoph

[Henry Moore Sculpture]

Description: Photograph of a Henry Moore sculpture in Rotterdam, Netherlands. In the foreground, the sculpture and a tree stand in front of a hedge; rows of tall trees are visible in the background. The photograph was taken in the Het Park during the Floriade Festival.
Date: July 1, 1960
Creator: Gough, Ray