UNT College of Visual Arts + Design - 224 Matching Results

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Boots
Pair of boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The medium height, stacked heels are rounded at sides and back, and are curved at front, tapering slightly to ground. The sole is of tan leather. The shoes are lined in off-white cloth. The base of the heel is of brown rubber(?) with molded marks. Maker's mark in sole: "Hamilton-Brown / Makers / [illeg] Molded into heel: "Cushion Comfort Heel 2" Stamped in lining: "450 24512H"
Boots
Pair of boots or "High Button Shoes" of gray/very pale blue leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. The sole is of tan leather. Shoes are lined in matching leather and off-white cloth. Retailer's stamp on lining: "Byrn's Boot Sh [partly illeg] / Kansas City"
Boots
Pair of black suede boots. Ankle-height boots of black suede, with pointed toes and decorative stitch accent at opening. Black suede tassel on heel from opening. 2 1/4" high "stacked" spike heel of black leather(?). Upper is lined in black leather, inner sole lined with red leather. Sole of dark brown leather. Stamped in each shoe: "Anne Klein / New York". Stamped on sole: "Anne / Klein / Made in Italy / 7 1/2 / M"
Boots
Pair of lady's boots of black leather and wool broadcloth. The "high button shoes" are designed with pointed toes gently rounded at tips. The lower part, including vamp, are of black leather. The upper part is of black wool broadcloth edged at scalloped top with black leather, and with black leather accent band running from heel partly up the back of the boot. The boots lace up along the front with 20 holes. Lined at top with reddish/orange fabric, the body of the shoe lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Stamped notation inside: "3 1/2 B R251"
Boots
Pair of boots or "High Button Shoes" of black leather. The shoes, designed with rounded pointed toes, lace closed along center front with laces 16 holes high. The low, stacked heels are rounded at sides and back, and are curved at front. The sole is of black leather. Shoes are lined in black leather and off-white cloth. The base of the heel is of black rubber(?) with molded grips. Manufacturer's mark molded into heel: "[Image of a walking man] / Healthway / USA". Stamped into sole: "Combination / Last" Handwritten notation on lining: "4/1/6 18261* / 51|23"
Boy Leading a Horse
This painting depicts a nude young boy leading a gray horse in a barren landscape.
Bridge Over the Riou
No Description Available.
Bronze Figure
No Description Available.
Bull Temple
This close detail view shows the figure of a nude goddess.
Capelet
Capelet of dark brown to black plush, possibly silk and cotton, resembling seal fur. Rounded roll collar trimmed in brown soutache braid stitched with a line of purple thread and black glass or jet beads. Center front opening with hook & eye at neck. Trimmed in light brown with purple soutache braid and hexagonal prism, black glass beads. Collar and center front opening bound by black braid (appears to have been added after the original garment was made). Fully lined in a printed polished cotton (not original) of black with looping rope design and repeated fan shapes of pale blue, red, and cream.
Champagne Glass
The champagne glass is in the iridescent Favrile decorative technique developed by Tiffany.
The Charge
The vertically oriented postcard depicts in a monochromatic palette some soldiers fighting with one down, partially seen. There is some Japanese script in the upper portion in a heavy black font.
Charing Cross Bridge, London
No Description Available.
Child's Dress
Child's "apron" dress of woven red and blue striped flannel with collar and one box pleat in front. Center front opening with snap at neckline. No belt - possibly missing.
Christ with Meek
Inside a dark building, several people are seated, kneeling and standing presumably listening to a man with a halo, Christ.
Church at Murnau
No Description Available.
The Clown
Seated in the middle of the room is a man wearing a woman's ruffled skirt and pink jacket. At his feet is an umbrella. The room appears to be elegant in its appointments and the wallpaper is striped with flowers.
La Coiffure
The painting shows the unclothed back of a female who is sitting at a dresser in front of a mirror with her arms raised fixing her hair. There is what appears to be a red garment with white trim around her lower body. A small, yellow pot holding red flowers sits on the dresser and a white fabric circles around the edges of the dresser.
The Coming Storm
A landscape painting of a storm approaching over a lake.
Commemorating the Launching Ceremony of the Japanese Battleship Kurama
A stylized sun rises in the background to shine upon flowers, doves, and a hammer.
Commemoration of the Victory of the Japanese Troops
The vertically oriented postcard features a soldier on horseback carrying a flag in the foreground and the background insert includes a line of soldiers in outline and a portrait of a man and a woman in oval monochromatic insets.
Consuelo Vanderbilt (1877-1964) Duchess of Marlborough
The portrait depicts the young woman in a fur coat and a large hat. The drypoint is in black on a cream color paper.
Couple in Cloud Roundel
A roundel floats in the top half of the vertically oriented postcard and silhouetted in white is a couple.
Couple with Umbrella Behind Tree
A large tree trunk figures prominently in the composition and a couple behind the tree are underneath an umbrella. The colors of the postcard are muted and along the left hand edge is some Japanese text.
Dance
This painting contains five nude figures, holding hands, dancing in a circle on a green foreground with a background of a dark blue.
Day Coat
Daytime coat of black wool for mourning wear. The princess-line shell of the coat falls to mid-calf with a scalloped hem, and has a high standing band collar lined with a gathered black silk ruffle. The ruffle is edged with two narrow bands of ruching and is embellished with cut-work backed in black silk, the cut-work edged with black grosgrain ribbon decorated with black beads and jet. From the center front of the collar, trailing black silk ribbon accents fall to knee-length, and four knee-length ribbons are finished with beaded tassels. The coat has full-length, shaped, slightly flared sleeves that gather into the armseye and are embellished with cut-work motifs and beading as the collar. The cuff edges are faced with box pleated bands of black silk ribbon. Center-front opening of coat with black wool placket facing from neck to waistline, and is secured with seven hook & eyes. Two more hook & eyes catch the front opening at mid-thigh and knee-level. The coat front and back are embellished with black silk backed cut-work and beading as the collar and sleeves. Fully lined in black silk. Black waist tie secured to lining.
Death of Ellenai
The detail of the painting shown is a close view of the soldier kissing the woman's foot.
Death of Ellenai
The vertically oriented painting depicts a man kissing the feet of a supine woman in a barn. Next to the woman hangs a row of animal hides.
Delphos tea gown with belt
Woman seen from the rear, modeling Delphos silk tea gown designed in 1907. The gown is made of silk and embellished with glass beads.
Les Demoiselles d'Avignon
Painting of five nude female prostitutes from a brothel on Carrer d' AvinyĆ³ in Barcelona,Spain. This particular painting style is considered to be a forerunner for both Cubism and Modern art.
Dress
Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Dress
Dress of midnight blue velvet with cream silk(?) bodice overlaid with pleated sheer black fabric. Rounded neckline edged with black lace, with wired standing collar at back of neck. Long pointed sleeves of matching velvet with wide collars of black net/corded lace overlaying cream silk sleeves trimmed with cream lace. Long, full skirt gathers onto waist under a 3" wide, attached velvet belt trimmed with net covered in black sequins and jet beads with round buckle. Hem with wide black net/corded lace band over sheer black silk(?), with narrow triple-layer black silk gauze ruffle at bottom. With accompanying bolero style vest of black net with applique cording/corded lace. Fastens across front with narrow ribbon of midnight blue velvet with central "pendant" butterfly of black sequins and jet bead as head of butterfly.
Dressing Gown
Dressing gown/wrapper of black peau de soie. Mother Hubbard style, full-length, shawl collar trimmed with 2 tiers of ruffles of same, and white lace and black velvet ribbon and then bands of white cording overlaid with/couched down with black stitching. Long sleeves with turned 3" back-turned cuffs with white cording and black velvet trim. Hook and eye closure CF. Long velvet ribbon ties at throat. Pleated at center back, with short horizontal diamond-shaped "belt" across lower back, below which is more pleating. Label: "Meyer Jonasson & Co / Pittsburg. New York"
Driving Coat
Driving Coat or "Duster" of light tan linen (blend?). Full-length, wide skirted, with high neckline and black collar having wide points at front. Single breasted opening set to left of center, with two hidden small white buttons (1 at throat, one at left collar bone), and five large circular buttons with black outer rims and center of the tan linen. Full-length sleeves with wide turned-back cuffs faced with black and with two non-functioning buttons matching but smaller than opening buttons. Two large patch pockets at hips. Unlined. No labels in garment.
Drum
The drum is held aloft by two sculpted figures.
A.E.G. Turbine Factory
South (main) faƧade with pediment
A. E. G. Turbine Factory
The view of the exterior detail of a steel structural hinge is visible from the sidewalk.
A. E. G. Turbine Factory
The detail view shows the southeast corner with rounded stone edges and legs of the steel hinged arch.
A. E. G. Turbine Factory
The exterior view shows a portion of the main entrance and a raking view of the long side exterior wall. The view is from the southeast and shows the steel hinged arches showing through the surface.
A. E. G. Turbine Factory
The view is a close detail of the surface treatment of the stonework.
A. E. G. Turbine Factory
The view is from the sidewalk and shows clearly the steel arched frame pieces.
The Equatorial Jungle
Oil painting depicting a jungle scene filled with vegetation and flowers, as well as several animals.
Family of Saltimbanques
Painting of six circus performers, one wearing a harlequin costume, another performer dressed as jester stands behind a young ballerina with a basket of flowers. Also pictured are two young boys and a seated woman wearing a long skirt.
Fan
Folding fan. Thin polished wood or bamboo guards lacquered a dark mahogany. The thin sticks are dyed purple. Paper leaf with hand-painted abstract design of flowers and foliage on a reddish ground. Metal bail. Reverse is unadorned. No visible labels or marks. Gift of Mrs. Arthur Kramer, Sr., from the original Dallas Musuem of Fashion collection.
Fan
No Description Available.
Fan
No Description Available.
Female Student in a Parody of the Wisteria Maiden
The vertically oriented postcard contains a depiction of a woman in a simple gown and cape, holding an umbrella, amongst some leafy vines. The ground of the card stock is tan, the woman's hat and cloak are black, and the vine is green as is the simple line indicating the woman's sandals.
The Frenchman
bust-length
Geese, Anti-Clerical Caricature
Six clergy are seen in profile behind the silhouettes of nine geese.
The Giantest Snowball
The painting depicts a group of five boys rolling a large snowball. More boys can be seen playing in the background. The palette consists of muted tones in grays and browns. Snow is on the ground and city buildings are in the background.