UNT College of Visual Arts and Design - 487 Matching Results

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[handmade paper and silkscreen on cotton velveteen artwork]
This detail view of the artwork shows the geometric shapes that float through the atmospheric landscape. The colors are in the dull pink, muted blues and beige ranges. Deep space is depicted with mountainous shapes reaching into water.
[handmade paper art]
The detail view of the artwork includes some grid shapes floating horizontally on a pale pink background.
[handmade paper art]
The long horizontal background holds several square and rectangular shapes floating from one side to the other. The background is a pale pink or white and the rectangular and square shapes range from a dark green to a gray as well as white and light blue.
[handmade paper art]
The detail view of the handmade paper piece consists of several floating oval shapes and some colored string moving in a loose horizontally direction. The colors are light and muted from pale pinks to grays and purples.
[handmade paper bowl]
The bowl shape constructed of handmade paper is decorated by floating geometric shapes and muted pinks, oranges, blues, grays and browns.
[handmade paper on silk artwork]
This horizontally arranged artwork consists of both geometric and ribbon shapes floating through the space from side to side. Frame shapes move at different angles and are connected by stripes in the background and two reddish ribbons weaving through the geometric shapes.
[handmade paper on silk artwork]
This detail view of the artwork shows the texture of the handmade paper in strips and geometric shapes. The background silk consists of images of cloud forms and geometric structural type lines that echo the handmade paper shapes.
Hat
Hat of purple felt. The hat is visually similar to a toque, but is designed with a domed crown and a brim that turns upwards vertically, forming a high band around the crown. Around the crown is a band of purple ribbon. The hat is unlined, with a black grosgrain ribbon inner hatband. Designer's label: "Adolfo II / New York Paris" Stamped inside: "100% Wool / 'Excello' / Made in U.S.A. / Geo. W. Bollman & Co., Inc."
Hat
Hat of newsboy cap style in brown felt. Unlined. Label on inside crown: "U.B.U / streetwise hats / Made in England"
Hat
Hat of yellow straw. The woven straw hat has a boxy, cylindrical crown, flat on top. The brim is also of yellow woven straw, and turns up to to vertical very close to the crown forming a high "wall" around the crown. Crown is unlined, with a pink grosgrain ribbon inside around the base of the crown. Sewn to inner ribbon band is designer's label: "Frank Olive".
Headband
Headpiece. Turban-like ring or headband of olive green rayon. Pleated horizontally with a "cross-over" at front which is edged with pleated scallops of same fabric. Label sewn inside: "Zandra Rhodes / London", with hand-written notes: "100% Rayon / England"
Headband
Headpiece. Turban-like ring or headband of olive green rayon with a central horizontal band of twisted fabric with single large knot. Bordered all the way around at top and bottom by two layers of the same fabric, pleated and scalloped. Designer's label sewn inside: "Zandra Rhodes / London", with hand-written notes: "100% Rayon / England".
[Innsbruck]
Photograph of a street in Innsbruck, Austria. The street is filled with people and outdoor cafes. A ship sign overhangs a doorway in the right foreground. Buildings of multiple colors line the streets. Red and white flags are mounted on the buildings.
[Innsbruck Street]
Photograph of a street in Innsbruck, Austria. The street is lined with buildings on both sides. Many people walk on the street. In the top right foreground, a metal ornament extends from the building..
[Ironwork]
Photograph of ironwork on the St. Vitus Cathedral in Prague, Czech Republic. In the foreground, an ironwork grid is visible with three small iron sculptures attached. The sculptures depict figures at work and two small fish. Stone walls of the cathedral are visible in the background.
It's Not Always Black and White
The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure.
It's Not Always Black and White
A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black.
Jacket
Jacket of off-white linen. Fitted, waist length jacket with wide, notched collar and long sleeves with 3" cuffs and two white, circular buttons and barred buttonholes. Two patch pockets at bust line. Unlined. Combined designer's/retailer's label: "Christian Dior / for / Lou Lattimore, Inc. / Paris New York" Care label to right of designer's label. Lot/size tag at right underarm (faded): "Lot / Size 10" With tie belt for jacket of same fabric; 1" wide.
Jacket
Jacket of black wool twill. Three button single breasted fastening with tailored buttonholes; notched collar. Long sleeves which are wide at the elbow. Tails in back and asymmetrical front-left is cut shorter than right. Unlined. Designer's label at center back neckline: "Yohji Yamamoto; Fabrique Au Japon/Made in Japan; 100% Laine/100% Wool; Nettoyage A Sec Perchorethylene. Sechage Doux En Machine. Repasser Au Fer Doux.; Dryclean Perclorethylene. Tumble Warm. Warm Iron."
Jacket
Box jacket of navy blue wool with cutaway hem. Notched collar. Single-breasted with 5 button closure and tailored buttonholes. Welt pockets at left breast and at hips. Long, set-in sleeves with 3 smaller, non-functioning buttons at hem. Sleeves and back panel lined in black acetate. Designer's label at center back neckline: "Yohji Yamamoto" Also has fiber content, size and cleaning instructions on designer's label. Content/care label attached to inside hem of right pocket.
Jacket
Jacket of Golden Spotted Seal fur with rounded collar and lapels; double breasted button accents with buttons of pearl grey circle set in gold metallic soft square; 4 fur covered belt loops, 2 on front and 2 on back, front belt loops are accented with self-buttons (right side button missing); two slit pockets at sides are lined in grey silk satin; long sleeves, pockets and jacket opening are trimmed in leather piping; 2 concealed metal hook and leather eye closures, one at bust and one at waist; fully lined in grey silk satin; hits at below hips. Label inside coat: Expressly made for William Schmidt/ OSLO/ 1853. With belt of black leather with oval, silver metal buckle; 2” width.
Jacket
Box jacket of black wool with cutaway hem. Notched collar. Single-breasted with 5 button closure and tailored buttonholes. Welt pockets at left breast and at hips. Long, set-in sleeves with 3 smaller, non-functioning buttons at hem. Unlined. Designer's label at center back neckline: "Yohji Yamamoto" Also has fiber content, size and cleaning instructions on designer's label. Content/care label attached to inside hem of right pocket.
Jacket
Varsity style jacket with front of mustard colored wool felt. Knit male kabuki style face on back. Center front zippered opening with snap at neckline. Wide rolled collar of black corduroy has 5 snaps. Left black corduroy and right red corduroy sleeves are zippered and detachable; cuffs have snap closure. Black corduroy waistband closes with 2 snaps. Two angled pockets at hips and patch pocket at left front with embroidered patch of male kabuki style face. Lined in yellow quilted polyester. Designer's label at center back neckline: "Yamamoto / Kansai"
Jacket
Jacket of black, green, red, pink, and yellow flannel in a large, painterly plaid pattern. The jacket is just below hip-length, and has a round neckline and no collar. Center front closure has a zipper with a gold metal rose charm pull, matching the pulls of the zippers on the two diagonal slit pockets at hips. Long-sleeved, with three non-functional buttons at wrists, formed as coiled snakes/spirals of gold metal. The jacket has inner shoulder pads and is fully lined in black satin. Designer's label: "Ungaro / Parallele / Paris"
[Jerzy Popiełuszko]
Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The background is red with the figure depicted in black and a thin white halo around his head. In the margins, registration marks can be seen for creating multiples of this image.
[Jerzy Popiełuszko]
Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The figure is depicted in black on a white background. In the margins, registration marks can be seen for creating multiples of this image and in the lower right are the handwritten in pencil words, kolor czarny (drugi), color black, second.
Jest Wielka noc będzie zmartwychwstanie
Postcard used in the Polish Solidarity movement during the 1980s depicting the side view, in black outline, a ram holding the Polish flag. The text above and below the image is also in black.
[Jesuit Church]
Photograph of the interior of the Jesuit Church in Vienna, Austria. An ornate window is visible in the foreground. The window is encased in green marble with gold painted highlights on a white marble wall. A pink curtain is visible through the window. The church is located on the Dr. Ignaz Seipel-Platz.
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines.
[Jesus Statue]
Photograph of a tall pillar with a statue of Jesus in Austria. The pillar is visible on the right side covered with statues. Stone figures climb up the tower. Jesus is at the top. A building is visible in the background.
Jules
No Description Available.
[Karlskirche]
Photograph of the Karlskirche in Vienna, Austria. In the foreground, a black sculpture is visible in a pool of water. The left side of the church facade is visible in the background. The Karlskirche was designed by the architect Johann Bernhard Fischer von Erlach.
Kilkenny Circle
This floor piece consists of 195 stones arranged in a cirle.
Kościoły Lwowa: Herb Lwowa, Polska; Katedra Ormianska, Polska; Katedra Łacińska, Polska; Katedra Unicka, Polska
Postage stamps used in the Polish Solidarity movement during the 1980s depicting churches in the once Polish town of Lwowa, Poland, now L'viv, Ukraine. The background is silver with black depictions for the church structures and the crest. The words, Poczta Solidarność [Solidarity Stamp], are in red at the bottom of each stamp.
Ku Lepszemu Jutru Teraz od Nowa Dynamiczny Rozwój coś Drgnęło
Stamps used in the Polish Solidarity movement during the 1980s. On the left side of each of the four, a man's face is depicted in black. On the right side a number, 40 PRL, 30 PRL, 20 PRL, and 10, 40 LAT PRL, a red line aligns each stamp and forms a unified design that depicts a plummeting red mark.
[Lama Temple]
Photograph of a man exiting a building in the Lama Temple of Beijing, China. Another man in similar dress is seen within the doorway. The two men wear long black dresses with red sashes.
Laments (I Want to Live...)
A marble sarcophagus and a LED sign comprise this artwork.
Land
No Description Available.
The Last Automat I
The spout of a coffee or tea vending machine is depicted along with some cups along the right hand side of the painting.
Lato 1953, obóz Berlin; Jesien 1956, obóz Budapest; Wiosna 1968, obóz Praga; Zima 1979, obóz Kabul; Poczta Podziemna 50 złoty
Postage stamps used in the Polish Solidarity movement during the 1980s depicting uprisings and invasions leading up to the 1980s Polish Solidarity movement.
[Latticework]
Photograph of a building in the Yu Garden of Shanghai, China. The open passageway of a building is visible in the foreground. Two wooden latticework windows are visible on the back wall. A tree is growing out of the roofline in the top of the frame.
Let's Spend Some Time Together, Number 2
This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground.
Lever No. 3
Sculptural of a large dark brown organic shape with a long curved piece attached.
[Li River]
Photograph of the Li River in Guilin, China. The river crosses the foreground. The river bank is visible in the middle ground. A mountain range rises behind the river bank.
Life's Cycle
The artwork depicts a partial circle of geometric shapes through which float some small oval shapes which float out of two vertical white containers. The ground of the piece is a gradation of pale blue to a darker blue at the top edge.
Life's Cycle
The textured artwork consists of pinks and blues predominately. Geometric shapes float on a blue woven background. Making a circular arc, partially seen, are some wedge shapes with pink tops and turquoise sides. At the far left are two cylindrical pink and purple shapes. Floating among the larger shapes are many small open ovals and open chevron shapes.
The Light from a Shoji Window
The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition.
[Lingyin Temple]
Photograph of an open pavilion in the Lingyin Temple of Hangzhou, China. Multiple people with umbrellas walk along the path in front of the pavilion. Trees fill the frame behind the pavilion. The pavilion has red supporting columns and a tiled roof covered in green plant life.
[Lingyin Temple]
Photograph of a stone figure in the Lingyin Temple of Hangzhou, China. The seated figure is carved into the surrounding rock.
[Lingyin Temple]
Photograph of the Lingyin Temple in Hangzhou, China. A white structure is barely visible in the foreground. The structure is covered by green foliage. There is a stone pathway leading to the structure. The background is filled with trees.