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[Poster for a Lecture by Dr. David Darts]
Poster for a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" which was the 4th annual D. Jack Davis Endowed Lecture in Arts Education. The poster includes a photograph of Darts with children at a playground as well as details about the lecture, held at UNT on the Square on Wednesday March 9, 2011, and logos for UNT and the College of Visual Arts + Design.
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.
Untitled
The digital photograph with its pale blue background depicts on the left side of the frame white overlapping planes that create the sense of movement. Some yellow color enters the frame of the work in the lower right hand corner.
Untitled and Sew Bits
Two sleeveless white dresses are shown in this view of the exhibition entitled From Here to There: Practice, Form, and Meaning that was hosted in the UNT Art Gallery from May 22 to August 4, 2012.
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.
Child's Dress
Tunic-style dress for a child. Of off-white cotton with an intricate floral motif print in various shades of greens and pinks outlined in a thin line of grey; yoke with shirring at center-back and pin pleats below yoke at center-front; 1” straps with tiny floral print of pinks; yoke is lined in off-white cotton and dress has attached under-layer with 1 ½” hem that matches print on straps; A-line silhouette.
[Poster for The Politics of Taste Symposium]
Poster advertising a symposium titled "The Politics of Taste in Eighteenth and Nineteenth-Century Latin America" held at Meadows Museum, Southern Methodist University in Dallas Texas, September 17, 2010. The poster includes an illustration of a colonial-era gentleman and a map of Central and South America. Text on the right side of the poster describes the topic of the symposium, lists the speakers, and gives details about the time and location.
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.
Round Soffit Vent
The brooch is in the shape of a round soffit vent.
Untitled
This digital photograph depicts standing figures in black and white superimposed with secondary figures in bright colors. The composition in horizontal.
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse.
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse.
Geography, Archaeology, Art History: A Case Study for a Multidisciplinary Approach to Mapping Architectural Heritage
This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot.
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint.
Platform Pumps
Platform pumps of tan Napa leather. The shoes are created so that seven spaced bands of leather rise from the 1" platform and wrap around a single main strap that runs from throat and around heel. The spacing of the bands create an open toe and open sections along the sides of the feet. The 4" modified continental stacked heel is rounded at back and sides and straight across front, and tapers sharply to base. Designer's label inset in sole: "dusica / kotur / sacks hand made in it italy"
Pumps
Pair of woman's pumps of bright tan / golden / honey colored leather. Designed with pointed toes, the shoes have horizontal black stitching following the shape of the shoes over all of the surfaces, creating a striped effect. 4 1/2" spike heel covered with the same leather. Designer's label of tooled copper leather inset in insole: "Rupert Sanderson / London" Impressed in sole: "38"; "Rupert Sanderson"; "Vero Cuoio" and "Made in Italy"
Pumps
Pumps of ombre violet leather fading from light purple on the heel toward darker purple on the pointed toe. Pyramid 4" heel of shaded purple/violet striped felt with braided black cord between sections.
Pumps
Pair of woman's pumps of iridescent gold leather. Designed with rounded, open toes, inner sides cut-away. The leather has lightly scored parallel lines over the surface, creating a striped effect. Elongated wedge-style heel 4" high. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 38"; "EUR / 40" and "USA / 9"
Pumps
Pair of velour, canvas, and leather pumps. Designed with pointed toes, the pumps have uppers of bright green, red, and navy velour, and black canvas in lengthwise stripes. Along bottom edge of upper is a pebbled leather band which is textured to resemble alligator and which is accented with brown stitching. Stiletto heel 3" in height covered with same textured leather. Suspended from top edge of heel is a gold charmed shaped as an "R". Maker's mark stamped in gold inside shoe: "[R logo] Roberta di Camerina" Stamped on sole: "Vero / Cuoio" and "37". Applied sticker on sole with pictograms indicating which parts are leather.
Sandals
Pair of woman's high-heeled sandals of multi-colored metallic leathers. Designed with rounded, open toes, the shoes have a vamp of an open-work figure 8 created by dark and light blue and violet braided leather bands. Bands of same leather extend from sides of vamp along sides of sandal to heel. Openwork heel formed of same braided leathers in inverted teardrop or petal shapes radiating from heel, and with upper band arching over the heel. Insole of metallic blue leather with inlaid teardrop shape of violet leather. 4" high heel rounded at sides and back tapers to ground and is covered with iridescent blue/great material. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 35"; "EUR / 37" and "USA / 6" Size sticker on sole: "36"
Sandals
Pair of woman's sandals of black suede. Designed with pointed toe, the slip-on sandals have two wavy-edged black suede bands crossing at instep, and a second pair of similar straps extending from heel and mid-foot to cross at slightly below ankle. At each crossing is mounted a faceted clear crystal set in a silver filigree rosette of four petals. 3 1/2" spike heel is covered in black satin. Tan leather sole. Maker's logo/label stamped in gold on cream leather inset in insole: "[logo of T bracketed by facing L's within oval] / Couture / Les Tropeziennes" Stamped in gold on sole: "Made in Italy / Vero Cuoio"; logo repeated; "Les Tropeziennes" and "35".
Sandals
Pair of woman's sandals of pink and silver metallic leather, white leather, and black patent leather. Insole/sole of silver leather with pink leather inner section. Across instep is narrow band of pink, white, and black leather segments set with a single square black faceted gem mounted in silver colored metal. A second matching strap extends from insole, curves across instep, threads through a similar band, then continues around back of heel and back down to reattach to insole on same side it began. This band also set with two square faceted black gems. 3" high spike heel is thick, covered with black patent leather on sides and back and brown leather as sole on front. Designer/Maker's label stamped on insole at heel: "RODO / Since / 1956" within wreath. Impressed in sole: "RODO / [outline of hide] Vero / Cuoio / Made in Italy / 36" With applied sticker on sole showing pictograms indicating what materials make up the parts of the shoe.
Sandals
Pair of women's sandals of silver metallic leather. Designed as "gladiator style" sandals, with six narrow silver leather criss-crossed or interwoven straps at front over vamp, and six more similar straps extending around ankle and originating from vertical band at heel. 5" zipper along heel band. Designer's label on both sides of sole: "Barbara Bui" Impressed on underside of sole: "Made in Spain" and "40". Attached sticker under sole showing pictograms indicating which parts of shoe are leather.
Sandals
Pair of sandals made of deep pink leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A thinner, single strap extends up and across near base of toes. Spike heel is 3" high, and covered with same pink leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39"
Sandals
Pair of sandals made of metallic cobalt blue leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A single strap extends up from sole at heel and is topped by strap to encircle ankle. Strap secures with single silver tear-shaped buckle. Spike heel is 4" high, and covered with same blue leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39"
Shoes
Pair of women's shoes of black patent leather. Designed with square toes, the vamp has an applied large square of black patent leather crossed vertically by a narrow band of red leather set off-center to right side of wearer. "Kitten" heel 1 1/2" high formed as a silver rectangle with horizontal black band and vertical red band. Designer's label inset int sole: "Davis by Ruthie Davis" Designer's monogram impressed in sole, two facing "D"s Impressed in sole: Outline of hide inscribed "Vero Cuoio"; "Designed in / New York / Made in Italy / 6"
Shoes
Pair of woman's shoes of gold leather and colored snakeskin. Designed as platform heels with slightly pointed open toes, they have a wide band of gold leather extending across the vamp. Extending along the side of the shoe from the vamp, behind heel, and to other vamp is band of snakeskin dyed vari-colored, from dark burgundy to gold. Another band of gold leather attaches to snakeskin at ankle on each side and wraps around wearer's leg. Back of band is elasticized. 4 1/2" stiletto heel covered in gold leather. Designer's label stamped in black on insole: "[monogram] / Gil Carvalho / London"
Shoes
Platform heels of lilac, red, and purple leather, and burgundy patent leather. 2 joining straps at front of red and lilac; angular zigzag cut-out around ankle with Mary Jane straps from sides of lilac leather (silver buckle on outside) and a single joining piece of burgundy patent leather across top; 1" platform of purple leather and 4" elongated heel of burgundy patent leather. Designer label: "Franziska Hübener"
[Interview with Paula Sibilia]
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
[Interview with Elda Harrington]
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
[Interview with Adelma Benavente Garcia]
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view is of the cupolas and ornately decorated and carved spires.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
A close view of the spires shows the richly carved decoration.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The main central spire is shown. The many smaller spires attached to the greater spire is visible in this view.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The carved figures and arches on the north transept are shown in this close detail.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
Carved decoration of sacred figures in the arched entrance are shown in this close detail view of the exterior of the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The overview shown here is of the south transept and the sidewalk leading to its entrance. Richly carved decoration and figures are also visible.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view of the facade shows the intricately carved surfaces. The view is from the west. A large staircase leads to the entrance and the entire temple is a bright white color.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view is of the highly decorated spires and gold finials.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
A large staircase lined up a reflecting pool lead into the main entrance of the temple. The spires and domes are visible in this view as well.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The stairs lead to a columned portico and entrance. The main entrance is highly decorative in rich surface detail and arches between the columns.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
This view shows the administration and educational building adjacent to the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view is of the cantilevered balcony and its richly carved wood. The balcony is on the administration and education building adjacent to the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view shows the main facade of the temple with its richly decorated spires and domes, large staircase and arcade portico. Perpendicular to the facade is a long and narrow reflecting pool.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The temple exterior facade is seen at an angle and from a short distance. A small portion of the adjacent administration and museum building can be seen to the left of the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The detail view of the temple shows the large staircase and intricately carved arcade at the top of the stairs. However, also shown is signage showing the temple is currently not open.