Portrait of George Washington, visible from the chest up. Washington is wearing a dark-colored military uniform with gold trim and is posed looking to his right. There is an oval-shaped frame around the portrait.
A woman in a patterned kimono leans on a plaid fabric covered structure. She appears unhappy and her face leans on one hand. Behind her is a scene of men working and insets in the upper right of the print contain Japanese text.
A woman in a brown flowered and blue and black striped kimono leans forward while holding folded fabric. Behind her is a scene of men with a fishing net between two boats in the water. Japanese text is included in small insets in the composition of the print.
A woman is prominent in the foreground. She wears a red patterned kimono and a white loose head scarf. Insets with Japanese text are on both sides of the artwork. Behind her is a seascape and landscape with two men.
A woman in a heavy striped cloak and a blue scarf looks over her left shoulder. Behind her is a landscape with several people toting parcels and bundles. In the background there is a cityscape silhouette and two people at the left edge of the print. Japanese text is in the insets in the upper right portion of the print.
A woman rests her head on her hand and appears to be sleeping. Her kimono is brown and striped. A scene on the wall behind her is of some men in the landscape who appear to be climbing a mountain. Some Japanese text is also part of the woodblock print.
Woman looking into a hand-held mirror and dabbing at her forehead is the main portion of the composition. Her kimono consists of two colors and patterns, one pale purple and the collar red. A landscape scene is behind the woman with people toting bushels of straw and others working in the water.
A woman in a red kimono and a blue robe dominates the foreground of the print while in a scene behind her is a man climbing a mountain. The woman's hair is in an elaborate style with two long picks with sculpted handles. In an inset in the upper right corner of the print is some Japanese text.
A woman looks into a hand mirror as her hand rests on the nape of her neck. Two cats frolic on the floor beneath her and beyond is a scene of three people with large baskets on the beach. Japanese text is contained in several insets along the right hand side of the print.
A woman wearing a dark striped kimono has her back to the viewer and she appears to be stamping something. In the scene in the distance, several men are engaged in an activity. Japanese text is included in several insets along the right hand side of the print.
It is a vase which is made up of ceramics.It comes in the art of pottery which is used for the decorative purpose.the design of the vase is that it is divided into two parts first part is the bottom one which is supporting the whole vase it is of yellow color mainly and in the middle of it has a shape and carving making it look like a teeth.Above to it is a wide circle which is going upwards and moulded towards outside from the top.There are various kinds of colors used in it green,blue pink etc and various design are made using it including flowers and leaves.
It is a plate which is made up of ceramics.It comes in the art of pottery which is used for the decorative purpose.The plate used is of green color and it's surface is shiny and glittery. There is a design on the plate having a flower with pink,yellow and green and a petal with is dettached to it on one corner of the plate.
Christening gown of white cotton muslin. Hand made and embroidered. Gathered waist trimmed in laisse anglais. Rounded neckline with V insert of eyelet lace. Eyelet trim at wrists, neck and hem. Scalloped insert panel down front trimmed in tatted eyelet with floral embroidery and six tiers of tatted eyelet. Center back opening is pleated with three covered buttons and drawstring at waist.
Hat of off-white wool yarn and beads. Hat is based on a fanchon style, consisting of a knitted, somewhat diamond-shaped piece to fit across top of head and extending down sides to the ears with wide off-white silk ribbon ties at end of extensions. Unlike a regular fanchon, which is solely of a piece of flat lace, this cap has a deep pile of the same wool yarn over the entire surface of the cap, each piece tipped with a cylindrical frosted white bead.
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