Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline.
Ensemble in blue and gold polyester consisting of mix and match component vest, blouses, skirts and belt. First image shows: a) Vest: A fitted, hip-length shell of blue and gold check polyester woven in a pattern of yellow/gold squares on a blue ground with thin white threading. It has a deep rounded neckline and nipped waist. The center front opening is secured with three chiffon covered snaps and has two bound button holes and two gold-tone metal buttons. The center front opening and the hem are faced with navy blue polyester embellished with three double rows of gold metallic running stitches. The vest is fully lined in blue silk. Designer's label is located inside center back, below the neckline: "Ronald Amey"; Retailer's label sewn in just above designer's: "Marie Leavell". b) Blouse: A fitted, hip-length shell of gold polyester with high rounded neckline, standing band collar and full-length set-in sleeves. The sleeves are accented with contrasting, circular ruffle cuffs of blue and gold check polyester, woven so that one side looks yellow/gold squares on a blue ground with thin white threading, and the other side of the ruffles looks like blue squares with thin white threading on a yellow/gold ground. The cuffs have a short placket opening secured with a loop and gold-tone metal button. The center front neckline is accented with a four-tiered ruffled jabot of blue and gold check polyester. The center back zipper closure extends from neck to hip, and is supplemented at the collar with two hook-and-eyes. The collar is faced with gold satin. Designer's label located inside at right side seam, at waist-level: "Ronald Amey / New York". c) Skirt: A flared, knee-length circular skirt in blue and gold check polyester, woven with blue squares with thin white threading on a yellow/gold ground. The wide ...
Ensemble of printed silk. The full-length dress is of silk with a printed design of abstract flower forms in red, blue, purple, white, yellow and green on a black ground. It has a rounded neckline and long sleeves which have fabric covered snaps at the wrists. The bodice is seamed and fitted, and the skirt is slightly A-line, flaring to hem. Center back closure, top third is hook-and-eyes, the lower two-thirds is a zipper. The dress is fully lined in black silk. Designer's label sewn inside bodice near waist: "Givenchy". Underneath label is a second label with handwritten notation "48245". The matching coat is of the same print on a heavier weight silk. It is full-length, with a standing collar which has internal wiring for support. The sleeves are full-length, and it has a center front opening which secures with a single fabric-covered snap just below collar. The coat is unlined. Designer's label sewn inside coat at right near waist: "Givenchy". Underneath label is a second label with handwritten notation "48246" This ensemble was made for the donor to wear to the wedding of Maria del Carmen Martinez-Bordiu y Franco, (1951- ) granddaughter of General Franco, to Don Alfonso, Duke of Anjou and Cádiz (1936 - 1989), son of Infante Jaime of Spain, Duke of Segovia and grandson of King Alfonso XIII of Spain. The wedding took place in the chapel of El Pardo Palace, Madrid, on 8th March 1972. The donor noted: "It was designed by Monsieur Givenchy especially for me. Balenciaga was alive, though he had closed his house, and Givenchy consulted with him on this outfit. You can see Balenciaga's line to it. ... Givenchy had the two distinct fabrics printed in the same design -- one for dress and one for coat. He said it must ...
Hat of brown felt. Designed somewhat like a cloche, the domed crown is encircled at the base by a folded-over band of brown grosgrain ribbon tied at side, with a "pouf" of white, green, black and taupe feather. Fairly narrow brim, which is folded over and sewn down at edge, is turned up at front and left, down at right and back. The hat is unlined, with a dark brown grosgrain ribbon inner hatband. Designer's label: "Don Kline"
Ensemble. A) Coat of brown and white felted wool. Knee-length or longer, long set-in sleeves. Center front opening with 5 large circular brown plastic buttons with bound buttonholes. Main body of coat of pale brown and white check design, with cuffs, collar, and lower band of coat (about hips to hem) of light brown. Light brown and white check self tie belt. Side slit pockets. Lined in pale taupe. Designer's label at center back neckline: "Norell" Hand-written label just above designer's label: "Deborah 929" B) Blouse of cream wool jersey. Long sleeves, high standing collar. Center back zipper closure running almost entire length of garment, from top of collar to about 3" above hem. Hook & eye at top of collar. Collar lined in satin, the rest of the blouse is unlined. Not hemmed. Hand-written label sewn in at neckline: "Deborah 929" C) Skirt of brown wool tweed. Mid-length; slight A-line. Narrow, 1-1/2" waistband. Fully lined in brown silk(?). Center back zipper closure with large hook & eye on waistband. Hand-written label "Deborah 1929". D) Belt of brown leather with wide square, self-covered buckle. Two inches wide. Belt is attached to skirt with inner bands of leather to which loops from the skirt are sewn. Stamped on reverse: "26 Norman Norell 3736".
Pants ensemble. A) Jacket in box style of gray and cream plaid mohair. Short jacket with long, set-in sleeves and shawl collar. Two patch pockets at breasts. Center front opening with four large circular gray pearl plastic buttons and bound buttonholes. Fully lined with gray polyester(?). Designer's label inside below back collar: "Normal Norell / New York" Model number tags, handwritten on ribbon, 2 of them, stitched above and below designer's label: "Deborah / 818" Another sample tag sewn to outside of coat under left arm: "#53 / Debrah" B) Blouse of cream jersey knit. Long sleeves and high, mock turtleneck. Zipper closure at back, almost full length, with hook-and-eye closure at top. Neck lined in cream silk. Hemline is unfinished. Sewn inside at collar is hand-written style tag: "Deborah / 818" Sewn to outside of front, at hem, are style tag, handwritten on ribbon: "Deborah", with small sample of gray knit sewn just below. C) Pants in harlow style of heather gray wool knit. Full-length; wide legs. Wide,2-2/2" waistband; two slit pockets at side seams. Center back zipper with hook & eye at top of waistband. Lined in gray silk; only attached by single threads at legs. Sewn inside waistband is cloth tape with hand-written style tag: "Deborah / 818", and attached just above tag is a small sample of the fabric of the blouse.
Pair of pumps of aqua blue and white printed peau de soie silk. Shoe is designed with a gently pointed toe, and thick heel that tapers to base. Shoe upper is of white silk printed with pale blue abstract pattern. Designer's label stamped inside: "Roger Viver / Paris" Stamped inside: "sur mesure" Handwritten inside: "4170"
Wedding dress of purple calico. Full length, with slight ruffled standing collar, long sleeves with elastic cuffs, tucked bodice, gathered skirt with ruffle at waistline. Inside hem with thin band of purple lace. Center back zipper closure with hook-and-eye at top.