Ensemble consisting of: A) Dress of cotton/polyester blend knit in black, brown and white horizontal stripes. Collarless, rounded neckline; long sleeves. Below-knee length. Last 10" of hemline is silver and black lace with tan chiffon lining. Metallic silver trim at sleeve ends, neck and between fabric changes. Invisible center back zipper with hook & eye. Unlined. Designer's label at center back to right of zipper: "Geoffrey Beene / New York" B) Jacket of silver and gold lace with black and silver ribbon trim in abstract floral patterns. Scalloped V-neck at center front opening with two globe/marble-like buttons and tailored buttonholes. Neck line, opening and sleeve hems trimmed in black and silver ribbon. Long sleeves with scalloped edges. Faux pocket flaps of black striped knit matching dress with silver trim. Unlined. Designer's label at center back neckline: "Geoffrey Beene / New York"
Evening dress of black lace with silver glitter star-like decoration. Bodice and long dolman sleeves of silver metallic fabric. Sleeves are zippered and trimmed in black lace at hem. Below-knee length. Pleated pouch pockets at sides. Skirt is slightly peg shaped and tapers into knees. Center back zipper closure with hook & eye. Black synthetic lining; shoulder pads. Designer's label to right of zipper at neckline: "Geoffrey Beene / New York"
Skirt suit of gray fine plaid. A) Jacket of gray fine plaid with an over-layer of black floral lace exposing the plaid; lace has scallop trim 2” above the wrists and hem of the jacket. Jacket has round neckline; 4 gray button closure down center-front; long sleeves with inner shoulder pads; lower hip length; fully lined in black synthetic. B) Skirt of matching plaid with 1 ½” waistband with center-back zip and hook and eye closure; darts at front and back; lined in black synthetic; 17” length. Designer's Label: "Bill Blass" Retailer's label: "Neiman Marcus"
Suit of red wool flannel with green and black windowpane plaid, consisting of: A) Coat. Single breasted with four flat, circular gold tone buttons and tailored buttonholes. Lower thigh length; long sleeves with 1-1/2" cuffs and one smaller matching button. Turn down collar. Two flapped patch pockets with large American "Great Seal" type eagles of applique in gold cord, beads, sequins, springs and vinyl that measure 4"x 5", holding arrows and olive branches. Eagles are mirror image to each other. Unlined; shoulder pads. Designer's label at center back neckline: "Bill Blass" Tag attached to base of designer label: "Made in U.S.A. / of Imported Fabric" Union, care and size "8" tags at right side seam. (B) Skirt of matching plaid. Knee length; fitted high waist. Invisible zipper on left side with hook & eye. Fold over facing is bound with red grosgrain ribbon petersham inside waist. Unlined. Designer's label at center back waist: "Bill Blass" Tag attached to base of designer label: "Made in U.S.A. / of Imported Fabric"
Suit (jacket and skirt) ensemble of wool in taupe with rectangular and square color blocks of cobalt blue and red. Color blocks are lightly outlined in black giving a "drawn on" effect. Lined with white wool. Consists of: A) Jacket in box style. Rounded neckline. Center front opening with no closure. Mid-thigh length. Long sleeves; padded shoulders. Designer's label at center back neckline: "Bill Blass" Fiber content, cleaning instructions and size "8" tags attached to base of designer label. B) Suit skirt. Below knee length. Shaped waist with no waistband. Navy blue grosgrain ribbon facing. Left side zipper with hook & eye. Designer's label at center back waistline: "Bill Blass" Fiber content tag has been removed. Cleaning instructions and and "Front" tag at base of designer label.
Dress ensemble of white net lace embellished with silver bugle beads and tiny silver sequins, and beige silk chiffon: A) Dress of beige silk. Bodice with round neckline and no sleeves, and 2" band at empire waistline; 9" upper portion of skirt of floral embroidered net accented with bugle beads and sequins with rows of scalloped bugle beads at bottom from which full-length beaded fringe falls to hem; skirt continues to full-length with vertical stripes of floral lace and silver bugle beads. 18" slit at center-front; center-back zip closure; fully backed with tan crepe. Designer's label near waist inside dress: "by Alfred Bosand / New York". B) Top of white net lace embellished with silver bugle beads and silver sequins; bust and long sleeves of vertical stripes of floral lace and silver bugle beads; lower portion and band collar of floral embroidered net accented with bugle beads and sequins with rows of scalloped bugle beads at top of scalloped collar, and below bust, separating the two sections; pull-over with elasticized waist and center-back snap closure; unlined except for band collar. No label in top.
Cocktail dress of black heavy wool crepe. Deep V-neckline trimmed with wide bands of various sized pearls, the bands extending to waistline. Long sleeves with zipper closure at ends. Mid-length skirt is gathered into natural waistline. Hook & eye closures at along deep center back opening (top, center, lower back); which is accented with pearls as front. Zipper closure at center back below waistband. Sewn-in shoulder pads. Fully lined in black silk(?) Designer's label at inside left beside opening: "Donald Brooks" Retailer's label at inside left, by shoulder pad: "Joske's / Houston"
Cap of tan, ivory, black and red Tartan plaid cotton with visor. Woven into the fabric are 4 pale images of the Burberrys knight. The cap is lined in tan viscose, with an inner trim of tan grosgrain ribbon. Retailer's label under clear plastic panel in crown of cap: "'Burberrys' / Made in England [copyright symbol]". Content/care label in 4 languages and symbols. Size label: "S".
Suit of cream silk gaberdine(?) consisting of: A) Jacket. Hip-length; box style. Bermuda collar and yoke which covers jacket front top, makes into epaulet-like treatment at shoulder, and sailor-like collar in back; geometrically shaped with white snaps at corners. Center front of jacket fastens all the way down with white snaps. Full-length dolman sleeves. Back has center seam and two darts which start 2 1/2 inches under yoke and extend to waist. Fully lined in white synthetic fabric. Designer's label at center back neckline: "Pierre Cardin / Paris / Made in France" B. Skirt of matching fabric. Slightly gathered into 1"waistband. Street length; slightly A-lined. Center back fastens with hook, snap and zipper. Fully lined in white synthetic fabric.
Woman's magenta suede two-piece suit with multicolor print, consisting of: Jacket with multicolor geometric American Indian inspired print in colors of gold, pinks, purple, and silver on yoke, back and at outer sleeves. Striped piping at all edges. Styled with round neckline and center front opening with neckline corners turned down. One round covered button closure at lower end. Long fitted sleeves with mock slit closure at wrist with two buttons. Straight cut bodice with diagonal welt pocket each hip. Straight hemline. Padded shoulders. Unlined. Faced at front opening with striped suede. Length: 23" (58.4cm). Designer label at center back neckline: “Roberto Cavalli / Firenze / Made in Italy" Content/care tags and size "XS" attached to base of designer label. Skirt pf matching magenta suede. Medium length. Flared skirt with six panels, two pieces giving yoke effect. Fitted waistband. Faced circular hemline. Center back plastic zipper closure with one covered button at waistband. Unlined. Total length: 26" (66.0cm). Designer label at center back: “Roberto Cavalli / Firenze / Made in Italy" Content/care tags and size "S" attached to base of designer label.
Pair of speckled taupe leather pumps. Uppers of light taupe leather embellished with tiny grayish flat pebbled textural design. Toe cap of black patent leather. 3 3/4" spike heel covered in black patent leather. Lined in olive leather except inner heel, which is lined in natural light brown leather. Soles of black leather. Stamped in each shoe: "Charles Jourdan / Paris / Made in France". Stamped inside each heel: "37 X 7 2A 586855 NF". Stamped on sole: "Leather / Leder / Cuir / Made in / France"
Ballgown of dark, navy blue ribbed satin. Strapless. Center front opening with 14 self-covered buttons, top two nonfunctional, with bound buttonholes. At upper bust, to left and right of center front opening, are attached paired flaps of self fabric giving appearance of patch pockets with flaps. Skirt gathers at natural waist with full skirt. Gored panels to left and right of center back seam of skirt. Inner bodice of black net with boning and black grosgrain ribbon petersham; closes at center front with 9 hook & eyes. Unlined. Designer's label at center back seam near hem: "Christian Dior - New York / Original / Trade Mark" Hanging straps on bodice are embroidered "Neiman-Marcus"
Evening dress of fuchsia pink satin synthetic. Dress has long sleeves trimmed with row of tightly pleated ruffles. Scoop neckline is trimmed with double-row of matching ruffles. Full length, full skirt is trimmed with a matching ruffle at hem. Side slit pockets. Center back zipper with hook & eye. Unlined. Designer's label at back neckline to right of zipper: "Victor Costa / Ltd." Cleaning instructions and size labels on right shoulder: "Professional / Dry Cleaning / Only" and "Lot / Size 8"
Evening dress of ivory synthetic satin. Full length. Strapless, heart shaped bodice is boned with princess seaming. White fur trim around hips. Sarong, wrap-around style skirt. Center back zipper with hook & eye. Lined in ivory polyester. Designer's label at back to left of zipper: "Victor Costa / Duplicate / Style 3214 / Date Fall II/Holiday / Operator" Tag at right side seam of bodice: "Lot / Size 4"
Short evening dress of silver lamé and sequined lace with ostrich feather skirt. Straight strapless bodice with drop waist. Lower skirt covered with vertical rows of beige feather boa. Lined in taupe silk. With matching boa of ostrich feather with silver and gold Lurex thread. Designer's label on inside back shoulder: "Victor Costa" Style number tag under designer's label: "Style 7780 / Size 8"
Evening dress of black acetate/rayon velvet and polyester satin. Knee length; wide, square neckline. Velvet bodice with waist darts and asymmetrical bottom edge; boning along princess seams. Long sleeves with gathered puffs at shoulders taper to wrists. A-line skirt of black polyester satin has attached bow positioned vertically on left side. Center back zipper. Fully lined in black fabrics; skirt lining has attached underskirt of black tulle. Designer's label at center back neckline: "Victor Costa: Union label with designer label. Content/care/size tag at left armscye.
Evening gown of black velvet with scoop neckline and long, tapered sleeves. The full-length gown has 3 diagonal-set flounces from left hip to right knee that fall to the hem on right side; flounces are each 7 ½” of pleated synthetic and are slightly ruffled; bodice has crescent princess seams with gathering at bust; straight skirt has a left-side slit; sleeves have single snap closure at wrists; dress is fully lined in satin; center-back zip closure. Combined designer's and retailer's label: "Victor Costa / for / Lord & Taylor"
Evening suit of amethyst acetate with gold braid, embroidery and beads. a) Jacket in a short fitted style with long sleeves. Collarless with gold lace trim around neckline, center front and hem. Hidden center front closure of 4 large, black fabric-covered snaps supplemented with 2 hook & eyes. Fabric is woven with gold threads in a scalloped design embellished on front panels with gold beads and large gold teardrops. Gold lace trim also around armholes. Lined in amethyst satin acetate; padded shoulders. Victor Costa Sample label pinned to center back neckline with large Saks Fifth Avenue paper tag. b) Skirt of amethyst velvet in straight style. Knee length with 1" waistband. Center back opening with zipper and hook & bar on waistband. Lined in amethyst satin acetate.
Evening gown of ivory satin and black lace. Garment is a full-length, A-line ivory satin dress with 3 wide horizontal bands of applied black lace on skirt and an attached black lace empire-style over-bodice. The bodice, consisting of overlapping lace scallops, has a deep square neckline and full-length sleeves. There are two covered snap closures on each wrist and a series of paired covered snap closures down center back. The dress has a center-back zipper with a single hook-and-eye fastener at the neckline. The ivory silk inner bodice has internal steel(?) boning for shaping, and fastens with a center-back zipper and internal grosgrain band waist stay. Inside the gown is a full-length, attached ivory satin slip with horsehair hem. The dress is piece-lined in ivory organza with a horsehair hem. Designer label stitched into garment at right center-back, beside the zipper "Oscar de la Renta" with second label "Made in U.S.A." sewn below. Hand written on the designer label is notation "4677S".
Coat of deep purple dyed fox fur pieced and sewn in a chevron pattern. Two buttons of black plastic with brown leather loop closure. Coat folds over at back neckline creating a slight lapel at front. Long sleeves were custom tailored by folding under to create a shorter length. Below hip-length. Lined in black silk with four words, "FENDI, ALTA, MODA, PRONTA", in brown print forming a diamond shape. Lining embroidered at right side: "Linda T. Anderson". Retailer's label at center back neckline: "Neiman-Marcus" Fiber content tag at left side seam.
Pumps of leather in a print of metallic brass, copper and brown snake skin. The shoes are designed with rounded, open toes, and with a narrow band of self across top of toe-box. The sling-back pumps have one long strap that runs from sides of toebox to behind heel, and secure at sides at ankles. Each with small rectangular gilt-metal buckle at outer ankle. 2 7/8" high continental heel is covered with same leather in a larger version of the print. Inside of shoe lined in tan leather. Stamped on both shoes: Salvatore / Ferragamo / Florence / Made in Italy" Stamped inside on strap: "D G 6383 71 10 AAAA" Stamped on sole of both shoes: "Leather Sole / Made in Italy / Leather Upper"
Evening dress of blue silk gazar. The full-length dress has a fitted bodice simulating a wrap style, with V neckline, and long straight sleeves with 5 fabric buttons at each wrist. The skirt has an asymmetrical peplum with an inverted opening in front that is equal to the floor length A-line skirt, giving the effect of an over-skirt pulled back to reveal an underskirt. At back is a zipper closure from neckline to below hips, with a series of snaps at the top of the peplum. The dress has an accompanying leather belt covered with the same blue silk gazar.
Ensemble consisting of a dress and jacket. The floor-length evening dress is in ivory and beige brocade woven with a small floral motif throughout. The gown is strapless, and has an empire waist. The neckline rises slightly in front with a narrow "V" cut at center. There is a zipper closure at left side, with a hook-and-eye at top. Internal foundation with a separate zipper closure at left side, boning, bust pads, and two grosgrain ribbon bands with hook-and-eye closures. The gown is lined in dark ivory silk. The matching short jacket is of the same fabric, cut bolero style with long sleeves. Center front opening has one hook-and-eye closure at top of bust. The neckline, center front opening, hem, and cuffs are all trimmed in a band of dark brocaded material edged with faux pearls, gold braid, and coffee-colored rhinestones. The jacket is embellished throughout with floral and foliate forms in faux pearls, gold beads and gold braid. It is fully lined in ivory silk. Both garments have designer's label inside: "Givenchy / Made in / France"
Photograph of the Andromeda Fountain in the courtyard of the old town hall in Vienna, Austria. The fountain sits in the center foreground of the image. The fountain is inset into the building exterior. The bronze figure of Andromeda was created by the sculptor Georg Raphael Donner.
Photograph of a room in Austria. There is a bench in the center of the room where four people are sitting. Two other men are seen standing in the room. The room is white with arched ceilings. There is a door on the opposite side of the room. Ornately decorated pedestals are visible on either side of the door.
Photograph of the Austrian Academy of Sciences in Vienna, Austria. A doorway is visible in the foreground. A carved stone head and garland sit above the doorway. The right door is open and leads down a dark hallway with lights visible in the background. The academy was designed by the architect Jean-Nicolas Jadot de Ville Issey.
Photograph of a carved stone archway in Austria. The carvings depict figures, horses, and centaurs. The arch is inset in a white wall. In the background, a colorful fresco is visible through the archway.
Photograph of castles in Austria. In the foreground, a house and farmland are visible. One castle is visible in the left middle ground and another is visible on the right. The distant landscape is visible in the background.
Photograph of the Goldenes Dachl (Golden Roof) in Innsbruck, Austria. There are multiple people outside the building in the bottom foreground. The building in the foreground has carvings on the balconies and roof. The roof is made from golden tiles. On the second story, there are colorful frescoes on the exterior of the building. The wall built around the building has windows going up four stories; each with a window box full of pink flowers.
Photograph of the Halászbástya and Matthias Church in Budapest, Hungary. The church is visible in the left foreground. A section of the Halászbástya is visible beside the church in the left middle ground.
Photograph of a street in Innsbruck, Austria. The street is filled with people and outdoor cafes. A ship sign overhangs a doorway in the right foreground. Buildings of multiple colors line the streets. Red and white flags are mounted on the buildings.
Photograph of a street in Innsbruck, Austria. The street is lined with buildings on both sides. Many people walk on the street. In the top right foreground, a metal ornament extends from the building..
Photograph of ironwork on the St. Vitus Cathedral in Prague, Czech Republic. In the foreground, an ironwork grid is visible with three small iron sculptures attached. The sculptures depict figures at work and two small fish. Stone walls of the cathedral are visible in the background.
Photograph of the interior of the Jesuit Church in Vienna, Austria. An ornate window is visible in the foreground. The window is encased in green marble with gold painted highlights on a white marble wall. A pink curtain is visible through the window. The church is located on the Dr. Ignaz Seipel-Platz.
Photograph of a tall pillar with a statue of Jesus in Austria. The pillar is visible on the right side covered with statues. Stone figures climb up the tower. Jesus is at the top. A building is visible in the background.
Photograph of the Karlskirche in Vienna, Austria. In the foreground, a black sculpture is visible in a pool of water. The left side of the church facade is visible in the background. The Karlskirche was designed by the architect Johann Bernhard Fischer von Erlach.
Photograph of the interior of the Matthias Church in Budapest, Hungary. A portion of the domed ceiling and the alter are visible. A balcony is visible on the left foreground. The back wall is filled with stained glass windows.
Photograph of the Matthias Church in Budapest, Hungary. Tree branches intersect the top foreground. In the foreground, buildings line a street leading to the church. The church tower is visible in the center background.
Photograph of a painted column in a cathedral in Austria. The column in the foreground has two mounted flags on the middle section. The pained walls ans stained glass windows of the cathedral are visible behind the column.
Photograph of buildings in Prague, Czech Republic. In the foreground, a cluster of buildings is visible with various gables and slanted rooftops. The building on the right has a clock mounted to the top gable.
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