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Lakshmana Temple Complex
This view shows a very close detail of the northeastern subsidiary shrine. Brahma can be seen at the left of this view and Vishnu at the right.
Lakshmana Temple Complex
This view of the subsidiary shrine is shown in very close detail. This wall section consists of many friezes and molded plinths. Many figures carved in high relief and low relief patterns decorate the surface.
Lakshmana Temple Complex
This very close detail of celestial beauty applying henna to her feet and an attendant are shown in this view. They are carved in high relief.
Lakshmana Temple Complex
The Lakshmana Temple's subsidiary shrine is seen here, in detail, from the east.
Lakshmana Temple Complex
This close detail of the temple shows a seated male figure on the far right reaching out in gesture of teaching or guidance to a line of figures in front of him.
Lakshmana Temple Complex
Lavish and rich carved detail of the south facade interior corner is shown in this view. Both humans and animals, particularly elephants are depicted in high relief.
Lakshmana Temple Complex
This very close detail of the temple's south facade shows elephants lined up closely and ridden by people.
Lakshmana Temple Complex
Dancing nymph & snake goddess are depicted in this view. This view is of the south facade and depicts a nymph and a snake goddess. Smaller groups of figures are placed above these.
Lakshmana Temple Complex
This west, southwest view of the main temple shows the upper portion.
Madonna and Child Enthroned
Painting depicting Madonna and child enthroned.
Ajanta, Cave 17 Painted Wall
The scene painted on the wall of the cave consists of many male and female figures. In the foreground, a couple are engaged in an enclosed shrine.
Arch of Constantine
Total view of the Arch of Constantine from S. Originated in the Roman Forum. From the Late Roman Imperial/Early Christian Period.
Basilica of Santa Sabina
General View of Nave toward the Apse of the Basilica of Santa Sabina. From the Early Christian Period.
Mausoleum of Constantia
General view of the interior of the Mausoleum of Constantia. From the Early Christian Period.
Badami: Cave 4
This close detail view of a pillar shows Bahubali, a Jain saint.
Badami: Cave 3
Entrance to cave 3 is shown in this view with its pillars. The massive amount of natural rock is also visible in this view. In the far lower right hand corner of this view can be seen a bit of an underground staircase.
Badami: Cave 3
Entrance to Cave 3 is shown in this view with its six pillars. One figure is also in this view.
Badami: Cave 2
This view shows a dado panel of six dwarves carved in low relief into the wall.
Badami: Cave 4
This close detail view shows two pillars and the carved figural element depicting Bahubali.
Badami: Cave 4
This close detail view shows a relief carving of Mahavira.
Badami: Cave 4
In this view a relief carving of Suparshvanatha with his symbol, the cobra, is shown.
Virgin Annunciate
The carved wood sculpture depicts a woman in draped clothing with her right hand raised to her breast. Her left hand is missing. Her gaze is downward and the sculpture is unpainted.
The Bargello
Overall view of the Bargello from S/SW. Originally Capitano del Popolo. From the Romanesque Period.
Louvre: Cour Carré
Overall view of the Wing of Henri II of the Cour Carré. From the Neoclassical Revival.
Ajanta Cave 2
This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing.
Ajanta, Cave 17 Painted Wall
An elephant charges then kneels at feet of a Buddha figure as people watch.
Ajanta, Cave 17 Painted Wall
An elephant dominates the scene with some figures in the foreground and background. Some foliage and rocky formations are also part of this painted imagery on the wall of the cave.
A God of the Sea
The patina on the head is black and the man's gaze is straight up and to the subject's right. The man has a full head of longish hair and a mustache and beard. He appears about middle age. The head is mounted on a cylindrical pedestal base.
A God of the Sea
The head is realistically rendered. The man has longish hair and a mustache and beard. The head is mounted on a cylindrical base and the man appears to be about middle age.
Jodh Bai's Palace, Fatehpur Sikri, India
The facade of the reddish pink harem quarters is shown. Two windows with balconies and rooftops rise above and next to the arched and horseshoe entrance. Two cupolas on stilts rise above the rooftop.
Peerless Pool in Fatehpur Sikri Palace Complex
The water feature is geometric and includes surrounding steps. Beyond the pools is a building with many compartments open to the exterior.
Virgin and Child with Wild Roses
A woman holds a child on her lap and in her left hand she holds some pale pink flowers. In the background is a farmer and an oxen and in the left hand side of the background a heavy tree trunk.
Capitoline Museum
General view of the Capitoline Museum from the NW over the square, with Pal. Of Conservators, pavement design, Capitoline Museum and fountain. From the Italian Renaissance Period.
Capitoline Museum
View from N across the square to Capitoline Museum, with statue of Marcus Aurelius. From the Italian Renaissance Period.
Virgin and Child with Saint Anne
The detail view of the sculpture shows the torsos of the two women and the child between them. The carving is detailed and the sculpture is unpainted.
Santo Spirito
Overall view of Santo Spirito entrance façade. From the Italian Renaissance Period.
Moses
No Description Available.
Façade of St. Mark's Basilica
Raking view of upper façade from SW at sunset: delicate carving and Bronze Horses of St. Mark. From the Byzantine Era.
Façade of St. Mark's Basilica
General view of Façade of St. Mark's Basilica from W, at sunset. From the Byzantine Era.
Vitthala Temple Complex
The surface decoration of the platform base is shown in this view. The view upward includes a portion of the superstructure at a raking angle.
Vitthala Temple Complex
This view contains a platform and an intact temple in the background. People walking around perimeter in foreground show the massive scale of the height of the elevation. Some archaeologists can be seen digging at the base.
Vitthala Temple Complex
This close view shows the south side of the entrance to the temple with its stairs and highly surface decorated columns.
Vitthala Temple Complex
The view shows the Marriage Pavilion with its east gateway.
Vitthala Temple Complex
This view shows two platforms and the elaborately decorated superstructures.
Vitthala Temple Complex
This close view shows a leonine type creature carved into the plinth of the marriage pavilion.
Vitthala Temple Complex
The view includes the south entrance to the dancing platform visible at right.
Vitthala Temple Complex
This general view shows the area above the eastern courtyard and archaeologists digging in the foreground.
The Miraflores Altar
Three paintings depicting the life of Christ, set in an oak frame.
Santo Spirito
Interior view of nave and choir in Santo Spirito. From the Italian Renaissance Period.
Santo Spirito
Interior view of aisle in Santo Spirito. From the Italian Renaissance Period.