UNT College of Visual Arts + Design - 56 Matching Results

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Driving Coat

Description: Driving Coat or "Duster" of light tan linen (blend?). Full-length, wide skirted, with high neckline and black collar having wide points at front. Single breasted opening set to left of center, with two hidden small white buttons (1 at throat, one at left collar bone), and five large circular buttons with black outer rims and center of the tan linen. Full-length sleeves with wide turned-back cuffs faced with black and with two non-functioning buttons matching but smaller than opening buttons. Two large patch pockets at hips. Unlined. No labels in garment.
Date: 1900/1914

Dressing Gown

Description: Dressing gown/wrapper of black peau de soie. Mother Hubbard style, full-length, shawl collar trimmed with 2 tiers of ruffles of same, and white lace and black velvet ribbon and then bands of white cording overlaid with/couched down with black stitching. Long sleeves with turned 3" back-turned cuffs with white cording and black velvet trim. Hook and eye closure CF. Long velvet ribbon ties at throat. Pleated at center back, with short horizontal diamond-shaped "belt" across lower back, below which is more pleating. Label: "Meyer Jonasson & Co / Pittsburg. New York"
Date: 1900~

Dress

Description: Dress of midnight blue velvet with cream silk(?) bodice overlaid with pleated sheer black fabric. Rounded neckline edged with black lace, with wired standing collar at back of neck. Long pointed sleeves of matching velvet with wide collars of black net/corded lace overlaying cream silk sleeves trimmed with cream lace. Long, full skirt gathers onto waist under a 3" wide, attached velvet belt trimmed with net covered in black sequins and jet beads with round buckle. Hem with wide black net/corded lace band over sheer black silk(?), with narrow triple-layer black silk gauze ruffle at bottom. With accompanying bolero style vest of black net with applique cording/corded lace. Fastens across front with narrow ribbon of midnight blue velvet with central "pendant" butterfly of black sequins and jet bead as head of butterfly.
Date: 1909/1912

Happi

Description: Happi (Japanese traditional short coat) of indigo dyed heavy cotton or linen. Hip-length or slightly longer, with short sleeves. Center front opening with vertical bands on either side with starch paste resist design of Japanese characters. Back with large starch paste resist symbol at upper back, and linear maze-like design across main part of back, repeated at sides.
Date: 1900/1960

Day Coat

Description: Daytime coat of black wool for mourning wear. The princess-line shell of the coat falls to mid-calf with a scalloped hem, and has a high standing band collar lined with a gathered black silk ruffle. The ruffle is edged with two narrow bands of ruching and is embellished with cut-work backed in black silk, the cut-work edged with black grosgrain ribbon decorated with black beads and jet. From the center front of the collar, trailing black silk ribbon accents fall to knee-length, and four knee-length ribbons are finished with beaded tassels. The coat has full-length, shaped, slightly flared sleeves that gather into the armseye and are embellished with cut-work motifs and beading as the collar. The cuff edges are faced with box pleated bands of black silk ribbon. Center-front opening of coat with black wool placket facing from neck to waistline, and is secured with seven hook & eyes. Two more hook & eyes catch the front opening at mid-thigh and knee-level. The coat front and back are embellished with black silk backed cut-work and beading as the collar and sleeves. Fully lined in black silk. Black waist tie secured to lining.
Date: 1900/1905

Capelet

Description: Capelet of dark brown to black plush, possibly silk and cotton, resembling seal fur. Rounded roll collar trimmed in brown soutache braid stitched with a line of purple thread and black glass or jet beads. Center front opening with hook & eye at neck. Trimmed in light brown with purple soutache braid and hexagonal prism, black glass beads. Collar and center front opening bound by black braid (appears to have been added after the original garment was made). Fully lined in a printed polished cotton (not original) of black with looping rope design and repeated fan shapes of pale blue, red, and cream.
Date: 1900

Child's Dress

Description: Child's "apron" dress of woven red and blue striped flannel with collar and one box pleat in front. Center front opening with snap at neckline. No belt - possibly missing.
Date: 1900/1910

Picture Hat

Description: Picture hat of black straw. The hat has a broad brim of woven black straw with an upturned outer edge which is trimmed in black velvet. The low, domed crown is also of woven black straw, with a band of black ostrich feathers around the base of the crown. One large ostrich feather plume attached to base of crown and extends out and over the back of the brim. Inside crown is black cloth lining. Sewn inside crown is black cloth label: "Mme Georgette / 11 Rue Scribe / Paris"
Date: 1900/1910
Creator: Georgette, Mme

Hat

Description: Hat of dull golden horsehair mesh over wire framework. Cylindrical crown widening to base of horsehair constructed in a spiral, on wire armature. Side of crown with wide black velvet band with self bow at back. Slightly oval brim of same horsehair set so sides are wider than front or back. Brim slopes slightly from crown to outer rim, with thin wire framework to retain shape. Attached at sides are sprays of artificial flowers and leaves. Underside of brim lined with gathered extremely fine pale chiffon. Crown has inner rigid structure that extends below brim, creating a "support" that rests on wearer's head. Exterior of inner structure lined with black velvet, inner lining of white fabric with "drawstring" center gather. No labels or tags.
Date: 1904

Bonnet

Description: Child's poke-type bonnet of white silk. Completely shirred and trimmed with white satin ribbon, outlined with lace. High crown to which circular shirred flange has been added. Label inside crown mostly illegible; last word is "Chicago".
Date: [1900..1909]

Kimono

Description: Kimono of burgundy red silk with printed all-over design of large butterflies in creams, tans, blues, etc. Lined in orange crepe silk. Padded hem. Hand-sewn.
Date: [1900..1970]

Kimono

Description: Kimono of purple silk printed with designs of flowers, birds and butterflies in purples, blues, tans, reds, etc. Detailing in gold embroidery. With five white "mon" designs similar to a "yin-yang" shape of matched commas. Partly lined in red silk.
Date: [1900..1950]

Shoes

Description: Pair of shoes of off-white leather. Designed with pointed toes, the shoes have uppers cut to create a large tongue with upper edged cut to a point. Applied to vamp is medium sized bow of same leather. Modified Louis heel covered with same leather. Retailer's label stamped inside: "Neiman Marcus"
Date: [1907..1930]

Bonnet

Description: Infant's bonnet of white cotton, possibly as part of a christening set. Lace inset and tucking near brim. Gathered shell. Ties of self.
Date: 1900

Bonnet

Description: Child's sunbonnet of white cotton. Channel-stitched. Corded brim that also stiffens and shapes bonnet. Long curtain of same.
Date: 1900~

Shoes

Description: No Description Available.
Date: 1900~

Boots

Description: Pair of lady's boots or "High Button Shoes" of light blue leather and yellow suede. The lower section of the shoes, designed with pointed toes, are of pale blue polished leather. The upper sections, of yellow suede, close along sides with small mother of pearl(?) buttons, 12 buttons high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Thin silver-colored metal edge/band just above cap of heel. Sole of tan leather. Handwritten inside: "242 / G3064"
Date: 1905~

Wedding Shoes

Description: Pair of ladies' white heavy satin wedding shoes. Designed with pointed toes, the shoes have a fastening strap across instep with a single domed opalescent/milky white glass button. Across vamp is applied white satin bow with decorative gilt metal rectangular buckle with lobed ends. One buckle missing. Lined in white fabric. Sole of natural brown leather, heel covered in white satin. Medium-height heel with rounded sides and back, curving inwards and then flaring out to base, similar to a Louis heel. Stamped inside shoe in gilt: "C.A. Verner / Pittsburgh" Worn by Bess McChord (1874-1903) at her wedding to Clifford Dunnells, January 1, 1901.
Date: 1901
Creator: C.A. Verner Co. (Pittsburgh, PA)

Wedding Shoes

Description: Pair of white kid ladies' shoes. Styled with pointed-toes, the white kid leather upper has a vamp decorated with geometric and stylized foliate designs in crystal beads. The shoes secure across instep with single ribbon tie on each, creating a "peep" just above toes. Lined in white leather. Natural brown leather sole. Heel is of medium height, rounded at back and tapering slightly to base. Similar to what would become a Cuban heel. Maker's code stamped inside: "35-C 3021" Worn by Norma Tiemann at her marriage to Val L. Lehmann in Brenham, Texas in 1907.
Date: 1907

Shoes

Description: Pair of lady's shoes of brown leather. The shoes, designed with gently pointed toes, are of the Oxford style of brown leather with openwork at sides of instep and with laced closure at instep of 4 holes height. The medium height heels are styled as a modified Cuban or continental heel, with rounded sides and back, tapering to base, and slightly curved at front. The heels covered with matching leather. Sole of tan leather, with rubber/composite on heel. Stamped in lining on one shoe: "Arch Rest / Drew / Portsmouth. O." Stamped into lining of shoe: "8 1/2 AAA 75537 / 6003" Stamped on inner sole: "[drawing of arrow] INTERIOR / DREW / [illeg]CK REST" Tooled into inner sole at heel: "SNUG-FITTING / HEEL" Molded into rubber of heel: "Biltrite"
Date: 1908/1910
Creator: Drew Shoe Company (Portsmouth, Ohio)

Shoes

Description: Pair of lady's shoes of black leather and gray suede. The shoes, designed with pointed toes, are of black leather on toe box, and gray suede on heel, back, and strap across instep, which closes with button on outside of foot. Medium high heels are covered in matching suede and are styled as a modified boulevard or Louis heel, with rounded sides and back, and with curved front section. Sole of black leather. Retailer's stamp on sole: "MacDougall & Southwick Co. / Seattle, Wash." Hand-written notation on lining: "40 00 20704"
Date: 1908/1910

Sunbonnet

Description: Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Date: 1900/1909

Boots

Description: Pair of boots or "High Button Shoes" of gray/silver lamé cloth. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 18 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. They are covered with the lamé fabric on the back and sides. The sole is of tan and brown leather, as is the cap on the heel. Shoes are lined in off-white cloth. Hand-written notation on inside lining, partly illegible: "37 / .... / 911"
Date: 1900

Hat

Description: Little girl's Easter bonnet. Wired base with mushroom type top of black velvet and double ruffled brim of white lace. Small pink roses and green stems encircle hat above lace brim.
Date: 1905