Shoes. Slip-on, low-heeled, open back slippers of red leather. Toe-box decorated with Egyptian motifs, including lotus flowers and a "Nefertiti" head. Lined in read leather. Black rubber soles. Note: mis-matched pair. Both are left shoes.
Egyptian Ensemble. A) Galabeya. Full-length galabeya of black cotton, with rounded neckline cut at base to for a shallow "V". Caftan style, with long sleeves and slit from hem upwards on right side. Front of galabeya with embroidered and applique decoration. Around neck and front of bodice is floral decoration and scrolls in gold, greens, red, and blue, and central shield-shaped gold satin applique piece with embroidered scroll work in gold and blue. Lower part of galabeya with matching, but inverted similar gold satin appliques with embroidered scrolls, and embroidered floral forms. Long sleeves with thin rectangular embroidered gold bands along wrist. Unlined. B) Head Scarf. Rectangle of fine red fabric, lower edge scalloped. Upper edge with sewn border incorporating spaced gold cylindrical beads. Ends of scarf and scalloped area of lower edge with thin crocheted/sewn band with spaced gold tear-drop beads and simulated gold coins. Applied to center of scarf are two bands of red crocheted/knitted net with gold spherical beads and pendant simulated gold coins.
Nubian Ensemble. A) Jirjara robe (Nubian-style young woman's galabeyah) of sheer black machine-made lace with scattered "tendrils" of various sized dots all-over which extend from hem upwards. Full-length, with rounded neckline and slight "V" at front. Full-length sleeves flaring to wrist. B) Under-dress of white cotton embroidered with ancient Egyptian-inspired motifs, including lotus blossoms. Full-length, with rounded neckline with small "V" at front. Neckline edged with green embroidery. Short sleeves edged with similar green embroidery, as are the short slits from the hem upwards. "Bib" at front of upper part of dress with green, yellow, blue, red, and pink embroidery of stylized lotus, scrolls, border lines, etc. Front of skirt with large embroidered motif of lotus(?) growing from bowl, with other blossoms around, in same colors. Back is plain. Unlined. C) Head scarf of very fine black fabric. Triangular in shape, with edging of simulated gold-colored coins. With suite of costume jewelery of gold-colored metal hung with faux coins, consisting of: 1) Necklace. Simple gold chain suspending triangular "net" of gold quaterfoil-shaped links hung with tiers of faux coins. Simple hook fastener. "Cascade" style. 2) Headpiece (?). Formed of two linked triangles of net with 6-lobed openwork links, hung with tiers of faux coins. At center point is large heart-shaped pendant hung with fringe of coins on short beaded strands. 3) Earrings. Pair. Simple hook suspends horizontal bar from which hangs a triangular "cascade" of tiers of faux gold coins hung on a net of quatrefoil-shaped links. 4) Bracelet. Cuff-style openwork wire bracelet with fringe of tiny spherical bells. 5) Bracelet. Cuff-style bracelet of openwork metal hung with a triangular "cascade" of tiers of faux gold coins hung on a net of quatrefoil-shaped links.
Nubian Ensemble. A) Jirjara robe (Nubian-style young woman's galabeya) of sheer black machine made lace with floral pattern woven into the lace. Full-length, with rounded neckline. Wide rounded, almost boat-neckline edged with row of large, spaced golden discs. A second row of gold discs runs slightly lower across upper chest. Long sleeves with slight cuffs. Dropped waist with wide horizontal pin-tucks. Skirt gathered into sewn band just below bottom pin-tuck. B) Under-dress of blue cotton printed with ancient Egyptian-inspired motifs including lotus and flying birds, done in gold, red, and black. Full-length, with "keyhole" neckline, lower part of keyhole with scalloped edge. Slits at side seams from hem up to mid-calf. Very short sleeves. Garment cut to create very slight "A"-line shape, by cutting in under arms. Unlined. C) Head scarf of very fine black fabric. Triangular in shape, with edging of crochet/knitting of black yarn threaded with small clear crystal/glass cylindrical beads. Outer edge of beaded loop "tassels" of the same beads.
Photograph of the Mastaba of Ti in Saqqara, Egypt. A stone wall is visible in the right foreground. Past the wall, three square niches are inset in the building structure. The center niche contains a doorway to the tomb (mastaba) interior. Images carved into the stone are visible on the outside of the tomb.
Photograph of columns in Medinet Habu, Egypt. Only the bases of the columns remain. The foreground is divided by lines of column bases. Each base is carved with hieroglyphics and decorative reliefs. The distant hillside is visible in the background.
Photograph of two seated figures carved out of black stone in Medinet Habu, Egypt. The figures are seated facing the camera in the foreground. The left figure is missing an arm and a head while the right figure's face is worn away. The figures are flanked by column bases decorated with hieroglyphics in relief. A stone wall spans the background.
Photograph of column remains in the Temple of Ramses III in Medinet Habu, Egypt. A man in a blue robe is visible in the foreground between the columns. Column bases fill the foreground. Stone walls are visible behind the columns. The columns are decorated with hieroglyphics.
Photograph of the Temple of Ramses III in Medinet Habu, Egypt. Four stone columns are visible in the foreground with a passageway in the center. The columns are decorated with hieroglyphics. A figure in a blue robe is visible on the ramp leading up to the passage in the foreground. The hillside is visible in the background through the passageway.
Photograph of a camel in Medinet Habu, Egypt. The camel faces the camera in the center foreground. Stone ruins are scattered about behind the camel. Large intersecting stone walls are visible behind the ruins.
Photograph of the peristyle court of the Temple of Ramses III in Medinet Habu, Egypt. A row of columns is visible in the foreground. Each column is preceded by a stone figure. Each figure is in various states of deterioration.
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