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Hat of black velvet with soft brim and two ostrich pom-poms attached to left side. Hard velour stand decorated with jet surrounds a shirred crown. Retailer's label on inside crown: "Irwin's / Decor / Cincinnati / St. Louis"

Hat of brown velvet with wide soft crown. Wide brim folded back on both sides at the front with gathered velvet lining. Horsehair trim on brim. Retailer's label on inside crown: "Sanger Bros / Dallas - Waco"

Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.

Hat of velvet and golden weave cloth. The domed crown is covered in a woven golden cloth shot through with metallic threads. Around the base of the crown is a wide hatband of a similar fabric in the form of a dense ribbon, forming a large bow at front. Set in behind the bow is a semi-circular fan spray of fine white feathers. The wide, circular, slightly floppy brim is of black velvet. The inside of the crown is lined in a dark blue/black satin material. Maker's label stamped in gold on inner lining of crown: "Mme. J. Dagnet / French Millinery / 206 St. Paul St. / Dallas.

Hat of plum colored velvet. Designed as a modified cloche, the low domed crown consists of two layers, "puffed" out and shirred to create gathers and folds. Between the layers is a band of ribbon trim with purple/plum dyed ostrich plumes, which form a "fringe" around the hat. The lower "puff" acts as brim. Lined in black fabric. There are no maker's, designer's, or retailer's labels or marks in the piece.

Hat of black velvet. Designed as a modified sailor's hat, with a shallow cylindrical black velvet crown with slightly domed top. The wide, flat, black velvet-covered brim has an inner wire form, visible where velvet has been damaged. At side of crown is a spray of black/green cock feathers with a black velvet ribbon bow. The underside of the brim is covered in black velvet, while the crown is lined in black satin. There are no labels in the hat.

Hat of black velvet. The domed crown is of shirred black velvet with spiraling lines of quilting. Around the base of the crown is a band of black grosgrain ribbon, with bow and trailing ribbons at side. The wide brim is slightly undulating, with wired edge. The hat is lined in black satin. There are no labels or tags in the hat.

Hat of navy blue velvet. Cylindrical crown has slightly concave sides and somewhat domed crown that is gathered into sides in large pleats. Wide brim of matching velvet is of approximately oval shape, set somewhat off-center and with large "split" at side allowing for some overlap, and with rounded ends, one of which hangs below other when hat is worn. At split is navy blue dyed ostrich feather plume. Underside of brim is of same velvet, inside of crown lined with navy blue satin with drawstring opening at top of crown, which has inner lining of cream fabric. No designer's, maker's or retailer's labels in item.

Hat of white felt fur. The domed crown is almost totally covered by ostrich feathers, dyed pale green with violet edges. The brim turns up at ends, and supports lavish embellishments consisting of artificial flowers of various colors of velvet, more dyed ostrich feathers, and a violet silk taffeta bow. The crown and brim, under the added decorations, is covered in a fine black net/veiling, which extends under the brim and into the inside of the crown. The crown is unlined, showing the fur. Maker's paper label partially preserved, attached inside crown: "[Monogram mark RAC(?)] / New York". Label also lists style, "Anita", and price of $4.00.

Beret style hat of navy velvet. Small brim. Lined in black fabric gathered to center.

Hat of chocolate brown velour with wide, rolled brim. Soft crushed matching crown with band and large bow on side. Lacquered coque feathers underneath brim. Feathered underside of brim has applique scroll work of same feathers.

Toque of black velvet. The circular crown is of black velvet, gathered at top and crafted to create wrinkles. Brim at sides and front folds up to form "visor" at front of crown, on which are artificial berries, flowers, and leaves. Hat is lined with black satin. Maker's mark stamped inside crown, partly faded/worn: Perry Hat Shoppe / Perry, NY."

Hat of gray and cream brocade and black velvet. The high, domed crown is formed of cream and gray brocade, in a stylized pattern of geometric lines and floral forms, recalling Chinese patterns. The oval brim is set off-center, turning up high at front and only slightly at back. Set on the brim are three black velvet bows. The upper side of the brim is of the brocade, while the underside is lined in black velvet. The inside of the crown is lined with a black satin. Retailer's label is sewn inside crown: "Egner / 501 Gordon & Koppel Bldg / Kansas City".

Pair of lady's boots or "High Button Shoes" of dark brown leather. The shoes, designed with pointed toes, lace closed along center front with laces 16 holes high. Embellished at toe with cut steel beads forming interlacing bands and lines. Medium height heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering to center and then flaring out again at base, and with curved front section. Sole of black leather. Lined in black leather and off-white fabric. Retailer's(?) stamp inside, partly illegible: "Famous / Paris, Tex." Hand-written notation on lining: "38-1 80364" Sold by Famous Shoe Store, Paris Texas (est. 1891). Worn by Kennie Holt Rucker in 1917-1918. Donated by Mary Helen Rucker to the Historical Collection (North Texas State University,Denton, Tex.). Transferred to the Texas Fashion Collection.

Pair of lady's boots or "High Button Shoes" of black suede. The shoes, designed with pointed toes, are embellished with subtle rows of perforations and stitching. Each boot closes along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Hand-written notation inside on lining: "270 85434"

Pair of lady's boots or "High Button Shoes" of black leather. The shoes, designed with pointed toes, close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Stamped on lining: "350 760 / 3027 [monogram]"

Pair of ivory cotton or silk mitts. The elbow-length fingerless gloves are of crocheted ivory material in the style of the 1860s. The long sleeves have bands of lacework patterning. The hands are fingerless, with cording between where fingers would go, and an oval opening for the thumb.

Pair of shoes of red silk satin. Designed with a rounded toe and three straps across vamp which lace with red silk cord. Toebox with floral embroidery in red, and with decorative twisted fabric band across top of toebox. Edges of upper and straps edged off-white leather(?) 2" high modified Louis heel, rounded at sides and back, flaring slightly to base. Mostly illegible stamp inside.

Pair of lady's boots or "High Button Shoes" of black leather and velvet. The shoes, designed with pointed toes, are of black leather at lower portion, and black velvet from edge of vamp to above ankle. Upper section closes with circular, slightly domed black buttons on outer edge, 11 buttons high. 1 3/4" high heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering to base, and with curved front section. Logo stamped on sole, partly illegible. Embroidered label inside: "[Monogram - CT Co.?] Autograph" Stamped inside: "Our Own Make / 354 812 / Craddock Terry Co."

Pair of lady's boots of black leather. The "high button shoes" are designed with pointed toes, slightly rounded at tips. The boots lace up along the front with 18 holes. Lined at with black fabric. Modified Louis or boulevard heels, rounded at sides and back, flaring to base, and curved at front. Black leather soles. Embroidered logo inside: "[Part lion/part fish symbol] / Wichert / New York"

Handbag of multicolored glass beads in floral garden pattern with birds. Silver metal frame in rectangular shape with red jeweled snap closure. Bag has rounded corners at bottom, transparent beaded fringe and chain handle. Pink satin lining. Trimmed with bead fringe.

Handbag of bronze, brass and aqua metal beads in floral pattern. Rectangular shape, Art Nouveau silver frame with white and green enamel with red, blue, and light green cabochons. Filigree snap closure has large, circular green cabochon. Fringe of self with ends finished in clusters of 3 brass beads. Double chain handle can be worn as single to extend handle longer.

Picture hat of black velvet with domed crown and wide brim edged in black satin. Hatband of pleated black satin. Bright green ostrich feathers on left side of crown. Lined in pink fabric. Designer's label: "Mae Kelley / Exclusive Hand Made Hats / Whittier, Calif." Retailer's label: "Yvonne / Hats / California"

Silver mesh purse with cathedral arch frame etched with scroll filigree. Ball and socket clasp. Ball finials at each corner of tri-corner bottom. Mesh band handle with slide adjustment stamped with a four petal flower. Interior of frame stamped: "Mesh / Whiting & Davis / Bags" and "Sterling"

Boy's suit of olive green wool tweed with gold flecks and small blue and white vertical stripes. A) Jacket. Triangular, placket front is bordered with black twill tape and has a vertical, center insert of red wool bordered with black braid. Four gilded brass buttons on each side of placket with right side closure having tailored buttonholes. 1-1/2" belt of self attaches at bottom button. Long, set-in sleeves are trimmed with two, smaller, nonfunctional matching buttons. Turn down collar closes with 2 hook & eyes. Bow tie of black silk faille. Horizontal, double welt pockets at side. Body of jacket is lined with black polished cotton and sleeves are lined in cotton fabric in stripes of light gray with thin green stripes. B) Short pants of matching tweed. Closes with a single brown button on each side of waist above pockets. Single slit pocket on the back at right. Sides of legs trimmed with 3 matching, nonfunctional buttons. Interior cotton satin waistband has 8 vertical buttonholes and is stamped: "Aletor(?) Waist Band / Patented / June 29, 1896 / 3 / Brooklyn, N. Y." Front lined in brown polished cotton.

Infant's ensemble of fine white persian lawn consisting of: A) Infant's dress of white batiste cotton. Full length dress gathers into square yoke with narrow, vertical rows of fine eyelet and hair pin lace. Two rows of pin tucking separated by two rows of eyelet and hair pin lace matching yoke at bottom with 2-1/2" ruffle of scalloped eyelet lace at hem. Round neckline trimmed in lace. Long sleeves with lace at hem; center back opening. B) Slip of white batiste cotton. Neckline and armholes trimmed in lace. Full length. Narrow row of pin tucks and row of eyelet and hair pin lace matching dress with matching ruffle of scalloped, eyelet at hem. Closure of mother-of-pearl buttons at shoulders. No labels in garment.

Evening coat of cream/ecru wool with beige velvet accents and braided cream cord trim. Full length; center front opening with single hook & eye closure. Wide, 3/4 length dolman sleeves with velvet cuffs. Silk cord in scroll and chain pattern outlined front, sleeves and back to waist. Two inside pockets; ivory silk lining.

Infant's dress of white cotton batiste with lace surrounds. Full length with short, puffed sleeves. High waist gathers at yoke. Yoke and sleeves trimmed in lace. Yoke is constructed of cut-out pieces and is embroidered in white vine and floral design. Hem has five rows of pin tucks above a 2-1/2" ruffle trimmed in satin-stitched dots along the bottom. Center back opening with two tiny mother-of-pearl buttons; third, top button is missing. Unlined.

Child's coat of off-white cotton faille with box pleats front and back; one each at shoulder and one down the middle of both back and front. Front opening to waist of four small white mother-of-pearl buttons and two snaps at neckline, covered by pleat. Sailor collar embroidered with simple flower and vine pattern and embroidered scalloped edges. Long sleeves have the same treatment for 3" cuffs. Dropped waist with belt loops (belt missing).

Infant's dress and slip set of white cotton batiste. A) Gown is gathered at V-shaped yoke with 8 vertical bands of broderie anglaise and 7 strips of narrow lace. Long sleeves have cuffs trimmed with matching broderie anglaise and hem trimmed with netted lace; three rows of pin tucks at bend of elbows. High rounded neckline with matching broderie anglaise. Back of yoke is trimmed with five rows of vertical pin tucks and matching broderie anglaise. Hemline has 1" band of broderie anglaise in fleur-de-lis pattern between three rows of pin tucks. Ruffle at hemline has band of feather stitched embroidery at seam with two rows of drawn work and floral and fleur-de-lis embroidery with scalloped hem. Center back closure of three mother-of-pearl buttons. B) Slip. Rounded neckline; sleeveless. Lace trim at neckline and armseye. Full gathered skirt attached to bodice with band of feather stitched embroidery . Hemline and ruffle of slip is trimmed to match gown. Center back closure of two mother-of-pearl buttons.

Child's dress in off-white cotton. Short, double-layered ruffled sleeves of broderie anglaise. High, gathered waist. Square neckline with eyelet bodice trimmed in lace. Center back opening of three round buttons.

A) Infant's dress of white batiste cotton. Yoke has rounded neckline with tatted lace and floral embroidered inserts. Short puffed sleeves are trimmed in tatted lace. Skirt has insert of floral embroidered batiste between two rows of tatted lace; pin tucking above inserts and at ruffled hemline trimmed with tatted lace. Center back opening with snap closure; snaps missing. Unlined. B) Slip of white batiste cotton. Sleeveless with wide rounded neckline; bordered in tatted lace. Bodice embroidered in floral pattern with embroidered bow at the center. Gathered waist. Skirt with tucks and insert of tatted lace and tatted lace at hem. Center back closure of four mother-of-pearl buttons and button at each shoulder (buttons at shoulders missing).

Small girl's dress of fine white cotton or linen. Wide lace ruffle borders small yoke of lace and net. Short puffed sleeves trimmed with matching lace. Dress falls full from gathering under yoke ruffle with three rows of fine tucks, two rows of lace inserts and matching lace border at hem.

Little girl's dress of blue and white cotton with woven darker blue vertical stripes. Straight silhouette in front with 3 box pleats from ruffled collar to hem. Box pleats conceal the center back opening of four buttons to waist with pleated skirt from waist. Long sleeves with ruffled cuffs and button trim. Half belt of self wraps around to the back and closes with a snap.

Chinese jacket of red damask silk with multicolored embroidery. Almost knee-length, with long sleeves. Floral damask pattern, embroidery of flowers, moths(?), foliage, and other symbols. Angled center front opening bordered with blue, fastened with carved/chased gold sphere buttons and loops. Around opening, hem, collar, and cuffs is embroidered band in blues and white scrolls, with outer border of gold and black. Lined in pink silk. No labels.

Chinese Wedding Skirt for a Member of the Court. Mid-calf length wrap-style skirt comprised of two panels of red brocade silk with chrysanthemum pattern attached to 2.25" waistband of green wool; panels connect with interior button of green wool and skirt is secured with ties of green wool that wrap around the waistband. Panels are unadorned where wrap overlaps and finely pleated where panel is visible. On pleated sections are long strips of dark blue silk piped and backed in light blue silk; strips are decorated with silk and metallic embroidery with floral, dragon, and geometric designs, and at the bottom each strip has a modified fleur-de-lis shape and two silk tassels, one of lavender and the other turquoise. Inset into each side section of skirt are rectangular bands of floral embroidery in silk threads on white silk cloth. The bottom of the skirt has a bands of white and blue silk with embroidery, which are also pleated where visible. Primary background cloth of skirt is red silk. Side panels are lined with turquoise silk fabric. Inside labels from Neiman Marcus and The People’s Republic of China indicate the skirt was probably bought during an Asian Fortnight in 1962 or 1969.

Chinese ensemble of blue silk with multi-colored embroidery. A) Jacket/Bodice. Knee-length, A-line, standing collar, long sleeves with white cuffs embroidered with scenes of Chinese people in various situations. Center front opening with black frogs fastened with spherical gold buttons. Wide band at collar and part of front opening, and hem with embroidery of figures on brown ground. Field of jacket with large multi-colored embroidered flowers and butterflies. B) Pants. Matching. Drawstring waist. Full-length, with matching embroidery, but only on lower legs. Cuffs with wide band of white embroidered with foliage and moths.

Red silk cheongsam style skirt - ankle length taper off skirt fully lined with silk crepe. Hand embroidered silk design motifs - Vertical gold rickrack creates the illusion of the traditional aproned skirt popular in the Qing Dynasty. This is probably a transitional garment going from the ancient style to the more contemporary garments of the 1920's and 1930's. There is a Neiman Marcus and a People’s Republic of China label inside.

Ladies lace-up boots of brown leather. Whole vamp with lightly brogued pointed toe-cap; stacked heel. Replacement laces. Stamped on interior: "350 32439N 66"

Purse of gunmetal mesh, suitable for afternoon use. Rectangular frame, plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue" Measurements: 26 cm. from top of clasp to bottom of fringe; 19.5 cm at widest part of bag.

Brassiere of black silk damask, floral lace, and tulle; wide band of leaf damask with bust of top layer of lace and under layer of tulle; 1/2" straps of black ribbon; hook and eye closure at center-back; lingerie-style.

Evening jacket of ivory of Battenburg cotton lace. 3/4 sleeves; knee length. Open front with two large lace flowers and hanging tassels; black velvet ties stem from the flowers and close with two hook & eyes. Matching black velvet sewn into neck edge. Embroidered retailer's(?) label at inside back neckline: "J. Hook / Detroit / Mich."

Small oval reticule of open weave crochet with bell and drop shaped dangles. Unlined.

Evening/dinner gown of ivory silk crepe decorated with lace, embroidery, and artificial flowers.

Dress of purple silk brocade and white lace bodice.

Late afternoon/dinner dress of mauve purple silk velvet with lace and beading.

Mitts of white silk knit lace. 14 button length.

Bow tie of silk in the bat's wing shape (pointed ends) of geometric pattern with highlights of tan diamonds. Adjustable length. Tag: "Adjustable All Silk"

Man's tuxedo shirt of white cotton. Banded neckline for detachable collar. Bib front with two buttonholes for studs. Center back button closure of one button at waist. Sleeves have been removed. Maker's label: Manhattan / Trade Mark / Short Bosom b & c) Sleeves to tuxedo shirt have been detached from shirt. Long sleeves with vents and French cuffs.

a) Formal wear vest/evening waistcoat of creme satin with cotton lining and back. Single breasted with closure of three self-covered buttons; shawl collar; three welt pockets. Adjustable waistband with buckle. Buckle reads: Patent 1855 b) Bowtie of creme satin.

UNT College of Visual Arts and Design - 169 Matching Results

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