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[35 East Wacker Drive, Chicago, Illinois, United States]

Description: Detailed view of stonework and windows above the front doors of a multistory building at 35 East Wacker Drive in Chicago, Illinois. The address, "35 East Wacker Drive" is engraved in the stone above the doors, at the bottom of this image. The building was also formerly known as the North American Life Building, the Pure Oil Building, and the Jewelers' Building.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: 1924/1927~
Creator: Thielbar and Fugard
Location Info:

[333 West Wacker Drive, Chicago, Illinois]

Description: Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: 1983
Creator: Kohn Pedersen Fox Associates
Location Info:

190 South La Salle

Description: View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois.
Access: This item is restricted to UNT Community Members. Login required if off-campus.
Date: 1986
Creator: Johnson, Philip & Burgee, John Henry
Location Info:

[Interview with Elda Harrington]

Description: This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Date: April 2, 2008
Creator: Kidd, Allison & Westrup, Sarah

[Interview with Adelma Benavente Garcia]

Description: This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Date: March 25, 2008
Creator: Kidd, Allison & Westrup, Sarah

[Interview with Paula Sibilia]

Description: This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Date: April 23, 2008
Creator: Kidd, Allison & Westrup, Sarah

[Metropolitan Museum of Art]

Description: Photograph of a sculpture exhibit in the Metropolitan Museum of Art in New York, New York. In the foreground, a two-story exhibition hall is visible filled with brown pedestals displaying small sculptures. Two stories of colonnaded archways are visible in the background.
Date: unknown
Creator: Gough, Ray

Pumps

Description: Pair of metallic leather pumps. Shoes of textured pink or rose metallic hue with silver undertones, edged in black velvet on vamp and around peep-toe. Slingback, fastened by black rhinestone-accented buckles. 3 1/4" spike/stiletto heels covered in the same leather. Each shoe marked inside vamp: "4 1/2 M 4311-SLW / 26080". Stamped on left shoe: "Herbert Levine / Fine Shoes"; Stamped on right shoe: "Neiman-Marcus". Stamped on both "Hand / Lasted".
Date: 1950/1959
Creator: Levine, Beth Katz

Mourning Ensemble - Bodice and Skirt

Description: Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black ...
Date: 1900/1903

Dress

Description: Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later additions to the garment. The dress is fully lined in green silk crepe. Designer's label located inside left center back, beside the zipper: Pierre Cardin / Paris New York". Retailer's label located inside right center back, beside the zipper: "Maisonette / Neiman-Marcus"
Date: 1970
Creator: Cardin, Pierre, 1922-

Evening Gown

Description: Evening gown of ivory satin and black lace. Garment is a full-length, A-line ivory satin dress with 3 wide horizontal bands of applied black lace on skirt and an attached black lace empire-style over-bodice. The bodice, consisting of overlapping lace scallops, has a deep square neckline and full-length sleeves. There are two covered snap closures on each wrist and a series of paired covered snap closures down center back. The dress has a center-back zipper with a single hook-and-eye fastener at the neckline. The ivory silk inner bodice has internal steel(?) boning for shaping, and fastens with a center-back zipper and internal grosgrain band waist stay. Inside the gown is a full-length, attached ivory satin slip with horsehair hem. The dress is piece-lined in ivory organza with a horsehair hem. Designer label stitched into garment at right center-back, beside the zipper "Oscar de la Renta" with second label "Made in U.S.A." sewn below. Hand written on the designer label is notation "4677S".
Date: 1980/1989
Creator: De la Renta, Oscar

Ballgown

Description: Ensemble of red/coral/dark rose satin. The strapless dress has an empire bodice which curves up in front at bust and is lower in back. The full-length A-line skirt is pleated into the waistband with inverted box pleats. The gown has a center back zipper closure with two hook-and-eye closures and two snaps on the placket. The inner construction is complex, with red grosgrain ribbon bust and waist stays with hook-and-eye closures and a boned white horsehair inner bodice which is lined with red chiffon. Inner structure has its own center back zipper closure which is behind outer zipper. There is an attached full-length red satin petticoat with horsehair hem and nylon net inner structure to support front skirt pleats. The skirt is piece lined in red chiffon. The accompanying bolero jacket is of matching red satin with all-over quilting in a patterns of waves and arcs in a red thread. The cropped jacket is semi-fitted, and has an open curved neckline and center-front opening with no closure, all trimmed in a band of red satin. Each of the set-in long sleeves has a (non-functioning) large, red satin-covered button near the cuff; the cuffs are trimmed in a band of red satin. The jacket is lined in olive green satin, which shows the quilting, and has built-in shoulder pads. There are no labels in the garment.
Date: 1985/1989
Creator: De la Renta, Oscar

Evening Gown

Description: Black velvet evening gown with beaded jacket. a) Jacket: heavily beaded, sequined and embroidered. Cropped, tailored shell with the colors black, gold, green and burgundy predominating. Curved open neckline with full-length set-in sleeves. Piece embroidered. Fully lined in black silk. Designer's label stitched center back, below neckline: "Oscar de la Renta" with hand written style number(?) "5250s" Tag attached below designer's label: "Made in U.S.A." b) Dress: Strapless, full-length, fitted black velvet sheath. Zipper closure down left side seam with hook&eye at the neckline. Hip-level pockets. Neckline, waistline and pockets decorated with gold cord and bugle bead trim. Decorative center front waistline accent of gold-tone metal trimmed with sapphire and emerald rhinestones. Black grosgrain waist stay with double hook&eye closures. Fully lined in black silk. Designer's label stitched center back: "Oscar de la Renta" with hand written style number(?) "5250s" Tag attached below designer's label: "Made in U.S.A."
Date: 1980/1989
Creator: de la Renta, Oscar

Evening Gown

Description: Evening gown of black lace and tulle with fitted bodice of black organza, silk tulle and lace. High rounded neckline with short sleeves; upper bodice is of black silk tulle; lower portion is of lace, tulle and organza; short tulle sleeves trimmed in black lace; waist seam bound in black satin; full-length, full circle skirt made of four layers of black silk tulle; outer layer has three rows of lace at the hem; outer two layers have horsehair supported hems and are swing tacked together; underskirt of black organza with tulle hem; zippered center back closure with hook & eyes at the neckline and mid-back; black grosgrain ribbon waist stay. Label stitched right of center back opening.
Date: unknown
Creator: de la Renta, Oscar

Pillbox Hat

Description: Pillbox hat of striped fabric. The low-crowned cylindrical hat is covered in a gray fabric having red, green, black, white, and gold stripes reminiscent of a man's tie. Around the crown the fabric is pleated and draped, giving the effect of a low turban. Lined in a pink satin, with dusty rose pink grosgrain ribbon inner hatband. Glued into the crown lining is a homemade(?) hand embroidered label: "Jo Bailey Hats"
Date: 1955
Creator: Bailey, Jo

Coat

Description: Evening coat of brocade and fur. The full-length coat is of a pale yellow silk brocade, with a pattern of flowers and scrolls in reds, purples, blues, white, silver, and gold. It has long sleeves and opens along the center front, with no closures. The cuffs and collar are wide bands of dyed purple fox fur. The coat is lined in a pale tan/yellow silk. Sewn in below collar at inside center back is designer's label: "Designed / by Mouratidis / Washington DC" Attached inside right side near hip is original paper label printed on one side "Balenciaga / Paris", and written on the back "Brocade evening mystery / coat w/fox / R". Donated to the Texas Fashion Collection by Helen Noumas, in memory of her partner Michael Mouratidis, designer of the piece.
Date: 1989
Creator: Mouratidis, Michael, 1920-2002

Boots

Description: Pair of brown suede boots. Almost knee-high, the boots are constructed as slip-on rounded-toe shoes or moccasins with added segments on the quarter to create the length of the boots. At the top, the suede of the boots is folded over outwards forming a pocket for a drawstring around top and a band of suede fringe around the outside of the boot. Indistinct trademark/logo stamped on sole. Illegible stamped mark inside boots. Referred to as "Squaw Boots", these were worn by the donor who acquired them in 1968 from the Fishing Bridge Store, in Yellowstone National Park.
Date: 1968

Shirt

Description: Homemade, long-sleeved shirt of gold brocade, with straight button front, in the popular Elvis Presley or Renaissance style of the late 1960's. Multiple ballooned areas on the sleeves.
Date: 1962/1968

Dress

Description: Dress of printed silk with beads and sequins. Short dress of black silk is printed with a paisley design in yellow, red, and cream. The background is covered in heavy black beading and black sequins. The dress has a short standing collar and long set-in sleeves. There is a center back zipper from collar to hips. Fully lined in black fabric. Label of Dallas retailer inside back near collar on left side: "Marie Leavell"
Date: 1960/1969