UNT College of Visual Arts and Design - 38 Matching Results
Search Results
- Evening ensemble
- a) Bolero jacket of sheer net. Beads and sequins of varying motifs run horizontally; red and black beads. Long sleeves; no collar; frog closure at neck. Hidden hook and eye halfway down center front. b) Skirt of shocking pink satin. Floor length; gathered fullness in back. Zipper at center back with hook and eye closures on waistband; pink lining which attaches to skirt hem with large gathers in back.
- Suede fringe coat
- Coat of tan leather suede. Knee length or slightly longer. Round neckline with slight band collar. Center front opening with 7 circular metal buttons attached with matching leather thongs. Edges of opening have thong stitching. Two front horizontal, slit pockets edged with same thong stitching as opening with ends hanging as single strands of fringe. Long sleeves with thong stitching at cuff. At upper bust, shoulder, elbow, and hem of coat is leather thong fringe. On collar above upper bust fringe, above elbow fringe, on pocket, and above hem are "stamped and painted" decorative bands. In line above fringe at upper bust is line of round brass studs. Label handwritten at inside center back: "Handmade/ by / Sherri Shelton Heath / © 5-99"
- Sequin evening ensemble
- Skirt ensemble covered with tan, grey, and translucent white sequins. A) Skirt in straight style. Knee length. Center back zipper with hook & bar closure on 1" waistband. Fully lined in beige synthetic crepe. Designer's label at left of zipper: "Vera Wang" B) Top, hip length. Sleeveless, with scoop neck. Center back zipper with hook & eye. Fully lined in beige synthetic crepe.
- Silk suit
- Suit of lime green silk; a) jacket; fully lined with black silk; black silk collar; 4 black buttons at center front; 2 diagonally set welt pockets at hips; b) long black silk skirt; laces-up at center front waist with black eyelets; center front slit, lime silk facing.
- Faille shoes
- Pumps of aqua blue silk faille moire (matching a suit). The shoes are designed with a gently pointed toe and the vamp is trimmed with a leaf of re-embroidered silver metallic Alençon French lace. Lined in metallic gold kid. The 3" French heel is covered in same fabric. Sole lining reads "DAL CO' / ROMA" Handwritten order number(?) inside right shoe: "2231"
- "Tibet" scarf
- Scarf of silk twill in “Tibet” Silk Scarf 90 artwork depicting mystical stones and jewelry in tones of red, blue, and gold with burgundy border.
- Envelope for Vogue Pattern #7031
- The Vogue Woman Pattern #7031 to make a hip-length tunic with notched collar and turn-back sleeves with loose fit, skirt with asymmetric front closure, and tapered pants, including illustrations of the finished pieces and information about sizing and construction on the back.
- Evening dress
- Evening gown of dark purple/wine crushed velvet with large purple/wine dyed fur collar. Bias cut; floor length; center back slit. Sleeveless; low back. Side invisible zipper. Silk crepe lining. Designer Label: Vera Wang
- Ensemble
- A) Evening gown of black chiffon lined with nude stretch net; bias cut; form fitting; halter neck comes to V point at top of bodice front and back; spaghetti strap neck closure; laser cut scalloped strips of chiffon sewn into seams that run diagonally on body of dress; floor length. B) Long black coat of georgette crepe; low notched collar; long sleeved; ankle length; 4 buttons and bound buttonholes at center front; center back seam. Designer Label: Vera Wang
- Suit
- Pants suit of dark cream. A) Jacket of dark cream silk. Hip length; collarless, with slight scoop neckline; front darts and back seaming; five pierced plastic ivory buttons at center front, with alternating hidden snaps; two angled mock pocket flaps; long sleeves with three buttons at cuff; Bound buttonholes. Attached shoulder pads; lined in cream silk. Designer's label: "Pierre Balmain / Paris" Handwritten couture label underneath: "173873 ETE 99" B) Pants of dark cream polyester. Full-length. Double pleats in front. Waistband with front center tab button closure; center front zipper; side pockets; lined in cream silk. Designer's label: "Pierre Balmain / Paris" Handwritten couture label underneath: "174715 ETE 2001"
- Coat
- Coat of light brown acrylic; no closure; long sleeves with small roll back cuffs; roll collar; 2 big patch pockets attached diagonally on the front; calf-length; unlined; back vent. Designer label: Oscar de la Renta
- Coat
- Coat of taupe wool; fully lined with gray wool; princess line; mink fur shawl collar; full length with embroidered patterns over the flapped pockets on each side; 3 fabric covered buttons on each cuff. Designer label: Oscar de la Renta
- Evening dress
- Evening dress of black tulle with bodice of pink satin. a) Strapless top of pink satin; draping folds at top of bodice; hook and eye at center back. Built in boned support bodice. b) Skirt of layered tulle. Top layer is black; second layer is pinkish with pink metallic matte sequins sewn on in short 1 1/2" rows; rows concentrated at top of skirt. Floor length; sheer silk lining; center back snaps at top.
- Sheath dress
- Sheath style dress of tan wool. High neck with slight V in front and back. Sleeveless; knee length. Seams on front form an X across the chest; 2 darts come down from X seams at the waist. Topstitching along X; princess seams in back with topstitching. Center back zipper with topstitching. Lined in tan silk; bias cut.
- Dress
- Dress of gray silk with green floral velvet pattern and leaf embroidery in thick gray cords; boat neckline; princess seams; ¾ sleeves; just below knee-length gray lining. Designer's label at cb neckline: "Oscar de la Renta" Handwritten style number: "5613 s" "Made / In U.S.A."
- Column
- A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open.
- Column
- This is the back side view of the piece. The texture on the lower portion can be seen in this view.
- Form with Clamps
- The sculptural piece consists of a large seed pod shape that appears to burst from the shell but is held closed with five metal ties terminating in flower bud shapes.
- Limb
- The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem.
- Action Pattern, Number 2
- The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface.
- Bean Tree Pod Rockets Measured and Marked
- The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper.
- God Number 2
- The drawing consists of a grid pattern drawn in graphite and India ink squirted and splattered across the surface.
- Experience Music Project (EMP)
- The view is of the red and silver portions of the facade.
- Architect's Handkerchief
- The sculpture depicts a white handkerchief on a black pedestal and is situated outdoors. The handkerchief is extremely over-sized.
- Architect's Handkerchief
- The white handkerchief detail shows the smooth texture of the sculpture.
- Acoustic / Electric Guitar (Chrysalis Model)
- The main front view of the guitar is visible with its red body.
- Z 99-5
- The abstract painting consists of shades of tan, white, black and gray with two bars of gradations floating on the surface, one lower edge and one center right.
- AC 99-8
- The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors.
- AE 99-10
- Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas.
- AG 99-12
- Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas.
- AH 99-13
- Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes.
- AA 99-6
- Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas.
- AI 99-14
- Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas.
- V 99-1
- Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands.
- W 99-2
- Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes.
- X 99-3
- Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float.
- Y 99-4
- Black, beige, and white brushstrokes are scattered evenly on the background of the painting creating a patterned surface upon which a large white to black gradation floats in the center of the canvas.
- Whisk
- Painting of peach, brown and gray female portrait; 3/4ths view. Raised gray triangle shapes throughout clothing.