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Relevant Interdisciplinarity: Taking the Art History Classroom to the Field
This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.
Internet Use in Latin America
This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.
Students Collaborate to Develop Educational Green-Clothing Label
This book chapter describes a project to develop an informative green label that outlines the impact of a product on the environment, to help inform the consumer considering buying the product.
Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy
This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
Book Review: Elizabeth Valdez del Álamo, Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century
Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.
Perceived ease of use and usefulness of sustainability labels on apparel products: application of the technology acceptance model
This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.
Business, soft power, and whitewashing: Three themes in the US media coverage of “The Great Wall” film
This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.
Assessing the Media Visibility of China's President Xi Jinping's First 3-Year Governance in the New York Times
This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve.
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.
Museum Dilemma: Nazi-era Art Restitution
This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.
Teacher/Student: Technology as a Basis for Centrifugal Learning that “Goes Both Ways,” Part 1
This article provides retrospective insight on incorporating geographic information systems into medieval studies research.
Defining a New Coast: G.I.S. Reconstruction of Maillezais Abbey’s Hydraulic Drainage Program and the Coastline It Created
This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.
The ill effects of World Wide Web on the Google Generation: An analysis and criticism of ways in which the World Wide Web is altering young learners’ cognitive behaviors
Article accompanying the Proceedings of HCI 2011 The 25th BCS Conference on Human Computer Interaction. This paper explores the World Wide Web's effect on the Google Generation/those born after 1993.
Untitled
The untitled set of photographs depict, in one, a man dressed in a suit and tie seated next to computer equipment and, in the second photograph, a man wearing a western style hat stands in front of a counter piled with many papers and objects as well as on the shelving behind him.
Tail Shoes
This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe.
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas.
Small Casseroles
Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas.
Oil and Vinegar Set
Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012.
Watercolor Abstract Emotions No. 1
The painting consists of a rainbow of colors with a rusty red in the center. The colors flow from top to bottom; the artist states that the painting was created with the idea that it may be hung in any direction. Although the colors meet and begin to interact with each other, they remain mostly independent. There are spots and blotches as well that creates texture.
Watercolor Abstract Emotions No. 2
The painting includes a large black area on the left hand side. The upper right hand portion includes many reddish colors. Sprinkled among the black ground are many yellow, red, blue and white areas that resemble balls of fire or stars. The artist states that the painting was created with the idea that it may be hung in any direction.
Porch
This low-chroma ink wash painting shows the banister and railing of a staircase leading down from the western porch that fades into the distance. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Stairwell
This low-chroma ink wash painting depicts an aerial view of the center of a stairwell. The angles of the broken banister and other elements create a somewhat dizzying perspective. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Roof
This low-chroma ink wash painting shows the upper portion of a back entrance that primarily focuses on the roof, particularly the fallen decorative windows that were once perched on top of it. There are dead vines growing rampantly through the windows, roof, and doorway. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Column
This monochromatic painting shows the front of the main building from the view of the southwestern porch, with a column prominently in the foreground.The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Hallway
This low-chroma painting shows the length of the upper western wing of the property. It features the ink wash, which adds to the effect of decay in the subject matter. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Cart
This low-chroma ink wash painting depicts an abandoned cart. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Room
This low-chroma ink wash painting depicts a room containing a large machine and switch mounted on the wall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Dining Hall
This low-chroma ink wash painting shows the dining hall of the estate, particularly focusing on the windows. The sunshine lights the floor highlighting the debris and ruin. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Power Outlet
This low-chroma ink wash painting depicts a power outlet on the floor, almost buried in the ruin surrounding it. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Fountain
This low-chroma painting created with an ink wash depicts the fountain in the bottom left portion of the canvas. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Fountain Study
This painting features trials in color, paint application, brush strokes, and pencil work in an attempt to blend drawing and painting. This painting depicts the fountain at the front of the property, which has long fallen into a state of extreme disrepair and has been subject to rampant vandalism. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Staircase
This relatively monochromatic painting uses mostly browns and tans to depict an upper level view of a decaying staircase. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Dumbwaiter
This low-chroma painting depicts the dumbwaiter that resides at the back of the dining hall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Pennsylvania House
This painting depicts one of the annexes that remain on the property. A fire long ago destroyed the building's interior, but the brick remains. The low-chroma painting features ink washes. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.
Dumb Blonde + Superstar
Image of two color inkjet prints mounted on a wall as part of an art exhibition. These two photographs depict the popular Barbie toy doll. In one photograph, she is in front of a pink background and in the second photograph, Barbie is seen amid sparkling lights. These photographs were included in the exhibition, Parallax Presents: Self-Conceptions, University of North Texas Fine Art Photography Club which was held in the Lightwell Gallery, Art Building, September 2012.
Generation Mess
Each of the photographs in this group includes the black and white portrait of a young person layered with walls and words. These photographs were included in the exhibition Parallax Presents: Self-Conceptions, University of North Texas Fine Art Photography Club in September, 2012, in the Lightwell Gallery in the Art Building on the University of North Texas campus.
Attic Turbine Vent
The brooch is to be worn on the shoulder and is in the form of an attic vent. The piece spins.
Plumb Bob: Shelter
The necklace is in the form of a plumb bob. The finial is shaped like a house.
Plumb Bob: Shelter
The necklace is in the form of a plumb bob. The finial is shaped like a house. This view shows the entire length of the necklace.
Round Soffit Vent
The brooch is in the shape of a round soffit vent.
Plumb Bob: Tradition
The necklace is in the form of a plumb bob.
Plumb Bob: Tradition
The necklace is in the form of a plumb bob. This view of the necklace shows the entire length.
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse.
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse.
Blindly Follow
Image of painting that depicts two hooded men chained together. The view is from below showing the ceiling which resembles a cathedral.
Untitled
This painting on paper was included in the Senior Level Painting Exhibit in October 2012. The show was in the Lightwell Gallery in the Art Building on the University of North Texas campus.
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