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"T'ai Yuan" robe
"T'ai Yuan" A) Kimono robe of red silk with hand-painted image of T'ai Yuan with magenta lotus flower in left hand and blue crane in right hand. B) Tie belt of matching fabric.
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center.
The Alchemist's Wedding Band
The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead.
America's Cup Pavilion, Sails and Winds
A close view of the facade bearing the name of the building, underneath side of a deck and a stairway are shown.
America's Cup Pavilion, Sails and Winds
The view shows the dramatic facade. It appears to be stacked layers.
America's Cup Pavilion, Sails and Winds
The view of the facade is from an angle and shows the lower level details and the cantilevering.
America's Cup Pavilion, Sails and Winds
The view is of the cantilevered levels as seen from beneath and the glass first level.
America's Cup Pavilion, Sails and Winds
The view shows a stair ramp and the underneath side of a cantilevered level.
America's Cup Pavilion, Sails and Winds
The view is of the symbol on a service cover promoting the 32nd America's Cup.
America's Cup Pavilion, Sails and Winds
The view of the building along the water's front and promenade and cantilevered decks are shown in this view.
AQ 01-5
This painting is mostly black with some vertical white scrapes.
"Artemis" robe
"Artemis" A) Kimono of dark purple silk. Hand-painted image of Artemis on back with flowers in right hand and peacock at left hand. Full length; long sleeves. Opens center front. Slits at side seams for belt. B) Tie belt of purple silk.
Asteroids and Asterisks Warped and Trapped by Red Yellow and Gray Gestures
The horizontal painting consists of two red backgrounds that have been decorated with a scratched into the surface grid pattern. Dancing across the surface are seven vertical gray swaths and two thick yellow paint drips running from the top edge of the painting.
AT 01-8
This painting is predominately black with some vertical white and pink scrapes.
AU 01-9
This painting is predominately white with pink and black vertical scrapes.
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white.
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines.
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines.
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes.
Backward N Come Together Edges
The square blue painting's surface is covered with a scratched into the surface grid pattern and across the uppermost surface is a backward N shape in a bright orange color.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view of the facade shows the intricately carved surfaces. The view is from the west. A large staircase leads to the entrance and the entire temple is a bright white color.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view is of the highly decorated spires and gold finials.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
A large staircase lined up a reflecting pool lead into the main entrance of the temple. The spires and domes are visible in this view as well.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The stairs lead to a columned portico and entrance. The main entrance is highly decorative in rich surface detail and arches between the columns.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
This view shows the administration and educational building adjacent to the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view is of the cantilevered balcony and its richly carved wood. The balcony is on the administration and education building adjacent to the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view shows the main facade of the temple with its richly decorated spires and domes, large staircase and arcade portico. Perpendicular to the facade is a long and narrow reflecting pool.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The temple exterior facade is seen at an angle and from a short distance. A small portion of the adjacent administration and museum building can be seen to the left of the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The detail view of the temple shows the large staircase and intricately carved arcade at the top of the stairs. However, also shown is signage showing the temple is currently not open.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The northwest elevation of the temple is seen and a flag flies from each spire.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The view is of the cupolas and ornately decorated and carved spires.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
A close view of the spires shows the richly carved decoration.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The main central spire is shown. The many smaller spires attached to the greater spire is visible in this view.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The carved figures and arches on the north transept are shown in this close detail.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
Carved decoration of sacred figures in the arched entrance are shown in this close detail view of the exterior of the temple.
BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
The overview shown here is of the south transept and the sidewalk leading to its entrance. Richly carved decoration and figures are also visible.
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture.
Bead necklaces
Masai necklace of three separate graduated rings. Rings are beaded in alternating vertical rows of red, white, blue, orange, white and green. Each ring closes with a handmade wire hook & eye.
Beaded bracelet
Maasai beaded wristband style bracelet in predominant colors of iridescent purple, light blue and red with yellow plastic spacers. One-inch wide with handmade wire hook closure.
Beaded bracelet
Maasai beaded wristband style bracelet in black, white, blue, orange and yellow with white plastic spacers. One-inch wide with closure of two handmade wire hook & eyes.
Beaded bracelet
Maasai beaded armband/cuff in red triangle motif with three white and one green plastic spacers. Closure of three handmade wire hook & eyes; 2-1/4” wide.
Beaded brocade dress
Evening gown of heavy-weight bronze silk with metallic gold, red, green and brown silk embroidery. Strapless sheath silhouette trimmed with brown velvet above bust, and embellished with heavy beading at the bodice; train cascades from inside back of bodice; multiple hook and eye closures with zipper; lined with orange acetate.
Beaded cuff
Maasai beaded armband/cuff in multicolor triangular design with red, white and blue plastic spacers. Closure of three handmade wire hook & eyes; 3-3/4” wide.
Beaded cuff
Maasai beaded armband/cuff predominantly designed in shades of blue with yellow plastic spacers. Closure of leather with three black snaps; 2-1/2” wide.
Beaded cuff
Maasai beaded armband/cuff in multicolor triangular design with blue, orange, yellow, white and red plastic spacers. Closure of two handmade wire hook & eyes; 3-1/2” wide.
Beaded earrings
Pair of Maasai earrings in open oval design of blue, white, red, and green vertical bands. Earrings are bordered in blue beads on the interior and a row of yellow and alternating blue/white rows around the exterior.
Beaded earrings
Pair of Maasai earrings of multicolor seed beads in circular shape with two hanging strands of matching beads ending in cowrie shells.
Beaded necklace
Maasai face neckpiece of multicolored seed beads trimmed in silver hanging paillettes. Headpiece is designed with central ½” wide vertical band with triangular lower(?) section and semicircular upper(?) section. Center band of two rows of beads forms headband.
Beaded necklace
Maasai tribal choker necklace. Choker is styled as a 1” wide band of alternating vertical bands of red and black wheat beads separated by spacers of white plastic simulating ivory. The bottom of the choker is trimmed with a row of yellow seed beads from which hang 1” pieces of silver chain ending with circular silver paillettes. Tie closure.
Beaded necklace
Maasai tribal choker necklace. Choker is styled as a 1-1/2” beaded band in vertical rows of orange, red, green, white and black with large mother-of-pearl button at center front and two smaller buttons on the sides. The bottom of the choker is trimmed in alternating black and white wheat beads and has a scalloped edge of orange seed beads from which hang 1” pieces of silver chain ending with circular silver paillettes. Tie closure.
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