UNT College of Visual Arts + Design - 91 Matching Results

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Maternity Evening Dress
Maternity evening dress of black silk in all-over black sequins with 3 bands of white diamonds in white bugle beads at cuffs of the long sleeves and at lower hem of the knee-length dress. Rounded neckline. Bands of black bugle beads at neckline, cuffs, lower hem, along shoulders, along side seams, and around armscyes. Center back zipper with hook & eye. Lined in black rayon. Designer's label at center back neckline: "Page Boy / Maternity" Size labels attached to lower edge of designer's label: "P" and "S" Care/content/origin label at inside side seam: "100% Pure Silk / Rayon Lining / Dry Clean Only" and "Made in India".
Maternity Evening Dress
Maternity evening dress/top in black silk and all-over black sequins with bands of bugle beads at neckline, sleeve ends, and lower hem. Straight, shift style. Rounded neckline and short sleeves. Center back zipper with hook & eye; 7" kick pleat at center back. Lined in black polyester; padded shoulders. Designer's label at inside back neckline: "Page Boy / Maternity" Size label at inside back neckline: "L" Content/Care label at inside back neckline: "100% Pure Silk / Polyester / Lining / Made in India / Dry Clean / Only"
Necklace - Rabari Festival Attire
Necklace. "Bib" style necklace with 4-strand black yarn necklace with silver slide at back. Front bib of silver beads mounted in vertical bands into a "fan" form, from which hang a fringe of 11 polished cowrie(?) shells, with a further fringe of pendant chains and spheres hanging from each shell.
Necklace - Rabari Festival Attire
Necklace. Long necklace basket-weave links on which are strung tubular silver beads and mounted Indian coins. Center section composed of three larger coins, each with three pendant coins, from which hang small fringes of chain and spheres. No clasp, long flat strip at back. 16 single coins are 25 Paise from India, various dates from 1976 to 1988; 2 pendants are 50 Paise from India, dates obscured by mounts; 1 pendant is a 1979 1 Rupee from India; The 9 smaller pendant coins below main pendants are 25 Paise coins from India, dated from 1975 to 1987.
Necklace - Banjara Festival Attire
Necklace. Torc-style necklace of silver, twisted and with wire wrapping at ends. Rigid hook at front to connect ends, and with a single Indian 25 Paise coin mounted near each side of clasp, with pendant silver beads. Suspended from the ends, near the clasp, are two large triangular ornaments of silver openwork, from which are suspended short lengths of silver chain terminating in silver spheres. Coins date from 1982 and 1988.
Earrings - Rabari Festival Attire
Silver earrings. Wire hook fasteners attached to oval collet containing a large oval dark blue glass(?) cabochon stone. Below stone is suspended a filigree hemisphere with dense fringe of silver shaped plaques and spheres.
Earrings - Banjara Festival Attire
Earrings. Pair of earrings for pierced ears. Each earring is composed of an inner and outer circular hoop. A single flat silver pendant is suspended within the inner hoop, while a fringe of 7 pendants of a bugle bead and a silver sphere hang from the inner hoop. From the outer hoop hang a long triangular pendant fringe of 13 graduated strands with bugle beads, terminating in flat silver teardrop forms.
Earrings - Rabari Festival Attire
Silver earrings. Hook fasteners attached to triangular plaques set with red or red and green glass circles. Below plaques are suspended hemispherical filigree pieces with fringe of wrapped wire and silver spheres. One earring with 5 red stones, one empty collet, the other earring with 4 red and 2 green stones.
Hat
Hat of beige cotton(?). The crown is designed as a five-sided pyramid constructed of five triangular segments that have concentric chevrons of top-stitching. The cylindrical lower edge has horizontal top-stitching, and a lower band of beige and gold brocade ribbon. Hat is unlined, with inner beige cotton(?) hatband. Designer's label: "Taj of India tm"; Retailer's label: "Neiman-Marcus".
Belly Dancer's Costume - Banjara Peoples of India
Belly Dancer's Costume - Banjara Peoples of India A) Choli (top) - Sleeved, backless top. Deep V-neckline. Short sleeves. Patchwork, using various types, colors, and patterns of fabric. Panels at sides, bottom, and upper breasts/lower front shoulders of rows of various sized mirrors framed in different color stitching. Ties in back. Lined in various fabrics. B) Ghaghra (skirt) - Ankle-length skirt made of horizontal bands of various fabrics. From top: Green waistband; Yellow band with red stitched "X" forms; Wide band of three rows of small circular mirrors framed in various colors of cloth, the bands divided by a blue and an orange stripe of cloth with stitched "X" forms; Thin green band with red stitches; Very thin white strip; Pink stripe with center band of yellow/green running across it; Narrow band of various-colored fabric in slightly wavy profile; Black band with center band of various color stitching; White crenelated band; purple band; Wide green section with center wide red stripe with yellow borders; Wide hem with various embroidered bands and stitching. Lined in red fabric with light yellow printed paisley design. Slit at side, tie at waistband. C) Necklace. Yarn/cord necklace. Ball/loop closure at back. Back part of necklace covered with tightly wound spiral of tiny red/purple beads. Necklace has 7 pendants of graduated sizes composed of silver-colored coins with attached loops and with attached hanging loops from which are suspended small silver spheres. Between each coin pendant is a tubular silver spacer bead. Coins are from India, of several denominations, one dated 1984, one dated 1985, others with dates obscured. No maker's marks or hallmarks visible. Measurements: 21 3/4" long D) Necklace. Long, narrow corded/twined black necklace with central openwork beaded "zig-zag" line of tiny beads in groups of red, yellow, green, red, blue, green, and orange, with ...
Belly Dancer's Costume - Banjara Peoples of India
Bustier of a belly dancer's costume from the Banjara peoples of India. The bra-top of black cotton is embellished at front with silver coins and trimmed in multicolored cross stitch embroidery, mirror work, and Kangura patchwork appliqué. Plain black straps extend over shoulders and around back to tie.
Churchgate Terminus
The facade of the railway station building is mostly visible behind a few trees. The building's style is a compilation of styles from Britain and India.
Fortification Around Taj Mahal Complex
The fortification includes a watch tower and arcade.
Pulpit, Basilica of Bom Jesus
The base of the pulpit is decorated with figures and foliage and covered in gold leaf and pink paint.
Pulpit, Basilica of Bom Jesus
The pulpit detail shows the intricate carving with its gold leaf and pale pink paint.
St. Francis Xavier Adoring the Cross, Basilica of Bom Jesus
This carved sculpture depicts St. Francis Xavier as he adores the cross in his raised right hand. The sculpture is painted in several colors with richly carved details.
Ciborium, Chapel of Holy Sacrament, Basilica of Bom Jesus
The ciborium includes elaborately turned and decorated columns and finials with a richly carved surface. Atop the ciborium is a large crucifix.
Bull Temple
This close detail view shows the figure of a nude goddess.
Taj Mahal Hotel
The facade of the large hotel is visible with its arched portals, onion cupolas and domes. The hotel sits next to the Arabian Sea.
Taj Mahal Hotel
The central section of the facade is visible in an upward sweeping view.
Taj Mahal Hotel
The corner with an onion dome is visible along with sweeping view of portion of the side facades.
Prayer Hall
The view shows the foyer and a general lateral view with arch, beam and wall decorations including carved colossal elephants.
Prayer Hall
This view shows the richly carved surface of the foyer walls.
Prayer Hall, relief sculpture
The relief sculpture detail in the foyer of the prayer hall is seen in this view. The figures are a standing man and a standing woman. The man's right hand is on the shoulder of the woman.
Prayer Hall, sculptures
The interior of the prayer hall includes relief carvings and decorations with a sculpture of an elephant reaching out into the space in the round. In the far corner is a standing couple.
Prayer Hall
The view rakes upward to show the carved details of the wall surface and the architectural detail.
Ajanta Cave 10, Votive Stupa in Chaitya Hall
The stupa inside the cave is shown in this view. The stupa is a large religious structure housed under the domed interior of the prayer hall.
Great Stupa
This view shows a close detail of the gate of the Great Stupa. This north gateway's central section and bottom architrave is seen from the inside. The carving depicts a scene with many figures, animals and other items.
Prayer Hall
The view moves from the exterior to the interior of the granite prayer hall. The entrance is topped with an arched panel above the lintel and a stupa can be seen through the opening which includes carved figures flanking the doorway.
Badami: Cave 3
Entrance to Cave 3 is shown in this view with its six pillars. One figure is also in this view.
Badami: Cave 3
Entrance to cave 3 is shown in this view with its pillars. The massive amount of natural rock is also visible in this view. In the far lower right hand corner of this view can be seen a bit of an underground staircase.
Badami: Cave 4
In this view a relief carving of Suparshvanatha with his symbol, the cobra, is shown.
Badami: Cave 4
This close detail view shows two pillars and the carved figural element depicting Bahubali.
Badami: Cave 4
This close detail view of a pillar shows Bahubali, a Jain saint.
Badami: Cave 4
This close detail view shows a relief carving of Mahavira.
Badami Caves and Surroundings
Outer view of Hindu cave temple. The raised layered platform leads to the temple entrance with its four pillars. Some tourists are visible in this scene.
Badami Caves and Surroundings
This view of the temple shows the raised layered platform of stairs leading to the entrance.
Badami: Cave 2
This view shows a dado panel of six dwarves carved in low relief into the wall.
Pattadakal Temple Complex
This view shows the monolithic bull in profile.
Pattadakal Temple Complex
This close detail view shows the Virupaksha Temple's Bull Pavilion with its relief of a gatekeeper.
Lakshmana Temple Complex
The front view of the temple is shown in its entirety including the stairs and platform. To the left another temple is shown.
Lakshmana Temple Complex
This detail view shows a sculpture in the form of a lion with a man much smaller in proportion on the grounds of the Lakshmana Temple dedicated to lord Vishnu. Some portion of the facade of the temple is visible as well as another temple in the upper right corner of this view.
Lakshmana Temple Complex
The view is southwesterly with another temple visible at the left hand side in this view.
Lakshmana Temple Complex
The Lakshmana Temple's subsidiary shrine is seen here, in detail, from the east.
Lakshmana Temple Complex
This view of the subsidiary shrine is shown in very close detail. This wall section consists of many friezes and molded plinths. Many figures carved in high relief and low relief patterns decorate the surface.
Lakshmana Temple Complex
This view shows a very close detail of the northeastern subsidiary shrine. Brahma can be seen at the left of this view and Vishnu at the right.
Lakshmana Temple Complex
This west, southwest view of the main temple shows the upper portion.
Lakshmana Temple Complex
Lavish and rich carved detail of the south facade interior corner is shown in this view. Both humans and animals, particularly elephants are depicted in high relief.
Five Pandava Temples: Shore Temple
The granite stone masonry consists of a larger and a smaller tower with relief imagery of seated lions and finials.
Rajarajeshvara Temple Complex
A stone carved wall depicting various aspects of Shiva. There are many human figures that can be seen resting in carved windows. Several mythological animals can be seen resting on top of the windows. Human figures have various stance and movements.