UNT Libraries Special Collections - 6,784 Matching Results

Search Results

Results: 1 - 50 next
The Black Registry of Austin's Businesses: 1982
Annual directory listing contact information for businesses, churches, and social organizations in Austin that are Black owned and managed, along with local advertising. Information is categorized by the type of service and includes a name, address, and phone number.
[Turtle Creek Chorale: Logistics]
Document containing a list of personnel involved in the Experience Weekend held December 4-5, 1982.
["The Experience Weekend"- Agreements]
Document containing lists of personnel involved in the Experience Weekend held May 1-2, 1982.
[Turtle Creek Chorale: The Experience Weekend Participants]
Document containing lists of personnel involved in the Experience Weekend held May 1-2, 1982.
[Turtle Creek Chorale: Experience Weekend]
Document containing lists of personnel involved in the Experience Weekend held in December of 1982.
[National Gay Leadership Conference Guest Speakers]
Video footage from the Resource Center LGBT Collection. First video starts at 1:06. Video is of a collection of speakers speaking at the 1985 National Gay Leadership Conference. The first speaker, Lucia Valeska, starts at 3:13. The second speaker, Mel Boozer, starts at 25:14. The final speaker, Jean O'Leary, starts at 45:20. Video briefly blanks at 57:36 to 58:11. The video cuts off at 1:02:42.
North Texas State University Schedule of Classes: Summer 1982
Schedule of classes at North Texas State University for the Summer semester providing a list of classes that will be offered by department, with times and locations. It also includes class indexes and other information about registration procedures, exams, tuition, and related topics.
North Texas State University Schedule of Classes: Spring 1982
Schedule of classes at North Texas State University for the Spring semester providing a list of classes that will be offered by department, with times and locations. It also includes class indexes and other information about registration procedures, exams, tuition, and related topics.
North Texas State University Schedule of Classes: Fall 1982
Schedule of classes at North Texas State University for the Fall semester providing a list of classes that will be offered by department, with times and locations. It also includes class indexes and other information about registration procedures, exams, tuition, and related topics.
[Transcript for an interview with Pedro J. Gonzalez, 7]
Transcript for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of numerous pages. On the first page of the transcript, handwritten words have been marked near the page's top edge.
[Transcript for an interview with Pedro J. Gonzalez, 6]
Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.
[Transcript for an interview with Pedro J. Gonzalez, 5]
Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.
[Transcript for an interview with Pedro J. Gonzalez, 4]
Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.
[Transcript for an interview with Pedro J. Gonzalez, 3]
Transcript for an interview with Pedro J. Gonzalez. A cover sheet containing handwritten text and a printed date is followed by numerous pages that have a wide column of text printed across them. A watermark with the text "Maple Leaf" and "Cotton Content" appears on each transcript page.
[Transcript and notes for an interview with Pedro J. Gonzalez]
Transcript and notes for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of four pages. The fifth page has handwritten text filling its front side while a printed paragraph occupies the back of the page.
[Transcript for Pedro J. Gonzalez interview (tape I side 2)]
Transcript for Pedro J. Gonzalez interview (tape I side 2). A wide column of paragraphed text is printed across the fronts of two pages. Handwritten words sit between the printed text and each page's left edge.
[Interview with Pedro J. González, 3]
Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.
[Interview with Pedro J. González, 2]
Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.
[Transcript of an interview with Pedro J. González]
Transcript of an interview with Pedro J. González. A column of text fills the right half of a page before continuing across the fronts of additional pages. Each paragraph has a heading denoting whether the text block is a question from the interviewer or a response from the interviewee. Small handwritten annotations have been made at multiple points throughout the document.
[Interview with Pedro J. González and his wife]
Interview with Pedro J. González and his wife. The document has the words "Interview with Don Pedro y Esposa" printed at the top of its first page, above a column of text that continues across the fronts of five additional pages. Each paragraph has a heading denoting whether the text block is a question from the interviewer or a response from an interviewee.
[Letter from Lorena Parlee to Albert C. Zapanta, 2]
Letter from Lorena Parlee to Albert C. Zapanta. "Cinewest" is printed across the top of the paper above an address. The message of the letter is printed below a person's name and address and a date. Parlee's signature sits towards the bottom of the letter, above her printed name.
[Letter from Javier Escobar Córdova to Pedro J. Gonzalez]
Letter from Javier Escobar Córdova to Pedro J. Gonzalez. The text at the top of the page is printed below and to the right of a bird icon. Across the rest of the page is a wide column of paragraphed text that contains a signature over Córdova's name.
[Letter from Pedro J. Gonzalez to Federico Villa]
Letter from Pedro J. Gonzalez to Federico Villa. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date and handwritten text. Beneath the handwriting is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back of the page, ending above a signature. Multiple text blocks on the page's front have been marked over with horizontal lines or "x" marks.
[Letter from Pedro J. Gonzalez to his niece]
Letter from Pedro J. Gonzalez to his niece, Josefina O. de la Fuente. A wide column of paragraphed text is printed on the paper's front, below an address and date.
[Letter from Pedro J. Gonzalez's grandchild]
Letter from Pedro J. Gonzalez's grandchild. A paragraph of handwritten text fills the front side of a ruled paper sheet. The letter's envelope has two handwritten addresses on its back along with a circular mark stamped next to a postage stamp that depicts a ram.
[Stories of Pedro J. Gonzalez's life, "importantisimo realato"]
Stories of Pedro J. Gonzalez's life, "importantisimo realato." A wide column of paragraphed text is printed on the paper's front, below a handwritten title. Multiple words within the paragraphs have been marked out or underlined with blue ink. The printed text continues onto the page's back and ends above multiple lines of handwriting.
[Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos, 4]
Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and above a signature.
[Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos, 3]
Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a narrower text column. The wider column of text continues onto the back side of the page, ending above a signature and rows of handwritten text.
[Letter from Pedro J. Gonzalez to Claudio Estrada, 1]
Letter from Pedro J. Gonzalez to Claudio Estrada. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back side of the page, ending above three lines of handwriting.
[Letter to Pedro J. Gonzalez from James A. Holder]
Letter to Pedro J. Gonzalez from James A. Holder, including a letter to Alan Cranston from James A. Holder about obtaining U.S. citizenship for Gonzalez. Holder's message to Gonzalez is written next to a photocopied news article about Preita Caldera and Pedro J. Gonzalez. The letter's envelope has multiple stamps and multiple crossed-out sections of written information. The included message from Holder to Cranston is written on one side of a lined piece of paper.
[Clipping: Prison reformer Clinton Duffy dead at 84]
A San Jose Mercury news article titled "Prison reformer Clinton Duffy dead at 84." The text "State, Genreal News" and "Classified" are printed at the top of the newspaper, to the left of the newspaper's name and date. Directly below is the article's headline followed by four columns of text that have been printed to the left of a man's photograph. Below the photo is a second image of a man that's been printed between two columns of larger text.
[Letter to Rosario Montaño from Pedro J. Gonzalez]
A letter to Rosario Montaño from Pedro J. Gonzalez. A title and a short paragraph are printed above an eagle icon that sits between two columns of text. Below the eagle is a wider text column that ends above a signature
[Letter to Virginia Torres from Pedro J. Gonzalez, 1]
Letter to Virginia Torres from Pedro J. Gonzalez. "Legion de Honor Mexicana" is printed above three short lines of text and an eagle icon, to the right of which is a small paragraph. Below the icon is a date and a column of paragraphed text printed above a signature. To the left of the paragraphs is a column of smaller printed text above a group of hand-written words and numbers. Multiple lines of texts towards the top of the page have an "X" marked on them.
[Program for the play "A Las 8 Me Matare"]
Program for the play "A Las 8 Me Matare." A curtain is printed along the left and top edges of the page while in the page's top left corner is a shield-shaped mark containing a person's face and the words "teatro intimo." A single centered column of text fills the rest of the page. All the printed components on the page are dark blue towards the top of the page and orange towards the page's bottom, creating a gradient.
[Flyer for the play "A Las Ocho Me Matare"]
Flyer for the play "A Las Ocho Me Matare." A large photograph of a woman laying down while a kneeling man holds her has the texts "teatro intimo" and "a las ocho me matare" printed at its top. Multiple names are also printed across the photo. Extending along the left, right, and bottom edges of the large photo is a continuous row of smaller photos.
[Flyer for the play "A Las 8 Me Matare"]
Flyer for the play "A Las 8 Me Matare." A curtain is printed along the left and top edges of the page while in the page's top left corner is a shield-shaped mark containing a person's face and the words "teatro intimo." A single centered column of text fills the rest of the page. All the printed components on the page are dark blue towards the top of the page and orange towards the page's bottom, creating a gradient.
[Clipping: Singing Group Highlights Hispanic Heritage Week]
A Daily Aztec article titled "Singing Group Highlights Hispanic Heritage Week." The title of the article is printed above three columns of text and three grainy photographs. A fourth photograph appears to the right of the title and has text describing the image as showing Pedro Gonzalez leading "Los Madrugadores" in a 1981 concert. The article continues onto a second page, the text formatted into one column and printed near the left edge of the page. Multiple grainy photographs fill the rest of the page.
[Clipping: A Bit Jittery, But Gonzalez, 88, Sings Well]
A San Diego Union article titled "A Bit Jittery, But Gonzalez, 88, Sings Well." The name of the newspaper is laid out vertically to the left of four columns of text and a photograph. The photo depicts Preita Caldera and Pedro Gonzalez singing while surrounded by people playing instruments. The text surrounding the photo describes Gonzalez's past the context of his performance depicted in the image.
[Clipping: Una Obra Teatral de Joaquin Aguilar R.]
A Heraldo article titled "Una Obra Teatral de Joaquin Aguilar R." "Heraldo" is printed next to a date, below which is the name of the article and a single column of italicized text.
[Letter from the general consulate of Mexico]
Letter from the general consulate of Mexico, Javier Escobar Córdova, to Pedro J. Gonzalez regarding an exoneration request. In the top left corners of the letter and an accompanying envelope is an icon of an eagle holding a snake surrounded by text and foliage. The contents of the letter include locations within California, a date, and two paragraphs written by the consulate. The envelope is addressed to Dr. Lorena M. Parlee in the University of California's history department at Santa Barbara, California.
[Letter from Lorena M. Parlee to Joe Blackstock regarding Pedro J. Gonzalez's film]
Letter from Lorena M. Parlee to Joe Blackstock regarding the film about Pedro J. Gonzalez. "Cinewest" is printed across the top of the paper above an address, phone number, and date. Blackstock's name is printed above the text "Foster & Kleiser," followed by an address and phone number. The message of the letter involves thanking Blackstock for assistance with a film and describing advertising strategies for it. The letter ends with "Sincerely" and Parlee's signature written above her name in printed text.
[Welcome to Texas, 1982]
Three photographs: (top) a hand holds a glass cowboy hat, (bottom left) a long horn looks at the camera, and, (bottom right) donkeys push a cart for a family across a field above rippling water.
[Texas Cowboys, 1982]
Image piecing together two photographs of Texas State Fair attraction "Big Tex", one in Black and White which serves as the background and another smaller image in color to the left of the frame. A third image of a bronze cowboy sculpture to the right of the frame completes the collaged photograph.
[Texas Horseshoe, 1982]
Photograph of a horseshoe statue in the middle of a city park. Trees line the horizon at the end of the park's large empty field.
[State Fair Butt Diptych Print, 1982]
Two photographs arranged like a diptych showing spectators at the state fair parade, taken from behind. [1982, Dallas, TX]
[State Fair Butt Diptych Copy, 1982]
Copy of two photographs arranged like a diptych of spectators at a Texas state fair parade. The photograph is taken from behind the crowd of spectators.
[Rich Owen, 1982]
Photograph of Rich Owen standing by a large tree planted in the corner of a backyard. A chain-link fence surrounds the edges of the yard.
[Plant on Stand, 1982]
Photograph of a plant on a stand placed in front of a curtained window. The plant resides in a clay pot.
[Louisiana Poison Ivy 1982]
Photograph of two large tree trunks covered in vines of poison ivy. [1982, Dallas, TX]
[Jan, Sue, Judy 1982]
Photograph of Jan, Sue Ellen, and Judy sitting in a yard covered sparsely in leaves. There is a wire fence behind them barricading a pickup truck. [1982, Dallas, TX]
Back to Top of Screen