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Primary view of Sixteenth and Seventeenth Century Composers and Music Forms Which Influenced the Organ Works of J.S. Bach
Smith, Laura Beattie
June 1941
Primary view of Some Modern Theories of Tonality
Robert, Dorothy
January 1946
Primary view of Sonata form in Haydn's Piano Sonatas
Grear, Shirley Anne
August 1947
Primary view of A Statistical Investigation of the Phenomena of Absolute Tempo as Described by Hallock, Mursell and Others
Glass, Barbara Jean
August 1946
Primary view of The Status and Administration of Student Dance Bands in Colleges and Universities in the United States
Johnson, James W. (James Winfred)
May 1947
Primary view of The Structure of the Mendelssohn Organ Sonatas
Sloan, Kathleen, 1917-
August 1947
Primary view of A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith
Harvey, Otis Poe
August 1947
Primary view of A Study of Ravel's Tombeau de Couperin
Henderson, Ruth
July 1947
Primary view of A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother
Kelver, George E.
August 1948
Primary view of A Study of the Personality of Music Students as Compared with other Students on the Basis of Nine Traits
Rodgers, John I.
August 1946
Primary view of A Stylistic Analysis of Béla Bartók's "Mikrokosmos"
Daniel, Ralph Thomas
June 1942
Primary view of A Stylistic Analysis of Schumann's Concerto in A Minor
Caldwell, James Amos
August 1944
Primary view of A Stylistic Analysis of Serge Prokofieff's "Second Concerto for Violin"
Kerr, Esther Stephens
September 1943
Primary view of Stylistic Analysis of the Chopin E Minor Concerto
Carmignani, Anna Marie
August 1947
Primary view of A Stylistic Analysis of the Concerto for Two Pianos and Orchestra by Harl McDonald
Bridenthal, Deloris
August 1945
Primary view of A Stylistic Analysis of the Iberia Suite for Piano by Isaac Albéñiz
Criswell, Elnora Rousseau
August 1943
Primary view of A Stylistic Analysis of the Piano Works of Debussy and Ravel
Jameson, Elizabeth Rose
May 1942
Primary view of A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich
Provence, Ethelston
August 1945
Primary view of A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51
Brackenridge, Margaret Elaine
August 1944
Primary view of A Stylistic and Structural Analysis of the Grieg Piano Concerto in A Minor
Gurnee, Nell Frances
August 1943
Primary view of A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel
Alexander, William Don, 1920-
May 1944
Primary view of Stylistic Evolution of the Motet Through the Sixteenth Century with Emphasis on the Style of Palestrina
Cornelius, Merl V.
August 1948
Primary view of A Survey and Critical Analysis of the Preparation of Instrumental Music Teachers with the Recommendations for Altering the Curriculum and Content of the Courses
Marcellus, John
August 1941
Primary view of A Survey of Educational and Professional Background of Piano Teachers in the Colleges and Universities of the United States
Childress, Frances
June 1948
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