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Description: The charms are among the oldest extant specimens of English prose and verse, and in their first form were undoubtedly of heathen origin. In the form in which they have been handed down they are much overlaid with Christian lore, but it is not difficult to recognize the primitive mythological strata. The charms have points of contact with medieval Latin literature, both in form and spirit; and yet they afford us glimpses of the Germanic past, and pictures of the everyday life of the Anglo-Saxons, not found in other Old English poetry.
Creator: Johansen, Hazel Lee
Description: This screenplay, dealing with the theme of anger, is divided into three acts: setup, confrontation and resolution, respectively. Beginning in medias res, flashbacks are employed for expositions of the two main characters, Connor Tracy, alias the Angry Charmer, and Howard Goldberg. Act I opens with Connor at the wheel of a van, driving wildly, Howard accompanying. The setup is established. Act IlI returns to the careening van and then flashbacks to the college meeting of Connor and Howard. By the end of the act, the two, now unwilling relatives, go off on a European trip together. The confrontation has begun in earnest. Act III resolves the problem of Connor's anger through the purgative experi ences of the vacation, in particular the climactic ending.
Date: May 1988
Creator: Wall, Jeffrey R. (Jeffrey Robert)
Description: In this dissertation, I show how 20th century African-American women writers such as Zora Neale Hurston, Alice Walker, and Toni Morrison utilize animals-as-trope in order to illustrate the writers' humanity and literary vision. In the texts that I have selected, I have found that animals-as-trope functions in two important ways: the first function of animal as trope is a pragmatic one, which serves to express the humanity of African Americans; and the second function of animal tropes in African-American women's fiction is relational and expresses these writers' "ethic of caring" that stems from their folk and womanist world view. Found primarily in slave narratives and in domestic fiction of the 19th and early 20th centuries, pragmatic animal metaphors and/or similes provide direct analogies between the treatment of African-Americans and animals. Here, these writers often engage in rhetoric that challenges pro-slavery apologists, who attempted to disprove the humanity of African-Americans by portraying them as animals fit to be enslaved. Animals, therefore, become the metaphor of both the abolitionist and the slavery apologist for all that is not human. The second function of animals-as-trope in the fiction of African-American women writers goes beyond the pragmatic goal of proving African-Americans's common humanity, even though one could argue that this goal is still present in contemporary African-American fiction. Animals-as-trope also functions to express the African-American woman writer's understanding that 1) all oppressions stem from the same source; 2) that the division between nature/culture is a false onethat a universal connection exists between all living creatures; and 3) that an ethic of caring, or relational epistemology, can be extended to include non-human animals. Twentieth-century African-American writers such as Hurston, Walker, and Morrison participate in what anthropologists term, "neototemism," which is the contemporary view that humankind is part of nature, or a vision that Morrison would ...
Date: August 1999
Creator: Erickson, Stacy M.
Description: The purpose of this paper is to determine why Mrs. Radcliffe's gothic novels were popular with contemporary readers. Sources include reviews from eighteenth century periodicals, essays of early nineteenth century critics such as William Hazlitt and studies of her work by twentieth century critics. The thesis is organized in four chapters each of which discusses one aspect of her work which particularly pleased her contemporary reviewers and critics: her invention, her attitude toward superstition, her use of poetic justice, and her outlook on nature. These aspects of her work alone did not secure for her the popularity she enjoyed, but, when combined with her ability to create suspense, helped her become one of the most popular writers of her era.
Date: December 1976
Creator: Freeman, Laurie
Anne Brontë's New Women: Agnes Grey and The Tenant of Wildfell Hall as Precursors of New Woman Fiction
Description: Anne Brontë's Agnes Grey and The Tenant of Wildfell Hall were published more than forty years before the appearance of the feminist type that the Victorians called the “New Woman;” yet, both novels contain characteristics of New Woman fiction. By considering how Brontë's novels foreshadow New Woman fiction, the reader of these novels can re-enact the “gentlest” Brontë as an influential feminist whose ideology informed the construction of the radical New Woman. Brontë, like the New Woman writers, incorporated autobiographical dilemmas into her fiction. By using her own experiences as a governess, Brontë constructs Agnes Grey's incongruent social status and a morally corrupt gentry and aristocracy through her depiction of not only Agnes's second employers, the Murrays, but also the morally debauched world that Helen enters upon her marriage to Arthur Huntingdon in The Tenant of Wildfell Hall. Moreover, Brontë incorporates her observations of Branwell's alcoholism and her own religious beliefs into The Tenant of Wildfell Hall. Although Brontë's novels contain autobiographical material, her heroines are fictional constructions that she uses to engage her readers with the woman question. Brontë accomplishes this engagement through her heroines' narrative re-enactments of fictional autobiographical dilemmas. Helen's diary and Agnes's diary-based narrative produce the pattern of development of the Bildungsroman and foreshadow the New Woman novelists' Kunstlerromans. Brontë's heroines anticipate the female artist as the protagonist of the New Woman Kunstlerromans. Agnes and Helen both invade the masculine domain of economic motive and are feminists who profess gender definitions that conflict with dominant Victorian ideology. Agnes questions her own femininity by internalizing the governess's status incongruence, and Helen's femininity is questioned by those around her. The paradoxical position of both heroines anticipates the debate about the nature and function of art in which the New Woman writers engaged. Through her reconciliation of the aesthetic ...
Date: August 2001
Creator: Phillips, Jennifer K.
Description: To provide an annotated bibliography of criticism on the writings of Nathaniel Lee, Thomas Otway and Nicholas Rowe from 1900 to 1974 for students and scholars is the purpose of this study. The bibliography contains brief evaluations of each of the works, which are divided into the following categories: articles, books and chapters in books, and dissertations. An additional chapter includes those works which deal with two or more of the authors. The appendix contains a selected list of foreign language publications that concern the three playwrights.
Date: December 1976
Creator: Sherman, Margaret Christina
Description: There is evidence in Steinbeck's works of anti-intellectualism which is expressed by a somewhat maudlin handling of human emotions,and by a doggedly persistent attack on various intellectual types. This attitude is further revealed in Steinbeck's personal life by his abstention from any literary coteries or universities and his adamant refusal to discuss his life and works or offer his considerable talent to any institution of higher learning.
Date: August 1968
Creator: Dodge, Tommy R.
Description: This dissertation contains two parts: Part I, which discusses the elegy of possessive intent, a subgenre of the contemporary American elegy; and Part II, Antigravity, a collection of poems. English elegies have been closely rooted to a specific grief, making the poems closer to occasional poems. The poet—or at least the poet’s speaker—seeks some kind of public consolation for (often) a private loss. The Americanized form does stray from the traditional elegy yet retains some of its characteristics. Some American elegies memorialize failed romantic relationships rather than the dead. In their memorials, these speakers seek a completion for the lack the broken relationship has created in the speakers’ lives. What they can’t replace, they substitute with something personal. As the contemporary poem becomes further removed from tradition, it’s no surprise that the elegy has evolved as well. Discussions of elegies have never ventured into the type of elegy that concerns itself with the sort of unacknowledged loss found in some contemporary American poems of unrequited love. These poems all have speakers who willfully refuse to acknowledge the loss of their love-objects and strive to maintain control/ownership of their beloveds even in the face of rejection.
Date: August 2012
Creator: Bowen, Ashley Hamilton
Description: This dissertation approaches the work of South African/Botswanan novelist Bessie Head, especially the novel A Question of Power, as positioned within the critical framework of the postcolonial paradigm, the genius of which accommodates both African and African American literature without recourse to racial essentialism. A central problematic of postcolonial literary criticism is the ideological stance postcolonial authors adopt with respect to the ideology of the metropolis, whether on the one hand the stances they adopt are collusive, or on the other oppositional. A key contested concept is that of universality, which has been widely regarded as a witting or unwitting tool of the metropolis, having the effect of denigrating the colonial subject. It is my thesis that Bessie Head, neither entirely collusive nor oppositional, advocates an Africanist universality that paradoxically eliminates the bias implicit in metropolitan universality.
Date: May 1998
Creator: Edwards, George, Jr.
Description: Anything Like Us is a collection of poems with a critical introduction. In this introduction, I explore modern alternatives to Romantic and Neo-Romantic lyric expression. I conclude that a contemporary lyric that desires to be, in some fashion, about itself, must exhibit an acceptance of the mediating influences of time and language, while cultivating an inter-subjective point-of-view that does not insist too much on the authority of a single, coherent voice. The poems in Anything Like Us reflect, in both form and content, many of the conclusions advanced in the introduction. Nearly all the poems concern the desire for, and failure to find, meaningful connections in an uncertain world .
Date: August 2002
Creator: Roth, Matthew
Description: This comic romantic novel engages the question of how the Christianity of the southern, fundamentalist world of the Texas bible belt, finding its primary cultural assumptions about human existence challenged by the more confusing elements of a modern sensibility, a sensibility over-laden with strange-attractors, mechanistic psychologies, relativistic physics and ethics, evolutionary premises, newly proclaimed rights and freedoms, a deterioration in cultural political naivete, and the advent of an increasingly incomprehensible set of technologies, can survive. The "central" character is a young, slightly deformed man raised by his ostensibly "Christian" grandparents who, through a rather odd set of legal circumstances and physical events, not only become wealthy, but somewhat powerful in their immediate community. He finds himself involved with a young woman, raised in an equally "Christian" household, but, as is true of any romantic plot, the relationship between the two is destined, by virtue of circumstance and the meddling of other characters, to struggle and mishap. In the end, the text, in its own fashion, asserts that the Christian impulse can survive the modern era by virtue of one of its central tenets: faith, in the Christian world, is very much the same as life itself, a process of waiting and expecting. Its greatest threat, rather than something intrinsic to the modern period, is perhaps that of the dogmatism and misunderstanding of the characters who most loudly proclaim it to others.
Date: August 1998
Creator: Guidici, Guy R.
Description: This thesis discusses traditional and liberal views on certain English expressions by examining them as they are discussed in traditional school grammars, in descriptive grammars, and in current magazine articles and as they are used in the best writing of today.
Creator: Sealy, Billie Marie
Description: This paper, then, purposes to examine these two characteristics of Styron's novel form--structure and point of view--as they are handled in his major works, the novels Lie Down in Darkness and Set This House on Fire, and the novella The Long March.
Date: June 1962
Creator: Merril, Charles S.
Description: This thesis explores Aristotelian elements in tragic drama from Sophocles to O'Neill. It is limited to a discussion of plot and character with thought, diction, song and spectacle considered only as they apply to the other two.
Date: August 1960
Creator: Jetton, Johnnie Kate
The Arrangement of Ezra Pound's Personae (1926) : An Interpretive Application of Editorial and Critical Theory
Description: Pound foregrounded the importance of "shaping" poetic books through particular arrangements of individual poems by using his ideogrammic method as the crucial organizational principle for constructing Personae (1926). Critics have long understood Pound's use of the ideogrammic method in individual poems, but have so far ignored his application of it to the structuring of poetic books and sequences. Lea Baechler and A. Walton Litz, the editors of a 1990 edition of Personae (1926), however, have moved a crucial section of poems, and their rearrangement of the original text both disregards evidence of authorial intention and obscures Pound's innovative principles for arranging his shorter poems into meaningful sequences.
Date: December 1995
Creator: Salchak, Stephen P. (Stephen Patrick)
Description: Self-knowledge serves as the basis for further insight into other themes and ideas. The investigation proceeds, then, from the search for self to the somewhat higher plane of the role of the artist in society; it is completed with an analysis of the motivations which lead the artist into an attainment of complete artistic fulfillment.
Date: January 1964
Creator: Fry, Phillip Lee
Description: A work of creative fiction in the form of a short novel, Asleep in the Arms of God is a limited-omniscient and omniscient narrative describing the experiences of a man named Wafer Roberts, born in Jack County, Texas, in 1900. The novel spans the years from 1900 to 1925, and moves from the Keechi Valley of North Texas, to Fort Worth and then France during World War One, and back again to the Keechi Valley. The dissertation opens with a preface, which examines the form of the novel, and regional and other aspects of this particular work, especially as they relate to the postmodern concern with fragmentation and conditional identity. Wafer confronts in the novel aspects of his own questionable history, which echo the larger concern with exploitative practices including racism, patriarchy, overplanting and overgrazing, and pollution, which contribute to and climax in the postmodern fragmentation. The novel attempts to make a critique of the exploitative rage of Western civilization.
Date: December 1999
Creator: Clay, Kevin M.
Description: A study of aspects of reform in certain novels of Charles Dickens.
Creator: Gunstead, Alice
Description: Wuthering Heights is the story of Heathcliff, a psychological study of an elemental man whose soul is torn between love and hate. The Byronic hero is the natural contact with the great heroic tradition in literature. This examination involves the consideration of the Byronic hero's relationship to the Gothic villain, the motivation behind the Byronic fatal revenge, and the phenomenon of Byronic supernatural manifestations.
Date: August 1970
Creator: Haden, Mary Elizabeth
Description: Many Twain scholars believe that his skepticism was based on personal tragedies of later years. Others find skepticism in Twain's work as early as The Innocents Abroad. This study determines that Twain's atheism is evident in his earliest writings. Chapter One examines what critics have determined Twain's religious sense to be. These contentions are discussed in light of recent publications and older, often ignored, evidence of Twain' s atheism. Chapter Two is a biographical look at Twain's literary, family, and community influences, and at events in Twain's life to show that his religious antipathy began when he was quite young. Chapter Three examines Twain's early sketches and journalistic squibs to prove that his voice, storytelling techniques, subject matter, and antipathy towards the church and other institutions are clearly manifested in his early writings.
Date: April 1986
Creator: Britton, Wesley A. (Wesley Alan)
Description: "The purpose of this study is to examine the attitude of Mexican Americans toward their Texas Spanish in order to determine if present educational policies are successful in promoting high self-concepts for Mexican-American students..the conclusion of this thesis [is] that a sizable number of Mexican-Americans do not have a positive self-image as speakers of their native language. It is suggested that the rejection of Spanish dialects which are different and distinct from the school standard is a major factor in causing a low self-image on the part of the speaker of a non-standard dialect."-- leaves 1,3.
Date: August 1973
Creator: McDonald, Bobby Gene
Description: Through an investigation of the problem of the authorship of 1 Henry VI, the author endeavors to present some new evidence concerning the play's authorship. The problem is examined from the standpoint of the relationship between authorship and sources.
Creator: Brashears, Evelyn McFatridge
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