UNT Libraries - 728 Matching Results

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Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók.
Ujj-Hilliard, Emöke
May 2004
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44
Kim, Sun Hee
December 2009
Primary view of An Analytical Study of Karamanov's Piano Concerto No.3 "Ave Maria"
Yang, Christine
May 2008
Primary view of An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.
Kim, Miyang
May 2007
Primary view of An Analytical Study of Robert Muczynski's Second Piano Trio
Oh, Eun Jun
May 2006
Primary view of An Analytical Study of the Variations on the Theme of Paganini's Twenty-Fourth Caprice, Op. 1 by Busoni, Friedman, and Muczynski
Ahn, Kwang Sun
May 2000
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of And Drops of Rain Fall Like Tears: A Composition for Electroacoustic Music and Video
Thompson, Michael Allen
May 2002
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works
Švalbe, Erika Lynn
December 1997
Primary view of Animations: A Composition for Percussion and Computer Music on Tape
Criswell, Madeleine L.
August 1993
Primary view of An Annotated Bibliography of Selected Chamber Music For Saxophone, Winds and Percussion with Analyses Of  Danses Exotiques by Jean Françaix, and  Nonet by Fisher Tull
Fryer, Cheryl A.
December 2003
Primary view of An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Bradfield, Ann
May 2010
Primary view of An Annotated Bibliography of Selected Repertoire for Alto Saxophone and Piano for Developing College-Level Alto Saxophonists, with an Analysis of Yvon Bourrel's  Sonate Pour Alto Saxophone Et Piano
Kallestad, Scott D.
December 2005
Primary view of Anthoni van Noordt: Historical and Analytical Analysis of His Tabulatuurboeck van Psalmen en Fantasyen of 1659
Javadova, Jamila
May 2008
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of The Application of Hackman and Oldham's Job Characteristic Model to Perceptions Community Music School Faculty Have Towards Their Job
Lawrence, Robert M.
August 2001
Primary view of Applications of Reductive Analytical Techniques in the Phrygian Settings of the Orgelbüchlein by J.S. Bach
Leite, Zilei de Oliveira
May 1995