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Changing Format: The Comparison of Portrait to Narratives

Description: The project involved the investigation of the effects on my painting when switching from single, large-scale portraits to a narrative format involving two or more figures.
Date: December 1989
Creator: Smith, Robert Dolan
open access

The Chinese Tea Trade and Its Influence on the English Garden of the Eighteenth Century

Description: The problem discusses the influence that tea trade between England and China may have had on eighteenth-century English garden architecture and aesthetics. Five chapters include an historical overview of non-Oriental influences on the garden, the relationship between Britain and China, the evolution of the tea trade, the motifs and decoration of tea wares, and a summary with conclusions. Conclusions reached were that tea was responsible for importation of porcelains in Britain, architectural st… more
Date: August 1983
Creator: Miller, Bobbie J.
open access

Clothing Derived From Lepidoptera Forms

Description: Each design attempted to fulfill three requirements. The design should be effective as displayed in an exhibition; it should retain its sculptural effect when worn; and it should convey a feeling of envelopment for the wearer. In addition to these requirements, the seven pieces were designed and constructed with four problems in mind. First, how did changes in media or technique effect each garment in terms of surface embellishment, drapability, et cetera? Second, how did the scale of a garment… more
Date: May 1983
Creator: Byron, Janet L.
open access

Collaborative Art

Description: Our problem was to produce art in a collaborative manner. Due to the nature of our problem, we proposed to explore specific aspects of collaborative art and answer these questions: 1. in what ways is the co-artist's input beneficial? 2. How are the artist's skills broadened by working with a fellow artist? 3. What is involved in developing a professional working relationship between male and female artist? 4. What understanding of differences in working styles is acquired? 5. What are the diffe… more
Date: May 1979
Creator: Bernhardt, Catherine A.
open access

Colonial Ironwork in Guanajuato, Mexico

Description: This study purposes to serve as an introduction to the Colonial ironwork to be found in Guanajuato City.
Date: 1947
Creator: Christie, Mildred Virginia
open access

Color Harmony Meaning: Interpretation and Application to a Conceptual Model

Description: The purpose of this study was to examine the changing definition of color harmony and to ascertain a general state of understanding of the term. A content analysis method was applied to writings taken in a special sampling technique, selecting for analysis those works regarded as classics in the broad field of color literature.
Date: December 1980
Creator: Burchett, Kenneth E.
open access

Color Preferences of Children in a Dallas Public School

Description: The problem of this study examines two questions which were posed. First, would color preferences of children in the N.W. Harllee School of the Dallas Independent School District be the same as those found in other studies of color preferences of elementary school children? Second, would there be differences in choices made by low academic aptitude groups and high academic aptitude groups? In an attempt to answer these questions, a series of tests was devised and administered to children gra… more
Date: January 1959
Creator: Foster, Lonnie George
open access

The Combination of Objects in Box-Like Containers

Description: For my project, I chose to construct ten containers in which clay and non-traditional drawings were combined. The various materials used were ceramics, drawings on Plexiglas, wood, and other found materials. The questions to be answered by the completion of the ten pieces were the following: 1. What types of containers are most complimentary in combining ceramics and drawings? 2. What types of drawing media are most successful for combining drawings with ceramics? 3. What types of presentatio… more
Date: August 1978
Creator: Ellis, Lou
open access

The Combination of Sewing Techniques, Manufactured Fabric, Paper, Paint, as a Creative Process

Description: My problem was to investigate some of the possibilities which have arisen through my previous work by producing twelve fabric pieces and eight paper pieces. Specifically, the following questions were to be examined: 1. Are there traditional designs or techniques in quilts of the past that can be utilized in my own work? 2. Are the primary colors (red, yellow, blue) in manufactured unaltered fabric more effective than painted or altered fabric? 3. Is there a correlation between the color and ima… more
Date: May 1978
Creator: Outlaw, Marilyn Jeanne
open access

Combining Clay and Light Into Sculptural Forms

Description: This problem concerns the feasibility of combining the elements of light and clay in a sculptural concept of design. The study has determined various procedures of combining the sculptural ceramic forms for the internal inplant of light sources. Specific questions posed were 1. Can the surface decoration be enhanced by external and internal lighting? 2. How does each surface quality, raku, and low-fire salt glaze differ with the interplay of light? 3. In what way may two surface qualities be ap… more
Date: August 1978
Creator: Munoz, Gilberto, Jr.
open access

Combining Electroformed Copper and Raku

Description: A major emphasis in my graduate studies in ceramics at North Texas State University has been on the production of raku wall pieces. Raku appealed to me for its unusual metallic glaze effects and the accidental qualities of the glazes and clay bodies due to the smoking reduction that takes place after the piece is removed from the kiln. During this same period I was also interested in and experimenting with the use of electroforming as a method of jewelry making. Again, the accidental qualities… more
Date: December 1981
Creator: Merrill, Robert Scott
open access

Combining Photographic and Gestural Imagery in Printmaking

Description: The focal point of the study was the use of gestural and photographic imagery in printmaking, and how that imagery could be combined to form a personal aesthetic. The purpose of this project was twofold: to create, describe, and interpret works which called attention to the dichotomy and unification of gestural and photographic imagery; and, to allow for positive personal growth, which would be absorbed into future studio work.
Date: December 1986
Creator: McAlpin, John E.
open access

Combining Silkscreen, Drawing, and Painting on Canvas

Description: It is the purpose of this study to visually and technically explore the combination of the direct methods of drawing and painting and the more indirect process of silkscreen printing on canvas. The flexibility of the three technical areas- silkscreen, drawing, and painting- proved to make the combination more feasible.
Date: August 1974
Creator: Bennett, Jolynn N.
open access

Combining Woodblock and Intaglio Into the Editionable Print

Description: The problem for this creative research in lieu of thesis has been to investigate in depth the difficulties and possibilities encountered when combining the woodcut and intaglio media into one entirely editionable print. Arriving at this particular problem was natural-- I feel an innate affinity and facility for creating with the woodcut medium.
Date: December 1976
Creator: Medler, Susan Joanne Oren
open access

A Comparison of Freshman and Sophomore Art Courses Offered at Texas Junior Colleges with Those Offered for Art Majors at North Texas State University

Description: Each year there is an increase in the number of art students who transfer art credits from Texas junior colleges to North Texas State University. The lack of standardization in the junior college art courses indicated an area of investigation in which some procedures might be suggested in order to secure greater continuity and unity between the art curricula of the Texas junior colleges and that of North Texas State University.
Date: January 1965
Creator: Cox, Catherine Heard
open access

A Comparison of Tenth and Eleventh Grade Art Students with and without a Junior High Art Experience

Description: The purpose of this study was to determine if there was any difference between beginning high school art students at Calhoun High School, Port Lavaca, Texas, who had had a junior high art experience and those who had no such experience in regard to their art information, art attitudes, and ability to produce quality art work. The Eisner Art Information and Art Attitude Inventories and three art performance tasks were administered to the population. Those with junior high art experience scored s… more
Date: August 1980
Creator: Leinneweber, Margo
open access

Components of a Basic Wardrobe for Professional Women

Description: The study was based on a survey of the outer garments and accessories within the wardrobes of twenty professional and business women of this vicinity. A questionnaire was used in order to obtain information concerning the wardrobes. From the results tabulated, the following concusions were reached: (1) the expenditures to provide adequate wardrobes were much more than they should have been; (2) in most cases, the distribution of garments was inadequate to meet the needs for all occasions; (3) t… more
Date: January 1951
Creator: Gross, Thelma Clement
open access

Compositions in Clay and Rhythm

Description: I constructed ceramic/mixed media instruments, recorded rhythmic music composed for and played on my instruments, and prepared a slide presentation portraying my daily rituals a studio artist. I describe in this paper the process involved in creating this environment and give an interpretation of the work by answering the following questions. 1. What were the rituals that were essential to the creation of my work? 2. In what ways did the use of the different visual and audio media work together… more
Date: August 1981
Creator: Ehrich, Lisa
open access

Concept Vs. Intuition: A Study Into the Personal Understanding of Images

Description: I was curious as to what my work was about and what images were important to me. There had to be a reason why I was driven to do what I did, whether it was a conscious, conceptual purpose or a subconscious, intuitive reason. The problem of this investigation was to discover which of these I used in the creation of my images or whether I used both.
Date: December 1990
Creator: Student, Cheryl L.
open access

Conceptual Structure: The Extension of a Metaphor

Description: This descriptive report is designed to document the development of this conceptual structure. The purpose is to clarify each aspect of the metaphor and its relationship to the conceptual structure thereby providing more organized , as well as new material to strengthen future work. This metaphor serves as a triggering mechanism for visual imagery.
Date: May 1983
Creator: Loomis, Margaret M.
open access

Connections

Description: In my problem-in-lieu-of-thesis, I investigated the connections formed between images which refer to disorder and those which connote imposed order; therefore, I pursued the following questions: 1. What connotations did each of the images have for me? 2. How was each image affected by taking it out of one context and placing it in a new one? 3. What relationships formed between images thus juxtaposed?
Date: May 1988
Creator: Miller, David
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