UNT Libraries - 334 Matching Results

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Primary view of The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works
Fang, I-Jen
August 2005
Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band
Anderson, Stephen Reg
December 2005
Primary view of The Aesthetics of Minimalist Music and a Schenkerian-Oriented Analysis of the First Movement "Opening" of Philip Glass' Glassworks
Wu, Chia-Ying (Charles)
May 2009
Primary view of Alberto Grau: The Composer, Selected Works, and Influence upon the Venezuelan and International Choral Community
Yu, Julie
August 2007
Primary view of Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
Malan, Petronel
August 2001
Primary view of Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.
Sukhina, Nataliya
May 2008
Primary view of American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies
Clark, R. Andrew
May 2001
Primary view of The American Trumpet Sonata in the 1950s: An Analytical and Sociohistorical Discussion of Trumpet Sonatas by George Antheil, Kent Kennan, Halsey Stevens, and Burnet Tuthill.
Dearden, Jennifer Lorien
August 2007
Primary view of An Analysis and Performance Guide to William Lovelock's Concerto for Trumpet and Orchestra
Place, Logan
December 2008
Primary view of An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957)
Polk, Kristin Marie
May 2008
Primary view of Analysis of harp performance issues in Federico's Little Songs for Children by George Crumb.
Hembreiker, Linda-Rose
May 2009
Primary view of An Analysis of Joe Lovano's Tenor Saxophone Improvisation on "Misterioso" by Thelonius Monk: An Exercise in Multi-Dimensional Thematicism
Dahlke, Andrew Richard
August 2003
Primary view of An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra
Hart, Shawn Michael
December 2008
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of An Analysis of Selected Choral Works by Kirke Mechem: Music-Textual Relationships in Settings of Poetry of Sara Teasdale
Bierschenk, Jerome Michael
August 2003
Primary view of An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation.
Samayoa, Raquel Rodriquez
August 2008
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók.
Ujj-Hilliard, Emöke
May 2004
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44
Kim, Sun Hee
December 2009
Primary view of An Analytical Study of Karamanov's Piano Concerto No.3 "Ave Maria"
Yang, Christine
May 2008
Primary view of An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.
Kim, Miyang
May 2007
Primary view of An Analytical Study of Robert Muczynski's Second Piano Trio
Oh, Eun Jun
May 2006
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