The continued publication of articles concerning drama and theatre in scholarly periodicals has resulted in the "loss" of much research due to the lack of retrieval tools. This work is designed to partially fill this lack by cassifying the articles found in fourteen current periodicals using Trussler's taxonomy. This bibliography could also be updated on a regular basis. The issues that are presently not available through the North Texas State University Libraries could be ordered, classified and appended to this work. In short, this thesis is a start toward the opening of the source material held by the campus libraries. But it is only a start. There is still a treasure trove yet to be developed.
The Ballad of Sam Bass is an original. play based on the life of Sam Bass the outlaw. Cowboys camped on the Chisholm trail are entertained by a stranger who sings a song about Sam Bass. Bass was a good-hearted individual who was seduced by his vices, drinking and gambling, and fell into the life of an outlaw. He was successful in eluding the law until he was betrayed by one of his own men, Jim Murphy. In the course of his song, the stranger reveals himself to be Frank Jackson, the only surviving member of Bass's gang. Jackson had talked Bass out of killing Murphy when Bass became suspicious. Creating the song serves as a catharsis for Jackson's guilt.
The purpose of this play is to dramatize the charismatic powers of an evangelist, Brother R.T. Bumpass, over his family and his followers. Faced with a challenge from his daughter, Martie, Brother Bumpass manages through a questionable miracle to prove to her that his way offers the only hope and salvation for her life.
The purpose of this play is to dramatize the fable of a city mouse and her cousin in the country, and the differences in their lifestyles. Through visits to each other's respective homes, the mice discover that there is more to life than what their own environment has to offer.
The epochal musical Hair is based predominantly on the actions and reactions to the cultural and societal occurrences of the Sixties. So, what can be done to help in the understanding of this historic musical? The answer: to produce an annotated text of the musical that will offer support to director and cast. The study consists of four chapters; the first, an introduction to the study; the second, a historical review (1960-1970); the third, the annotations which seeks to identify and explain all unfamiliar or unusual words, cultural obscurities, or personalities that might confuse, or otherwise mislead a full and comprehensive understanding of the author's original concept; and fourth, the worldwide performances of Hair and revivals after the original Broadway production.
This study analyzed the personalities and actions of Regina, Birdie, Alexandra, and Lavinia from Lillian Hellman's The Little Foxes and Another Part of the Forest. The analysis was focused on the relationship between the life and personality of Lillian Hellman and each of the characters. The method of character analysis that was used was that described by David Grote in Script Analysis, but the effect of cultural history on the characters and on Lillian Hellman was examined as well. It was discovered that Lillian Hellman had infused the characters with many aspects her own personality. In the case of Regina and Lavinia, Hellman also used the characterizations to sort out her mixed feelings toward her parents.
The Sisterhood of Dark Sanctuary is an original play about two sisters who are struggling to find their own identities away from their mother. The sisters have developed a functioning relationship wherein they alternate between the dominant partner and the passive partner, often assuming the roles of a mother and a child. This relationship has become so secure and stable for the sisters that they cannot develop healthy adult identities apart from each other.
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