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Primary view of The Application of Common-practice Elements in Modern Music: Examining Examples of Musical Continuity in Selected Piano Works of James R Wintle
Kim, Sung-Yun
December 2014
Primary view of Béla Bartók’s Editorial Input As Seen in His Edition of Piano Sonata Hobxvi:49 in E Flat Major by Joseph Haydn
Cho, So Young
December 2014
Primary view of Comparative Analysis of the Musical Distortion in Kaikhosru Sorabji’s and Vladimir Horowitz’s Piano Paraphrases Based on Bizet’s Opera Carmen
Kim, Mi-Jin
December 2014
Primary view of Critical Study of Two Piano Transcriptions by August Stradal and the Transcriptions’ Sources: Alterations to the Score Based on Historical Evidence and Artistic Judgment
Vizcarra, Juan Guillermo
May 2015
Primary view of First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza
Ding, Yang
May 2015
Primary view of The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853)
Lim, Mikyung
December 2014
Primary view of Learning From the Autograph: a New Critical Approach to Performing Liszt’s Sonata in B Minor
Arjona, Alfredo
August 2015
Primary view of Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”
Dellosa, Lerie Grace
December 2015
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