UNT Libraries - 122 Matching Results

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Primary view of Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El matrero
Sauceda, Jonathan
August 2016
Primary view of The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c. 1918-1923
Carrasco, Clare
August 2016
Primary view of Composing Symbolism's Musicality of Language in fin-de-siècle France
Varvir Coe, Megan E
August 2016
Primary view of Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Fick, Kimary E.
December 2015
Primary view of Foreignizing Mahler: Uri Caine’s Mahler Project As Intertraditional Musical Translation
Ritchie, J. Cole
August 2015
Primary view of It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa
Govind, Arathi
December 2012
Primary view of The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing
Gill, Sarah M.
December 1999
Primary view of Nobody's Fool: A Study of the Yrodivy in Boris Godunov
Pollard, Carol J.
December 1999
Primary view of "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage
Boutwell, Brett N.
December 1999
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of On the Nature of Melody in Asia and Medieval Europe
Siddons, James
December 1983
Primary view of Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition
Bevil, J. Marshall (Jack Marshall)
August 1984
Primary view of Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956)
Beard, Cynthia C.
December 2011
Primary view of Patronage, Connoisseurship and Antiquarianism in Georgian England: The Fitzwilliam Music Collection (1763-1815)
Heiden, Mary Gifford
December 2011
Primary view of Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Cooper, Amy Nicole
December 2011
Primary view of "Now His Time Really Seems to Have Come": Ideas about Mahler's Music in Late Imperial and First Republic Vienna
Kinnett, Forest Randolph
December 2009
Primary view of The sixteenth-century basse de violon: fact or fiction? Identification of the bass violin (1535-1635).
Erodi, Gyongy Iren
August 2009
Primary view of “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S
Breckenridge, Mark A.
August 2012
Primary view of The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition
Martina, Aileen
August 1993
Primary view of Dubuisson: A Study of His Music for Solo Bass Viol
Cheney, Stuart
December 1988
Primary view of Anton Bruckner's Treatment of the Credo Text in His Last Three Masses
Lee, Namjai
December 1985
Primary view of The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9
Chang, Sangtae
December 1986
Primary view of Techniques of Music Printing in the United States, 1825-1850
Mayo, Maxey H. (Maxey Huffman)
December 1988
Primary view of Tempo Determination in the Choral Works of Francis Poulenc
Teal, Terri Denise
May 1989