UNT Libraries - 90 Matching Results

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Primary view of Accent and Grouping Structures in the String Quartets of Béla Bartók
Bocanegra, Cheryl D.
May 2001
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of X, An Analytical Approach to John Chowning's Phoné
Krämer, Reiner
May 2010
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials
Lively, Michael
August 2010
Primary view of The Key to Unlocking the Secret Window
McConnell, Sarah E.
December 2010
Primary view of A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets
Yang, Benjamin H. (Benjamin Hoh)
August 1989
Primary view of Transposition and the Transposed Modes in Late-Baroque France
Parker, Mark M. (Mark Mason)
December 1988
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986
Primary view of Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch
Shin, Dong Jin
December 2010
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010
Primary view of Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte
Huff, David, 1976-
December 2010
Primary view of Harmony in the Songs of Hugo Wolf
McKinney, Timothy R. (Timothy Richmond)
August 1989
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of J. F. Daube's "General-Bass in drey Accorden" (1756): A Translation and Commentary
Wallace, Barbara Kees
May 1983
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of The Traité d'harmonie of Charles-Simon Catel
George, David Neal
December 1982
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of The Aural Perception of Pitch-Class Set Relations: A Computer-Assisted Investigation
Millar, Jana Kubitza
May 1984
Primary view of The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary
Fose, Luanne Eris
May 1992
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of The Segmentation Process and its Influence on Structure in the Malheur Me Bat Masses of Obrecht and Josquin
Jarzombek, Ralph
December 2002
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