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Primary view of Historical and Analytical Aspects of William Flackton's Sonatas for Viola and Keyboard (OPUS 2. Nos. 2, 4. 6. 8) with Particular Attention to the Sonata in D Maior (OPUS 2. No. 4)
Rosenbaum, George G. (George Gene)
December 1991
Primary view of The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others
Yates, Stanley
December 1993
Primary view of Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others
Beckman, Bradley
August 1994
Primary view of Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others
Bolthouse, Colleen R.
May 1995
Primary view of Structure and Performance of El Polifemo de Oro for Solo Guitar by Reginald Smith Brindle
LeBlanc, Paul G.
May 1993
Primary view of Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others
Derby McDermott, Dennette
May 1992
Primary view of In Nomine Domini
Crowley, Timothy R. (Timothy Robert)
August 1995
Primary view of The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others
Hunt, Janet Evelyn
May 1995
Primary view of George Gershwin's Rhapsody in Blue (Solo Piano Version) : An Historical, Rhythmic and Harmonic Perspective, a Lecture Recital, Together with Three Recitals of Selected Works of R. Schumann, F. Liszt and Others
Innis, Steve (Stephen Gregory)
December 1994
Primary view of Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others
Smith, Jeffrey B., 1957-
May 1992
Primary view of Joan Tower's Hexachords for Solo Flute: an Analysis and Comparison of its Flute Writing to Tower's Flute Concerto with Three Recitals of Selected Works of Vivaldi, Rivier, Mozart, Davidowsky, and Others
Jones, Margo S.
May 1993
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of Roy Harris' American Symphony - 1938:  A Perspective on Its Historical Significance and Autogenetic Elements With a Performance of a Reconstructed Modern Wind Ensemble Edition
Lamb, Brian
May 2001
Primary view of French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others
Patterson, Yumi Uchikoda
December 1993
Primary view of The Musical Fallout of Political Activism: Government Investigations of Musicians in the United States, 1930-1960
McCall, Sarah B.
August 1993
Primary view of Vincent Ludwig Persichetti's Parable for Solo Flute (Alto or Regular): A Study of Its Compositional Elements: Together with Recitals of Selected Works of Beethoven, Devienne, Handel, Hummel, Kreutzer, and Others
Zoloth, Alan Gary
December 1994
Primary view of Circumfusion: a Composition for Real-Time Computer Music Spatialization System
Morgan, Christopher R. (Christopher Robert)
August 1998
Primary view of Selected Structural Elements and Aspects of Performance in Bagatelles (1971) and Konstellationen (1972) by Krystyna Moszumanska-Nazar, with Three Recitals of Works by Beethoven, Brahms, Chopin, Liszt, Messiaen, Prokofieff, and Schumann
Long, Christina Ay-Chen
August 1996
Primary view of Cyril Scott's Piano Sonata, Op. 66: A Study of His Innovative Musical Language, With Three Recitals of Selected Works by Mozart, Schumann, Scriabin, Debussy, Ravel and Others
Cheung, Ching-Loh
May 1995
Primary view of A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble
Woods, Christopher P.
May 2001
Primary view of Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
Chae, Eunhee
December 2000
Primary view of The Effects of Free Play As an Instructional Tool on the Quality of Improvisation of First, Second, and Third Grade Children
Burger, Tammie L.
December 2000
Primary view of Symmetrical Features of Nikolai Medtner's Language: The Grzovaya Sonata, Opus 53 No. 2
Pitts, James L.
December 1999
Primary view of Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11
Hwang, So Myung (Sonia)
May 2010
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