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Primary view of The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute
Chambo, Wayla Joy Ewart
May 2015
Primary view of An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
Jang, Jeongwook
May 2015
Primary view of Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies
Davis, Colin
May 2015
Primary view of Constructions of Choir Identity in a High School
Brimhall, Jennifer Pierce
December 2014
Primary view of A Performance Edition of the Alessandro Rolla Concerto in F for Viola and Orchestra, Op 4 (Bi 549)
Beall, Stephen J.
December 2014
Primary view of Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio
O'Keefe, Patricia Beatrice
December 2014
Primary view of Under the Influence of Marc Blitzstein: Examining Leonard J Lehrman’s Uses of Serial Techniques for Dramatic Purposes in Karla
Blackwood, Jeremy B
December 2014
Primary view of Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera
Doyle, James Joseph
December 2014
Primary view of The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
Harrell, Andrea
August 2014
Primary view of Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay
Peringer, Patrick Edward
August 2014
Primary view of “Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
Trusko, Robert
August 2014
Primary view of Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
Rego Borges, Lucas
August 2014
Primary view of The Combination of Eastern and Western Musical Worlds: Korean Performance Techniques Applied to Western Symphony Orchestra in Relation to Isang Yun’s Tänzerische Fantasie Für Großes Orchester, Muak (1987)
Lo, MeeAh
August 2014
Primary view of A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent
Bloss, Laura L.
August 2014
Primary view of A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky
Mullins, Dustin Kyle
August 2014
Primary view of An Examination of Text Reflection and Imagery in Zoltán Gárdonyi’s Fünf Lieder Nach Gedichten Von Rainer Maria Rilke
Beloncik Schantz, Anne
August 2014
Primary view of The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View
Pátkai, Imre
August 2014
Primary view of Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements
Noh, Kyung-Ah
August 2014
Primary view of The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites
Bester, Christiaan
August 2014
Primary view of The Measurement of Occupational Identity Among Undergraduate Preservice Music Teachers: a Test Development Study
Rewolinski, Christine
August 2014
Primary view of Pedagogical Applications of Scat-singing Within the Jazz Trombone Studio
Schneller, Aric Lewis
August 2014
Primary view of A Performance Guide for the Unique Challenges in Concerto for Tuba and Chamber Orchestra by Jan Bach
Robinson, Ryan J.
August 2014
Primary view of A Performance Guide to the Dramatic, Vocal, and Musical Challenges of Judith Weir’s Opera, King Harald’s Saga
Park, Sang Hee
August 2014
Primary view of Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet
Jones, Kathryn E.
August 2014