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Primary view of Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design
Robin, Bradley G.
August 2016
Primary view of Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi, --
Campbell, Andrew
August 2016
Primary view of Compositional approaches within new media paradigms.
Oliveiro, Mark A
May 2016
Primary view of "Deborah": The Creation of a Chamber Oratorio in One Act
Mixter, Mary
May 2016
Primary view of The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art
Underriner, Charles Francis
May 2016
Primary view of An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition
Allen, John Clay
May 2015
Primary view of The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands
Evans, Eric
May 2015
Primary view of Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd
Tramte, Daniel Albert
May 2015
Primary view of Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera
Doyle, James Joseph
December 2014
Primary view of “Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
Trusko, Robert
August 2014
Primary view of “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer
Harris, Joshua Kimball
December 2013
Primary view of Blueline Concerto: Critical Essay
Lamb, Christopher
August 2013
Primary view of Brass Band History and Idiomatic Writing in Brass Music
Kahler, Elyse T.
May 2013
Primary view of Some Soundwalks (Denton, Tx)
Jackson, Jonathan
May 2013
Primary view of Transfantasies for Flauto Traverso, Computer Music, and Dance
Fick, Jason
May 2013
Primary view of Fidget, Sway, and Swerve: Three Works Inspired By Movement From the Intricate Maneuvers Series
Summar, Sarah Page
December 2012
Primary view of Never Odd Or Even: Using Temporal Structures In Composing Music For Dance
Bernardo, Daniel
May 2012
Primary view of Ocean of Forms: for Soprano and Computer
Price, Lee Scott
May 2012
Primary view of Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics
Johansen, Benjamin David
May 2012
Primary view of Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn
Walls, Jay Alan
August 2011
Primary view of Dream of a Thousand Keys: A Concerto for Piano and Orchestra
Choi, Da Jeong
May 2011
Primary view of Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music
Lucas, Stephen
December 2010
Primary view of Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music
Lucas, Stephen
December 2010
Primary view of Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements
Rostovtsev, Ilya Y.
December 2010