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Maria Edgeworth as a Precursor of Realism
The purpose of this thesis is to study the novels of Maria Edgeworth in an attempt to discover whether or not her novels have merit beyond their representation of the manners and morals of her historical period. This involves first an examination of her novels in the light of such criticism as has given rise to the question of their importance.
Pessimism in Three Major English Poets of the Nineteenth Century
This thesis examines the evidences of pessimism in the poetry of each poet, substantiated when possible by parallel prose writings and other critical and biographical material; and finally, it reaches tentative conclusions about the direction of the change in pessimistic outlook of three poets.
The Choric Element in Shakespeare's Second History Tetralogy
This thesis is a study of the anticipatory remarks and choric comments in Richard II, Parts I and II of Henry IV, and Henry V.
English Pastoral Drama, 1580-1642
It will be the purpose of the remaining chapters of this thesis to trace the characteristics and conventions of the pastoral as they can be observed in specific bucolic works from various writers of various nationalities and ultimately examine specific examples of English pastoral drama in light of these conventions and characteristics.
Joan of Arc as Personal Ideal and Literary Symbol in the Life and Writings of Samuel L. Clemens
This thesis offers a different concept of Mark Twain, who worshiped Joan of Arc and considered her the ideal of womanhood.
The Morality and Wit of Congreve and Sheridan in the Comedy of Manners
Considering the comedies of the Restoration, and those of Congreve in particular, as the prototype of the comedy of manners and as the model for Sheridan later to revive and emulate, this thesis proposes to point out how the concepts of morality and wit have been a major obstacle to literary critics in analyzing the comedy of manners from its very beginnings, to discuss morality and wit as the basis of a proper evaluation of the comedy of manners both from the standpoint of seventeenth-century precepts and those of a century later, and, finally, to show how, during the early periods in which the comedy of manners flourished,--that of Congreve, 1693-1700; and of Sheridan, 1775-1779--morality and wit were modified and used to suit the divergent sociological and psychological conditions of each period.
Shakespeare's Troilus and the Critics : A Survey of Twentieth-century Criticism
This thesis is a study of Shakespeare's character Troilus, from his play Troilus and Cressida, and a survey of twentieth-century criticism.
Today is Past
Today is Past is a serious play in which the main character does not meet defeat at the end. This is not to say, however, that the play has a conventional happy ending. It hasn't. But at the final curtain the protagonist has made an important decision which will determine the direction of her life.
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