UNT Libraries - 723 Matching Results

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Primary view of The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Demy, Richard R.
unknown creation date
Primary view of An Investigation of the Whistle Register in the Female Voice
Walker, Steven
May 1986
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others
Lewis, Michael E. (Michael Edward), 1952-
May 1989
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of The Curricular Content of Elementary Music in China Between 1912 and 1982
Ma, Shuhui
December 1989
Primary view of The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio
Murray, Russell Eugene
December 1989
Primary view of The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio
Murray, Russell Eugene
December 1989
Primary view of Vox Organalis
Baczewski, Philip
December 1989
Primary view of I, Blavatsky: A One-Act Opera
Cooper, Steve, 1951 Dec. 4-
May 1990
Primary view of An Investigation of Selected Female Singing- and Speaking-Voice Characteristics Through Comparison of a Group of Pre-Menarcheal Girls to a Group of Post-Menarcheal Girls
Williams, Bonnie Blu
May 1990
Primary view of Let Me Make it Simple for You
Waschka, R., 1958-
May 1990
Primary view of References to Trumpet Music in the Battle Chansons of Clement Janequin
South, James, 1957-
May 1990
Primary view of Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano
Humm, Mary Mosher
May 1990
Primary view of Stylistic and Technical Considerations for Pedaling the Debussy Preludes, Together with Three Recitals of Selected Works of L. van Beethoven, A. Berg, J. Brahms, F. Chopin, C. Debussy, W.A. Mozart, S. Prokofieff, A. Schoenberg, F. Schubert, and R. Schumann
Etheridge, Kay, 1954 Apr. 18-
May 1990
Primary view of An Analysis of Dominick Argento's "Peter Quince at the Clavier": the Music and Its Relationship to the Text
Gonzales, Cynthia I. (Cynthia Inez)
August 1990
Primary view of Cenotaph: A Composition for Computer-Generated Sound
Rogers, Rowell S. (Rowell Seldon)
August 1990
Primary view of The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music
Spicer, Mark Stuart
August 1990
Primary view of Copland's "Single Vision" and the Piano Sonata: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, B. Bartok, L.v. Beethoven, F. Chopin, F. Liszt, W.A. Mozart, J.P. Rameau, M. Ravel, and F. Schubert
Morris, Gregory W. (Gregory Wayne)
August 1990
Primary view of The Full Anthems and Services of John Blow and the Question of an English Stile Antico
King, Deborah Simpkin
August 1990
Primary view of Hailstones and Birdcages for Wind Ensemble
Anderson, Andrew E. (Andrew Edwin)
August 1990
Primary view of Die Opernprobe by Albert Lortzing: a Critical Edition
McDaniel, Jan L. (Jan Lee)
August 1990
Primary view of The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)
Simms, Beverley
August 1990
Primary view of A Spectral Analysis of Selected Vowels Sung by Bass and Baritone Student Singers
Tolin, Craig Edmond
August 1990