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Primary view of A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form
Lang, Adelheid K.
July 1993
Primary view of Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk District
Cassell, Holly
August 2017
Primary view of Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group
Mei, Yuxin
August 2017
Primary view of Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock
Peters, Sean (Sean Louis)
December 2017
Primary view of Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Chaplin-Kyzer, Abigail
May 2018
Primary view of Composing-Out Notre-Dame: How Louise Bertin Expresses the Hugolian Themes of Fate and Decay in La Esmeralda
Walls, Levi
August 2018
Primary view of Tonal Enigmas: A Study of Problematic Openings and Endings
Yun, Xiao
August 2018
Primary view of Sing Rāga, Embody Bhāva: The Way of Being Rasa
Krishnamurthy, Thanmayee
May 2019
Primary view of Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens
Falterman, David
May 2019
Primary view of Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue
Hahn, Stephen (Stephen Ernst)
August 2019
Primary view of Igor Stravinsky: An Analytical Study of Programmatic Design of His Symphony in Three Movements
Anderson, Rachel (Rachel Anne)
August 2019
Primary view of Transatlantic Crossings: Nadia Boulanger and Marion Bauer
Brubaker, Blaine
August 2019
Primary view of A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York
Fehr, Laura
May 2020
Primary view of Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"
Johnson, Kinley
May 2020
Primary view of Clementi the Scientist: Contemporary Reception of His Symphonies
Asber, Joyce
August 2020
Primary view of The Emergence of the Subconscious in Erik Satie's "Parade": The Search for Surrealism in Sound
Rajatanavin, Tanaporn
August 2020
Primary view of "Despedida con Mariachi": The Musical Mediation of Masculine Grief in Mexican Immigrant Funerals
Domínguez, Lizeth C.
December 2020
Primary view of Sounding the Ancestors: Sangpuy Katatepan Mavaliyw and the Ancestral Spirit Imaginary
Chen, Yang T.
December 2020
Primary view of Chicago Renaissance Women: Black Feminism in the Careers and Songs of Florence Price and Margaret Bonds
Durrant, Elizabeth
August 2021
Primary view of On the Precipice: Examining Generic Convention and Innovation in Thermidorian Opera through "Sapho" (1794)
Wodny, Anna
May 2022
Primary view of A Study of Large-Scale Auxiliary Cadence Types in Songs of Schubert, Brahms and Berg
Wang, He
May 2022
Primary view of Dido the Chaste: A Characterization of Dido in Spanish Baroque Pasticcio Opera
Zimmerman, Camila
August 2022
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