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The Interpretation of Facial Expressions by Drawings: Problem 1
This study deals with an analysis of facial characteristics and expressions and their interpretation through drawings. Through the past several years of teaching in a Dallas school where so many nationalities are represented and where the various peoples of the lowest privileged groups are segregated, the writer has become deeply interested in what is to be seen in the faces of children. The second problem of the study features an analysis of facial characteristics and expressions and their interpretation through drawings, modeling in clay, and papier mache.
An Analysis of Stage Band Rhythmic Patterns
An analysis of stage band rhythmic pattern provide a basis of interpretation which will aid directors of stage bands in understanding this musical idiom.
Stage Band Intonation Studies
This study focusses on stage band intonation. The purpose of the unison study, for example, is to develop in the student a sensitivity for pitch placement and also make him conscious of the sounds around him.
A Sequential Analysis of Problem Solving Using the Thought Listing Technique
This paper provides an analysis of human problem solving through exploration of the thought listing technique. Pat McGregor separates the paper into seven sections that investigate the definitions of problem solving and decision making in psychology, its applications, related literature, and methodological issues related to research.
The Nature of Separation-Individuation and Attachment: A Psychometric Evaluation of Multiple Measures of Separation-Individuation and Attachment
This paper examines the relationship between attachment and separation-individuation through a study completed with 358 students who completed self-reports and four instruments often used to assess attachment and separation-individuation. David T. George identifies three major relevant factors that resulted from analysis of the reports: Connectedness to Parents, Level of Distress, and Sense of Self.
Postmarathon Affect in First-Time and Experienced Marathon Participants: An Exploratory Investigation
This paper explores postmarathon depression as experienced by first-time as well as experienced marathoners. Douglas M. Hankes discusses tests given to runners before and after a marathon and explains how the results did not substantiate other findings of anecdotal reports.
A Study of Seventeen German Protestant Chorales
German Chorales is a great resource of church music in use today. This study investigate the Seventeen German Protestant Chorales. The researcher hoped that the important work of reviving the invaluable source of inspiration and sacred song will continue and grow.
The Use of the Brass Section in Prokofiev’s Alexander Nevsky
Thesis examines the life of prolific composer Sergei Prokofiev and his work for the motion picture Alexander Nevsky. Gary Langford analyzes Prokofiev's use of the brass section in his compositions for the film.
Analysis of Darius Milhaud's La Creation Du Monde
Darius Milhaud was born on September 4, 1892, to a Jewish family in Aix-en-Provence in the South of France. This study provide analysis of Darius Milhaud's work, entitled La Creation Du Monde.
Analysis of Selected Trombone Methods Developed at the Paris Conservatory of Music
This study described various Trombone methods and specifically analysed the eight methods developed at the Paris Conservatory of Music, which considered to be an outstanding methods for most of the good trombone literature of today.
The Chorale Kyrie, Gott Vater in Ewigkeit and its Use in Bach's Clavierubung, Part III
This study closely explores the Chorale Kyrie, Gott Vater in Ewigkeit and its Use in Bach's Clavierubung. The effect is one of gentilness and intimacy that conceal a wealth of inner emotion.
An Experimental Investigation Into the Predictability and Controllability of Shrinkage in Polymer-Acrylic Emulsion Artists' Paints
The problem of this investigation is to determine if the shrinkage resulting from water loss, which causes cracking in polymer-acrylic emulsion artists' paints, can be controlled to produce a predictable variety of surface textures useful in painting. Preliminary information on the behavior of polymer-emulsion paints was taken from published material such as Mayer's Artist's Handbook of Materials and Techniques, Woody's Polymer Painting, and various manufacturers' technical publications. Experimental investigations were conducted to observe the media under varied methods of application and conditions of drying. The information gathered in the experiments was used to develop techniques producing a variety of predictable textural alterations, which were used in a series of experimental paintings.
The Four Chopin Ballades: A Guide to Performance and Interpretation
This paper discusses the origin of literary and musical ballads and focuses on analysis and interpretation of the four Chopin ballades. Jill Beth Street also discusses how to perform these ballades based off of this interpretation.
The Four Dominating Elements in the Piano Literature of Sergei Prokofieff
This paper analyzes the piano compositions of Sergei Prokofieff and identifies four elements evident in the literature: classicism, innovation, toccata, and lyricism. Elisabeth Euwer Roberts traces the history of his works and the evidence of these elements in them.
An Analysis of the Hindemith Sonata for Double Bass and Piano, for Performance Purposes
This paper analyzes composer Paul Hindemith's Sonata for Double Bass and Piano and provides conclusions about how to interpret the movements in performance as well as the compositional techniques used by Hindemith to create them.
A Comparison of Editions of Carl Maria von Weber’s Grand Duo Concertant, Op. 48, for Clarinet and Piano, With the Composer’s Autograph Score
This paper compares various editions of Carl Maria Von Weber's Grand Duo Concertant, Op. 48, with the composer's original autograph score. Catherine E. Wood discusses how well these editions retained the composer's intentions, and which edition is the most accurate.
Pianistic Problems in the Fifth Sonata of Scriabin
This paper discusses the pianist problems in the fifth sonata created by Alexander Nikolayevich Scriabin and provides historical background to the works of the composer before analyzing his work.
Some Acoustical Considerations in the Design of the Contemporary Organ Case
This paper discusses the historical roots, placement, shape, and materials and methods in the construction of the contemporary organ case. James W. Kibbie explores the acoustical considerations of its design and how these are reflected in the finished product.
A Style Comparison of the Piano and Organ Versions of Liszt’s Prelude and Fugue on B-A-C-H
This paper analyzes the piano and organ versions of the Prelude and Fugue on B-A-C-H composed by Franz Liszt and provides a style comparison of the two. Jerry Glynn Smith also provides context for Liszt's work with the organ.
A Stylistic Evaluation of Aaron Copland’s Piano Variations
This paper evaluates the style of American composer Aaron Copland's Piano Variations. Philip Carey Jones discusses its position as a unique piece in twentieth-century piano literature and compares his work to that of other composers.
A Survey of New Extensions of Clarinet Technique as They Appear in Four Published Works
This paper explores the new extensions of clarinet technique in four published works, discussing the percussive effects, melodic effects, and multiple sounds that can be produced through these extensions. David R. Widder also explores the history of innovational solo clarinet works.
An Analysis of Jaques Ibert’s Concertino Da Camera for Alto Saxophone and Eleven Instruments
This paper provides historical background for the creation of Jacques Ibert's Concertino da camera for alto saxophone and eleven instruments and analyzes its three movements. As one of the first works written for the saxophone, James Garland Riggs explains the importance of the piece.
Some Influences of the Organ Reform Movement on the Instruments of Texas
This paper explores the impact of the organ reform movement on the construction of organs in Texas. E. Dean Beasley also explores the possibilities of further reform for the instrument.
Igor Stravinsky's Use of the Bassoon in his Compositions from 1908 to 1948
Igor Stravinsky is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. This study analyzed how Stravinsky absorbed the bassoon's solo and ensemble functions which he inherited and later significantly extended the scope of these functions by adapting them to his individual needs. The study concluded that Stravinsky's compositions are and will remain important landmarks in the history of bassoon literature.
The Physical Development of the Bassoon
This paper explores the history of the bassoon and its construction. Bob A. Sparks analyzes its evolution over time, from the versions created in France and Germany to the bassoon of the twentieth century.
Some Aspects of Unity in Beethoven’s Piano Sonata Op. 81A
This paper highlights aspects of unity in Ludwig van Beethoven's Piano Sonata Op. 81A. Jannis M. Peterson provides historical background to the work, identifies the problem of unity, and analyzes the piece.
Ultra-Rationality and Anti-rationality as Pre-compositional Techniques of the Twentieth Century
Thesis analyzes the concepts of ultra-rationality and anti-rationality as pre-compositional techniques and then compares and contrasts the two. John W. Petersen discusses the development and use of the two techniques and their impact on the history of music.
An Analysis of Method Books for the Bass Trombone
This paper provides a survey and analysis of eight method books for the bass trombone. Robert G. Hurst describes each of these titles with detail and explores the methods discussed in the texts, as well as the history and construction of the bass trombone.
Established Fabric Techniques Used to Create Motorized Forms
The ancient artist's influences can still be felt in today's craftsmen. For example, the contemporary weaver Sheila Hick's prayer rugs are an assimulation of the textile techniques of ancient Peru, Persia, and India, and the macramed forms of the contemporary Spanish artist, Aurelis Munoz, are suggestive of the woven huts of many primitive cultures. Because of this influence upon the current investigation, the evolvement of weaving and its techniques, as well as the three-dimensional techniques of basketry, in different parts of the world and in different historical periods are reviewed briefly.
Interpretive Drawing: Self-Portraits
The objectives of the creative problem may be stated in two parts. First, the utilization of the self-portrait theme in order to explore a variety of drawing techniques, media combinations, and surface manipulations; and second, the maintenance of a sketchbook-diary which accompanies the study as supportive data. The sketchbook entries include not only pertinent visual material but also verbal commentary. The sketchbook-diary is sequential and denotes the various stages of development as well as the progression of the study.
Some Influences of French Classical Organ Music Upon the Chorale Partita Auf Meinen Lieben Gott by Georg Böhm
This paper discusses how German composer Georg Böhm was influenced by French classical organ music, and how this style is reflected in Böhm's chorale partita Auf Meinen Lieben Gott.
A Creative Investigation of Sprays in Drying Oil Paint
The reason for this paper is to present a study of several commercial clear sprays used to affect drying of artists' oil paint. A number of tests were conducted in order to discover which spray might achieve optimum drying without inhibiting creative efforts. After the initial experiments, or "test panels," the information derived was used to complete the remaining panels required for the creative project.
The Liederkreis, Op. 39, by Robert Alexander Schumann
This paper analyzes the music of the Liederkreis, Op. 39 to provide insight into the nature and style of the piece. Robert Farias Austin, Jr. explores the history of the German Lied and the life of the composer, Robert Alexander Schumann.
Adding and Subtracting Color in the Painting and Serigraphic Processes: A Development of Consistency in Two Art Media
This is a method in which designs as a whole are not pre-planned or pre-arranged, but are developed by applying layers of color. This is an additive method for obvious reasons, and it is subtractive because shapes can be covered with opaque paint or very intense stain. Transparent layers of color applied over existing colors cause hue changes, and the process creates subtleties resulting from one color showing through another.
Combining Silkscreen, Drawing, and Painting on Canvas
It is the purpose of this study to visually and technically explore the combination of the direct methods of drawing and painting and the more indirect process of silkscreen printing on canvas. The flexibility of the three technical areas- silkscreen, drawing, and painting- proved to make the combination more feasible.
The Influence of the Commedia Dell’ Arte on Opera Buffa
This paper explores the connection between the Commedia dell'arte and the opera buffa genre and asserts that performers should be aware of this connection. John Arden Hopkin explores the history of the Commedia dell'arte and the rise of opera buffa.
Interspersed Color Blend Lithography
Interspersed color blend lithography is a technique that facilitates simultaneous multi-colored printing. The problem of color blending was to gain control over the process and explore a variety of uses. The research was entirely experimental. Interspersed color blend lithography is a unique process that allows for the application of any number of colors at one time, and complete freedom in their placement. The results of the investigation produced a process that is at once predictable, simple and immediate.
Unusual Double-Reed Bass Instruments: A Historical Survey
Thesis provides a historical survey of unusual double-reed bass instruments. Carol E. North provides a historical overview before separating the instruments into those with a cylindrical bore and those with a conical bore and describing each in turn.
Beethoven: The "Eroica" Variations, Opus 35
This paper discusses and analyzes Ludwig van Beethoven's "Eroica" Variations, Opus 35. Cynthia Hukill explores the significance of the "Eroica" as a ground-breaking expansion of the variation form.
The "Dante" Sonata: The Diabolical Liszt
This paper describes the creation and impact of Franz Liszt's "Dante" Sonata. Bill Blaine gives historical context and elaborates on the literary and philosophical influences evident in the piece before providing an examination of the music.
The Development of a Series of Paintings Confined to the Subject of Trains and Train Derailings: A Landscape Tragedy
The purpose of this study is to examine the development of a series of paintings and drawings confined to the subject of trains and the derailings of trains. This creative project includes a descriptive study which documents the development as it occurs in the series. The written material is utilized with regard to its relevance in uncovering pertinent conditions and events that contributed to the drawing and painting processes during the execution of the series.
The Elements of Early New Orleans Jazz
This paper discusses the development of jazz that occurred in the Storyville district of New Orleans. Bernard Norman Rose explores the history of the area and the influences that resulted in a synthesis of music.
Fibre-Tip Pen Line Techniques
In selecting a thesis project, my interest and experience with fibre-tip pen drawings suggested that further investigations would be profitable. Fibre-tip pens provide a fast and convenient means to draw under outdoor conditions. The pens make dense black and consistent lines at whatever speed they are moved. The ink supply is automatic; not requiring a separate container for dipping and not requiring cleaning. Fibre-tip pens designed to make lines of different widths are commercially available at low cost.
Four Chamber Arias of Vincenzo Bellini
This paper explores the musical significance, history, and development of Vincenzo Bellini's four chamber arias. Nancy W. Barfield discusses the life of composer Vincenzo Bellini, his musical style, and the style of the arias themselves.
J. S. Bach Cantata No. 52: An Analysis for Performance
This paper analyzes Johann Sebastian Bach's Cantata No. 52, Falsche Welt, dir trau' ich nicht. Janette Cook Williams presents findings on the evolution of the sacred solo cantata and examines the style of Bach's work.
Large Graphite Drawings on Gessoed Surfaces
The problem for the project emerged threefold: (1) to further explore the uses of the graphite medium including the possible integration of wet media color on large surfaces, (2) to use the human figure as subject matter, and (3) to explore gessoed drawing surfaces of masonite and paper.
A Study Combining Stoneware and Found Objects
The intention of this study is to examine the relationship between fired clay and certain found objects. Working from the assumption that clay, being a natural substance, shares a common ground with certain other natural substances, such as wood, hemp, rock, etc., a primary aspect of the investigation consists of discovering successful combinations of these materials. In each design two subordinate problems were encountered. These were (1) determining the best means of combining and preserving objects in a semi-permanent state and (2) ascertaining whether the thrown form is by itself visually satisfying or if it would be improved by distortion.
Synthesis of Additive/Subtractive Procedures in a Drawing Experience
To investigate this process I selected, as my creative project, the execution of a series of drawings. The objective of my creative project was the synthesis of additive/subtractive procedures of a drawing from its inception to its completion. A written journal was utilized to gather data pertinent to the investigation.
The Vocal Music of the Comédies-Ballets of Lully-Molière
Thesis explores the vocal music of the Comédies-Ballets written by Jean Baptiste Lully and Jean Baptiste Molière. Susan Kaye Schafer provides historical context to the collaboration between Lully and Molière and investigates the content of their work.
The Compositional Application of the Photograph in the Production of My Prints and Drawings
My work is based upon the photographic image and deals with the juxtaposition of abstract elements within a figurative format. The camera and the photograph have become my sketch book and, as such, seem to influence the manner in which I approach and compose my prints and drawings.
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