UNT Libraries - 46 Matching Results

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Primary view of William Gillock's Contributions to Piano Pedagogy: A Comparison of Three Works of Gillock with Selected Stylistic Models from the Baroque, Classical, and Romantic Repertoire

Primary view of Tchaikovsky's Piano Concerto No. 1 In B-Flat Minor, Op. 23: A Newly Arranged Edition of the Orchestral Reduction

Primary view of A Study of Selected Pedagogical Aspects of Two Intercultural Pieces for Late Intermediate and Early Advanced Students: "Variations sur un thème populaire coréen" by Sung-Ki Kim and "Six Pieces for Piano ‘Nori'" by Chung-Sock Kim

Primary view of Uncovering Fanny Hensel's "Das Jahr": Creating an Urtext Edition that Addresses Selected Technical and Interpretive Issues through Added Fingerings and Pedal Markings

Primary view of Ensemble Singing in the Bel Canto Salon Repertory: A Pedagogical Reconsideration

Primary view of Luigi Boccherini's Cello Concerto in B-Flat Major, G.482: Creating a Performance Edition through a Critical Study of the 'Original' Version and Friedrich Grützmacher's Edition

Primary view of John La Montaine's "Songs of the Rose of Sharon" and "Fragments from the Song of Songs": A Socio-Historical Analysis and Performer's Guide

Primary view of Beyond Nothingness: A Broader Nihilism in Cinema Paradiso by Stephen Goss

Primary view of A Pedagogical Guide to the Piccolo Trumpet

Primary view of A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi

Primary view of Stephen Chatman's Piano Fantasies (1993): An Instructional and Performance Guide for Teachers and Intermediate Piano Students

Primary view of An Investigation of Multiple Articulation as Applied to Saxophone Literature and Its Performance: An Historical and Pedagogical Approach

Primary view of The Stabat Mater of Herbert Howells: The Agony and the Ecstasy

Primary view of Extemporizing Reawakened: Saxophonist Branford Marsalis's Approach to the Cadenza for Concertino da Camera for Alto Saxophone and Eleven Instruments by Jacques Ibert

Primary view of A Critical Study of Arnold Schoenberg's Chamber Transcription of Gustav Mahler's Das Lied von der Erde

Primary view of An Overview and Performance Guide to Manuel Ponce's Sonata III for Solo Guitar

Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.

Primary view of Stabat Mater by Frank Ferko, A Mosaic of Mourning: The Universality of Mothers' Grief, Ancient Texts Made Relevant by the Addition of English Interpolations

Primary view of Piano Concerto No. 4 in D Minor, Op. 70 by Anton Rubinstein: An analytical and historical study.

Primary view of Richard Strauss's Duett-Concertino: A Study of the Programmatic Elements for the Performer

Primary view of Supplemental Studies for Mastering Extended Techniques in Three Late Twentieth-Century Works for Solo Trombone: Luciano Berio's Sequenza V, Folke Rabe's Basta and Mark Phillips' T. Rex, Together with Three Recitals of Selected Works by Wagenseil, Grøndahl, Gotkovsky, and Others

Primary view of Pedagogical style and influence of Nadia Boulanger on music for wind symphony, an analysis of three works by her students: Copland, Bassett, and Grantham.

Primary view of Plays of Tennessee Williams as opera: An analysis of the elements of Williams's dramatic style in Lee Hoiby's Summer and Smoke and André Previn's A Streetcar Named Desire.

Primary view of Roger Reynolds' Variation (1988): New Concepts of Form and Sound

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