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Primary view of British-Style Brass Bands in U.S. Colleges and Universities
Taylor, Mark Amdahl
December 2016
Primary view of The Use of the Trumpet in Early Seventeenth Century Spanish Music Dramas: A Comparative Analysis of Selected Works by Sebastian Duron, Joaquin Martinez de la Roca, and Alessandro Scarlatti
Duell, Trevor T
December 2016
Primary view of Johannes Brahms's Ein deutsches Requiem: A Comparison of the Reduced Orchestration Techniques in Joachim Linckelmann's Chamber Ensemble Version to Brahms's Four-Hand Piano Version
Hawley, Michael Aaron
December 2016
Primary view of Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire
Cook, Justin Hastings
December 2016
Primary view of A Multidimensional Polymetric Analysis of Excerpts from the Wind Band Music of Dan Welcher and Yo Gotō
Robinson, David
December 2016
Primary view of Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia
Raviotta, Benjamin p
December 2016
Primary view of Clinical Symptoms and Signs Related to Voice Disorders among Collegiate-Level Singers: A Retrospective Study
Mohr, Caitlin
December 2016
Primary view of A Comparative Analysis of Haydn's Horn Concerto and Trumpet Concerto
Adamson, Daniel Richard
August 2016
Primary view of A Conductor's Guide to Un-Yung La's Choral Music as Reflected in Easter Cantata
Ryu, Hanpill
August 2016
Primary view of Confronting the Enemy Within: An In-Depth Study on Psychological Self-Handicapping among Collegiate Musicians
Flowers, Michelle Clements
August 2016
Primary view of Passion Settings of the 20th- and 21st- Centuries Focusing on Craig Hella Johnson's Considering Matthew Shepard
Ward, Robert Clark
August 2016
Primary view of Teaching Late Intermediate-level Technical Skills Through the Study of Leschetizky, Vengerova, and Neuhaus: Exercises or Repertoire?
Lee, Jihyun
August 2016
Primary view of The Historical Importance and Resulting Arrangement of Artie Shaw's Third Stream Composition Interlude in B-flat
Ringe, Gerald W
August 2016
Primary view of The Re-Unification of Dr. Edwin Fissinger's Prairie Scenes: A Choral Cycle
Jilek, Dean Francis
August 2016
Primary view of A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude
Wright, Andrew
August 2016
Primary view of Sven-David Sandström's Matthäuspassion: Examining J.S. Bach's Influence and Sandström's Compositional Language, Use of Symbolism, and Religious and Spiritual Motivations
Jilek, Dwight
August 2016
Primary view of William Byrd's Motet "Tristitia et Anxietas" Through Elizabethan Eyes: Performance Practice Based on an Examination of Sixteenth-Century Sources
Irving, John Wells
August 2016
Primary view of Functional Orchestral Collaboration Skills for Wind Band Pianists: A Study Guide
Kim, Jisoo Grace
August 2016
Primary view of Korean Cultural and Musical Influences in Younghi Pagh-Paan's Man-Nam I
Jung, Hyejin
August 2016
Primary view of Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar
Daniel, Andrew Ray
August 2016
Primary view of Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility
Polgar, Eva
August 2016
Primary view of Paul Robert Fauchet's Symphony in B-flat: A Performance Edition for Modern Wind Band Instrumentation
Kitelinger, Shannon Monroe
May 2016
Primary view of Intraoral Pressure and Sound Pressure During Woodwind Performance
Bowling, Micah
May 2016
Primary view of Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices
Lee, Hyun Kyung
May 2016