UNT Libraries - 145 Matching Results

Search Results

Results: 1 - 24 next
Primary view of Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"
Johnson, Kinley
May 2020
Primary view of Transatlantic Crossings: Nadia Boulanger and Marion Bauer
Brubaker, Blaine
August 2019
Primary view of Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Morey, Michael J.
May 2019
Primary view of Shaping Hagiography through Liturgy: Music for the Patron Saints of Three Cathedrals in Medieval Aquitaine
Recek, Andrea
December 2018
Primary view of Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Chaplin-Kyzer, Abigail
May 2018
Primary view of Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
Hagen, Emily
May 2018
Primary view of Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony
Parsons, James, 1956-
May 1992
Primary view of A Comparative Study of Harmonic Tension in Hindemith's Piano Sonatas and in His Theoretical Writings
Tull, Charlotte
August 1957
Primary view of Form and Meaning in Benjamin Britten's Sonnet Cycles
Stroeher, Vicki Pierce
August 1994
Primary view of Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan)
Radford, Wanda J.
December 1971
Primary view of Remarks and Reflections on French Recitative: Ban Inquiry into Performance Practice Based on the Observations of Bénigne de Bacilly, Jean-Léonor de Grimarest, and Jean-Baptiste Dubos
Reid, Michael A. (Michael Alan)
August 1985
Primary view of An analysis of Brahms' Quintet in B minor, op. 115, for clarinet and strings
Graham, Jack E. (Jack Eldon)
January 1968
Primary view of Respond Motets from Matins for the Dead by Robert Parsons
Nosow, Robert Michael
August 1984
Primary view of Édouard Batiste's Symphonie militaire (1845): edition and commentary
Smialek, William
May 1976
Primary view of Mahler's Tristan, A Documentary Study of Reception
Stauffer, Kristen K.
August 1994
Primary view of Zweyer Gleich-Gesinnten Freunde Tugend- und Schertz-Lieder by Johann Jacob Löwe and Julius Johann Weiland
Clayton, Nancy Jean
May 1978
Primary view of Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925
Ray, Karen, 1951-
May 1986
Primary view of Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero
Sauceda, Jonathan
August 2016
Primary view of The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923
Carrasco, Clare
August 2016
Primary view of Composing Symbolism's Musicality of Language in Fin-de-siècle France
Varvir Coe, Megan Elizabeth, 1982-
August 2016
Primary view of Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Fick, Kimary E.
December 2015
Primary view of Foreignizing Mahler: Uri Caine’s Mahler Project As Intertraditional Musical Translation
Ritchie, J. Cole
August 2015
Primary view of Wagner's Das Liebesverbot
Behne, Danna
May 1973
Primary view of The Dramatic and Musical Unity of Hector Berlioz's Les Troyens
Menn, Marta C.
August 1973
Back to Top of Screen