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open access

Primary Stylistic Characteristics of Cindy McTee's Music as found in Timepiece, Ballet for Band and Finish Line

Description: Cindy McTee, Regents Professor of Composition in the College of Music at the University of North Texas, is one of America's leading composers. Her music is an eclectic blend of the "American" sound that is created by the use of a multiplicity of techniques. This document uses three of McTee's most recent (to date) works for wind band: Timepiece, Ballet for Band and Finish Line, to identify the primary stylistic characteristic's of the composer's music, which include: jazz influence; use of osti… more
Date: May 2009
Creator: Williams, Nicholas, 1974-
open access

An Introduction to the AIDS Quilt Songbook and Its Uncollected Works

Description: The AIDS Quilt Songbook was a musical response to the shame surrounding the outbreak of the HIV virus and was one of the first art song publications to deal with the topic of HIV and AIDS. This DMA thesis documents the significance and history of the AIDS Quilt Songbook, traces the progression of the project up until December 1, 2008, and documents the work, experiences, and words of the composers who have been inspired to contribute to the AIDS Quilt Songbook Project. In 1981, the medical and … more
Date: August 2009
Creator: Seesholtz, John Clayton
open access

Cultural and Technical Perspectives on Winter Landscape

Description: Winter Landscape is an interactive composition for erhu (Chinese two-stringed fiddle), flute, piano, and Max/MSP interactive computer music system. The total duration of the piece is approximately 15 minutes. Winter Landscape serves to demonstrate one particular approach to exploring the possibilities afforded in an interactive paradigm within a cross-cultural context. The work is intended to convey my personality and identity as a contemporary Chinese composer through diverse cultural and musi… more
Date: December 2009
Creator: Wang, Jing
open access

Francis Poulenc's Sonata for Horn, Trumpet and Trombone: A Structural Analysis Identifying Historical Significance, Form and Implications for Performance

Description: Research has been conducted on Francis Poulenc and his prominent 20th century sonata for brass instruments. Poulenc and members of the French compositional collaboration known as Les Six have all been subjects of research. Francis Poulenc's Sonata for Horn Trumpet and Trombone is a crucial piece in the development of brass chamber music during the 20th century. As one of the first works written for modern brass instruments, it demonstrates a highly crafted compositional style representative of … more
Date: August 2009
Creator: Cord, John T.
open access

Significant Influences in the Composition of Hendrik Hofmeyr's Song Cycle, Alleenstryd

Description: The poet of this cycle, Sydney Vernon Petersen, was a man who faced great adversity during Apartheid. The title of this cycle, Alleenstryd, is an Afrikaans term for 'a struggle alone.' Petersen was of mixed heritage or "Coloured" and born in South Africa in 1914. He died in 1987. His most important works in Afrikaans poetry were published between 1948 and 1965. This cycle specifically focuses on the relationship between the poet and his community, the isolation he endured within that community,… more
Date: August 2009
Creator: Cupido, Conroy Alan
open access

"Now His Time Really Seems to Have Come": Ideas about Mahler's Music in Late Imperial and First Republic Vienna

Description: In Vienna from about 1918 until the 1930s, contemporaries perceived a high point in the music-historical significance of Mahler's works, with regard to both the history of compositional style and the social history of music. The ideas and meanings that became attached to Mahler's works in this milieu are tied inextricably to the city's political and cultural life. Although the performances of Mahler's works under the auspices of Vienna's Social Democrats are sometimes construed today as mere ac… more
Date: December 2009
Creator: Kinnett, Forest Randolph
open access

An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44

Description: Niels Viggo Bentzon (1919-2000) is the most significant composer in the post-Nielsen period of Danish piano music. Bentzon's Third Piano Sonata, Op.44 was composed in 1946 and is considered by Mark L. Lehmann to be one of the great piano sonatas of the twentieth century. Not only does this sonata reflect Hindemith's ideas, but it also reveals Bentzon's unique style that successively empowers his innovative features. By applying Hindemith's theory, this study offers a way of understanding this p… more
Date: December 2009
Creator: Kim, Sun Hee
open access

Chamber Music with Double Bass: A New Approach to Function and Pedagogy.

Description: The first part of the paper states the problem of the double bass not being incorporated into the chamber music program at many universities and the resulting lack of skills that can only be developed through this discipline. The double bass is trying to catch up with the other string instruments as it has been historically ignored, misunderstood and not as developed musically and technically. The historical background and current state of research are being examined to understand why this pr… more
Date: December 2009
Creator: Raschen, Gudrun
open access

The Influence of Giovanni Bottesini (1821-1889) on Pedro Valls (1869-1935): An Analysis of Homenaje à Bottesini (1906) by Pedro Valls

Description: This document traces a link between Pedro Valls and Giovanni Bottesini by identifying traits of Homenaje à Bottesini that resemble techniques and musical characteristics of Bottesini's music, through the comparison of Valls' Homenaje à Bottesini to Bottesini's Fantasia sur La Sonnambula, focusing on the works formal, musical and idiomatic characteristics. This is supported by documented evidence of Bottesini's presence in Spain during Valls's lifetime and Pedro Valls contact with the Italian ma… more
Date: December 2009
Creator: Amorim, George
open access

Intertextualization: An historical and contextual study of the battle villancico, El más augusto campeón.

Description: This document addresses the cultural and significance of the battle villancico, El más augusto campeón, and its historical, social, and musical contexts within the villancico genre of the Latin American Baroque. This study focuses on the villancico, El más augusto campeón, and explores the possible origins of the text and its relevance to the political and social structure of Cuzco's San Antonio Abad Seminary. Other areas of investigation are the musical analysis of the score and performance … more
Date: December 2009
Creator: Farris, Daniel
open access

The sixteenth-century basse de violon: fact or fiction? Identification of the bass violin (1535-1635).

Description: Research on the origins of the violoncello reveals considerable dispute concerning the existence and identity of its ancestor, the bass violin. This study focuses on the classification of the sixteenth- and early seventeenth-century bass violin by means of the following criteria: construction, early history and development, role due the social status of builders and players, use within the violin band, performing positions, and defining terminology. Accounts of inventories, organological treat… more
Date: August 2009
Creator: Erodi, Gyongy Iren
open access

GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo.

Description: GranCloud is new application for the generation of real-time granular synthesis in the SuperCollider programming environment. Although the software was initially programmed for use in the interactive composition Creo, it was implemented as an independent program for use in any computer music project. GranCloud consists of a set of SuperCollider classes representing granular clouds and parameter objects defining control data for the synthesis. The software is very flexible, allowing users to cre… more
Date: December 2009
Creator: Lee, Terry Alan
open access

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds

Description: Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization was composed in 1995 by Pulitzer prize-winning composer Roger Reynolds. This work is a 25-minute choreographed music drama for one multiple-percussionist, in which Reynolds incorporates the musical transformation of percussion instrument families, the physical gestures of the performer, and the spatialization of processed sounds around the audience. This dissertation addresses several aspects of Watershed, which include… more
Date: December 2009
Creator: Licata, Julie M.
open access

Risk factors for piano-related pain among college students and piano teachers: Possible solutions for reducing pain by using the ergonomically modified keyboard.

Description: Playing‐related pain is a common and serious problem among pianists. Information on cause and prevention is extremely limited due to a lack of scientific research. The purpose of this study was to (1) review and describe risk factors for piano‐related pain among college students and piano teachers that were reported in my previous two research studies, (2) justify the use of an ergonomically modified keyboard as a potential solution for reducing playing‐related pain, and (3) … more
Date: August 2009
Creator: Yoshimura, Eri
open access

Selected Songs of Dan Beaty: Background, Analysis, and Performance Guide

Description: Dan Beaty (1937-2002) was a prolific composer, pianist, researcher, educator, and writer. His large compositional output included chamber works, choral works, songs, orchestral pieces, electronic music, and keyboard works. Beaty was well versed in traditional Western music as well as the more avant-garde and perplexing idioms of the twentieth century. Beaty's compositions reflect the many fascinating, if not always popular, musical trends of his time. His music encompasses styles from serial … more
Date: August 2009
Creator: Novak, Richard A., II
open access

The Assimilation of Baroque Elements in Ferruccio Busoni's Compositions as Exemplified by the Fantasia nach Bach and the Toccata

Description: Ferruccio Busoni (1866-1924) has a firmly established reputation as one of the giant pianists of his age, yet his compositions are largely neglected both in musicological circles and on the concert stage. A better understanding of his thought processes might lead to a greater appreciation of his art, and the acknowledgement of his reverence for the music of Bach is an important key to such an understanding. Busoni's Fantasia nach Bach and Toccata, although two decidedly dissimilar composition… more
Date: August 2009
Creator: Van Schalkwyk, Willem Andreas Stefanus
open access

A Performance Guide to Luigi Nono's Post-Prae-Ludium No. 1 "Per Donau"

Description: Luigi Nono's work Post-Prae-Ludium No.1 "per Donau" represents a model for the emerging genre of electroacoustic tuba music. It is important to preserve this electroacoustic work because of its value to the tuba literature. Not only is it one of the first electroacoustic works for the tuba, but it also was composed by a man who is highly regarded in the field of music composition. Its preservation will be difficult because of the rapid advancement in technology. Within the last three decades o… more
Date: August 2009
Creator: Tignor, Scott Edward
open access

Rete Mirabile: An Installation

Description: Rete Mirabile is my new installation piece combining scientific principles with live computer generated music. The title is a Latin term meaning "Wonderful Net," which I use to refer to the highly convoluted network of biological data that drives my installation. The sonification of data, computer modeling of biological processes, kinetic sculptures, and user interactivity are central parts of the installation. The paper is organized as follows: First, brief history of the forerunners that in… more
Date: August 2009
Creator: Rivera, Philip Andrew
open access

Selected works for solo frame drums by B. Michael Williams.

Description: In 1993, American percussionist and composer B. Michael Williams published Four Solos for Frame Drums. This collection is considered the first work written exclusively for solo frame drum in Western notation. Williams primarily modeled his solos around traditional rhythms and techniques from Middle Eastern musical traditions as well as Glen Velez's virtuosic style of playing frame drums. He also drew influence from the music of South India and Sub-Saharan Africa. Williams intentionally combines… more
Date: August 2009
Creator: Nicholson, Jason Eugene
open access

The Aesthetics of Minimalist Music and a Schenkerian-Oriented Analysis of the First Movement "Opening" of Philip Glass' Glassworks

Description: Philip Glass' Glassworks (1981) is a six-movement composition for two flutes, two soprano saxophones/clarinets, two tenor saxophones/bass clarinets, two French horns, violas, cellos, and the DX7 electric piano. Glassworks consists of six movements titled "Opening," "Floe," "Island," "Rubric," "Facades," and "Closing." This thesis covers the first movement "Opening." Repetition in musical minimalism confronts traditional prescriptive codes of tonal music and post-tonal music. While challenging… more
Date: May 2009
Creator: Wu, Chia-Ying (Charles)
open access

Increasing glottal closure in an untrained male chorus by integrating historical, scientific, and clinical practice into choral voice building exercises

Description: An examination of the historical treatises of Manuel Garcia II and Giambattista Mancini, scientific studies pertaining to glottal closure, and Vocal Function Exercises used in clinical speech pathology led to an exploratory study that attempted to increase the glottal closure in an untrained university male chorus using only choral voice building exercises. The exploratory study used a single group, pre-test post-test design, and data was recorded using audio recordings of the entire chorus as… more
Date: May 2009
Creator: Cottrell, Duane Coles
open access

The Influence of National Styles on the Compositions of Pauline Viardot

Description: Unlike other song composers of the 19th century, Pauline Viardot wrote in many languages and national styles. Her songs, "Haï Luli!," "In der Frühe," "Morirò," "La nuit monte/ Già la notte," "Canción de la Infanta," "Юноша и дьва," "Le Rêve de Jésus," are examples of Viardot's ability to compose in many languages and national styles.
Date: May 2009
Creator: McCormack, Jessica
open access

A Comparison of Ferruccio Busoni's Two Original Piano Compositions, Indianische Fantasie for Piano and Orchestra, Op.44, and Indianisches Tagebuch Book I.

Description: This study compares Busoni's two original piano compositions, Indianische Fantasie for piano and orchestra (Indian Fantasy), op.44, and Indianisches Tagebuch (Indian Diary) Book I. They represent Busoni's late period of maturity and new aesthetical points of view on music. Both pieces are originated from Natalie Curtis's The Indian's Book, and particularly the Indian Diary is very closely related to the Fantasy, for three of the four pieces in the former work directly quote sections from the … more
Date: May 2009
Creator: Lim, Rira
open access

Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz: The Collection at the Austrian National Library and Schenker's Generative Process

Description: When Schenkerian theory began to influence scholarly circles in the United States, the primary - although not the only - work to which scholars had access was Schenker's last monograph, Der freie Satz. Reading textual passages and examining the many musical graphs in the companion volume of examples influenced their concept of the fundamental structure as Schenker understood it, as well as the relationship of the other levels (Schichten) to the larger structure. The problem is that most of th… more
Date: May 2009
Creator: Auerbach, Jennifer Sadoff
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