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open access

Six Mélodies Populaires Grecques, by Maurice Ravel

Description: This paper provides an analysis of Maurice Ravel's song cycle Cinq mélodies populaires grecques and "Tripatos." Pamela D. Hamblin discusses Ravel's musical style of composition and investigates the background and the individuality of the songs.
Date: August 1979
Creator: Hamblin, Pamela D.
open access

A Study of the Folk-Song and Poetic Influences in the Piano Music of Brahms

Description: This paper highlight the history of the German folk-song and its influence on the work of composer Johannes Brahms. Barbara Gilbert Williams discusses the rise, fall, and rival of the folk-song as an art form and how it and poetry is incorporated into Brahms's compositions.
Date: August 1979
Creator: Williams, Barbara Gilbert
open access

“Orchestral Pianism”

Description: This paper discusses the concept of "orchestral pianism" as a quality of composition that utilizes the piano's capability of imitating orchestral and vocal sounds. Patrick Widhalm explores the history of the concept, its roots, and the major composers whose writing employed this capability.
Date: August 1979
Creator: Widhalm, Patrick
open access

An Analysis for Performance of Les Nuits d’été by Hector Berlioz, Opus 7

Description: This paper analyzes Hector Berlioz's song cycle Les Nuits d’été, Opus 7, for the purpose of performance. Along with musical analysis, Anna Ruth Stone also provides background about the poet Théophile Gautier and describes the appeal of the Berlioz's song cycle.
Date: August 1979
Creator: Stone, Anna Ruth
open access

Printmaking and Painting in Combination with Other Media

Description: The purpose of this study was to give information on watercolor painting in combination with printmaking and secondary media. The objectives of the creative problem were stated in two parts. The first dealt with the exploration into kinds of secondary media which affect the printed surfaces and the watercolors, and the second dealt with the investigation into the kinds of secondary media that can be effectively integrated with the collograph and the monoprint.
Date: December 1979
Creator: Gregory, Ellna Kay
open access

The Use of Blacksmithing Techniques in the Construction of Outdoor Sculpture

Description: The purpose of this problem was to investigate the advantages and limitations in the use of blacksmithing techniques combined with the construction techniques of arc welding and the use of power tools to construct large outdoor sculpture. Specific questions will be asked to determine the suitability of this method of working. The questions are: 1. Can blacksmithing techniques be used in the construction of large outdoor sculpture? a. what specific techniques are appropriate? b. Will some techni… more
Date: May 1979
Creator: Zinck, Henry G.
open access

Altering the Muzak Situation

Description: The project involved producing a group (16) of audio-visual installations that successfully displayed and exposed various Muzak situations. The following questions, relating to individual pieces, were of concern: 1. What is the basic intent of each installation or piece? 2. Does the piece communicate the intent of the artist? 3. Which installations or pieces will adapt to any space? 4. What visual documentation is necessary to preserve the idea?
Date: December 1979
Creator: Finch, Carl Wayne
open access

Collaborative Art

Description: Our problem was to produce art in a collaborative manner. Due to the nature of our problem, we proposed to explore specific aspects of collaborative art and answer these questions: 1. in what ways is the co-artist's input beneficial? 2. How are the artist's skills broadened by working with a fellow artist? 3. What is involved in developing a professional working relationship between male and female artist? 4. What understanding of differences in working styles is acquired? 5. What are the diffe… more
Date: May 1979
Creator: Bernhardt, Catherine A.
open access

Dreams as a Source of Imagery

Description: Dreams can be defined as a series of thoughts, images, or emotions that occur during sleep. The impression of strangeness, which is certainly a characteristic of dreaming, comes from three primary performances: (1) a loosened temporal and spacial world, (2) short attentional controls and (3) fewer critical evaluations. In dreams, time and matter are not bound by physical properties, and scenes may change with remarkable rapidity or awesome slowness. One out of three people can recall dreams up… more
Date: December 1979
Creator: Penn, Patricia L.
open access

The Neutralization of the Figure Within a Controlled Environment

Description: The questions I have addressed in regard to neutralization were as follows: 1. How important was the figure to the environment? 2. How far could the figure's physical presence be reduced and still contribute to the concepts of the painting? 3. How vividly was the figure presented while still complying with the requirements to meet neutralization? 4. Did color and texture aid in neutralizing the figure, and, if so, how? 5. Did the scale of the paintings have any effect on the neutralization proc… more
Date: August 1979
Creator: Gibson, John R.
open access

Interplay of Forms: Cast, Constructed, Forged as Functional Jewelry

Description: This study involves investigating the combination of delicately cast forms, domed shapes and forged silver into an aesthetic form of jewelry. The specific questions considered were as follows: 1) can the sequential interplay of forms be interrelated from initiation to completion of the study? 2) Can the techniques contrast with one another? 3) Can the scale of the forms be varied? 4) Can the three techniques of construction create body adornment? 5) Can these forms individually or in a combined… more
Date: May 1979
Creator: Johansson, Dorothy A.
open access

Printmaking Experimentations: A Personal Approach

Description: Experimentations with overlays of color within my imagery have developed an interest in surface embellishment resulting from the juxtaposition of overlapping hues, integration of collage, and extended use of mixed-media as a printed visual statement. Past printmaking experiences include exploration of a variety of procedures including lithography, intaglio, and serigraphy. Prints have been executed in edition and monoprints, singular techniques and in combination. Individual techniques were exp… more
Date: December 1979
Creator: Bechtold, F. Jane
open access

An Investigation of the Influences on my Art Caused by Living in Saudi Arabia

Description: This project was an investigation into the specific influences upon my art produced by my living in Riyadh, Saudi Arabia for two years from August 1976 through August 1978. Initially, I had to make a major psychological and environmental adjustment. This period of adjustment, referred to as culture shock, was a time of personal confusion about the differences between the American and the Arabian cultures. I characterized my state of mind during this period as a psychological numbness and confus… more
Date: May 1979
Creator: Proctor, Beatrice J.
open access

An Investigation of the Visual Potentials of Combining Plastic Materials with Paper or Fabric or Both

Description: In this creative project, I chose to explore the visual potentials of combining plastic materials with paper or fabric or both in such a way as to produce both visually strong and personally meaningful works. During the completion of the ten pieces, a written journal was kept in order to maintain a record of the progress and outcome of this investigation. In addition, data was illustrated by photographic slides. One piece was photographed at various stages of development, and all of the pieces … more
Date: December 1979
Creator: Wheeler, Marilyn Sue
open access

Spontaneous Installations of Flexible Combinations of Woven Modular Forms

Description: The purpose of this project was to investigate the possibilities of reorganizing space by arranging woven modules. These units were to be separable and flexible in regard to their spacial relationships and interrelatedness in any installation. This problem was examined in these specific ways: 1) Is it possible to create a sense of volume in forms woven flat on a standard floor loom as simple, single-layer or double-layer fabrics and later manipulate them into three-dimensional structures? 2) ho… more
Date: August 1979
Creator: Burchett, Jayme Schaumann
open access

Spontaneous Imagery Within Shaped Formats

Description: The primary concerns and problems which were addressed in this project were: 1. were the shaped formats more of less effective when derived directly from maps and/or photographic panoramas as opposed to deriving them from my own memory and imagination? 2.Was the negative space in which the intaglio prints float, more or less effective than the paintings and drawings which have no bordering negative space? 3. What differences exist in the spontaneous imagery when putting down the initial marks, … more
Date: August 1979
Creator: Hart, Michael Ralph
open access

Notes on the SWTPC MP-N Calculator Interface and the Calc-1 Program

Description: This interface was bought to perform floating-point arithmetic and for its function capabilities such as SIN, COS, and e^x. My application required an integer truncation function that is not performed by this calculator, so i wrote a small assembly language subroutine to do it. A potentially irritating problem is that the calculator chip does not automatically convert to scientific notation if the numbers become too big to display in floating point. The control program must keep track of the di… more
Date: May 1979
Creator: Long, Daniel Paul
open access

VISOR (Variable Interval Schedule Of Reinforcement) System Documentation

Description: This program will be used in operant behavior research to monitor and record responses and trigger and record reinforcements on a variable reinforcement (VI) schedule. The original application of this program will be the servicing of several rat cages simultaneously. The response will be the pressing of a metal bar in the cage, the reinforcement will be the triggering of a feeding mechanism which disperses a food pellet into the cage. The subsequent applications of this program are not limited,… more
Date: December 1979
Creator: Long, Daniel Paul
open access

FORTRAN Graphics Library

Description: The objective of this work is to help the faculty, staffs and students of NTSU to use the CalComp plotting facility very easily. Therefore, this work is written in such a step by step and self-explanatory way to help the reader to understand and grasp the essential technique of the computer plotting. Each subroutine illustrated in this work has been run and checked by our NTSU computer-CalComp plotting facility; the results of sample programs and illustrated graphs are believed to be very usefu… more
Date: August 1979
Creator: Ling-Yann, Huang
open access

PILOT for the Apple II Microcomputer

Description: PILOT (Programmed Inquiry, Learning or Teaching) is a simple, conversational language developed in 1969 by John A. Starkweather at the University of California Medical Center in San Francisco. Originally designed for computer assisted instructional needs, PILOT also has been effectively used as an introductory computer language. The PILOT system developed for the Apple II microcomputer consists of two programs, PILOT EDITOR and PILOT DRIVER, which are written in Applesoft and which use the Appl… more
Date: August 1979
Creator: Ellis, Richard George
open access

PhiAC--987 : A Concerto for Alto Saxophone and Wind Ensemble

Description: PhiAC--987 : A Concerto for Alto Saxophone and Wind Ensemble is a two movement work approximately nineteen minutes in length, scored for a soloist of virtuosic ability and a large wind ensemble of thirty-five instrumentalists.
Date: August 1979
Creator: Brooks, Robert John
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