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The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides

Description: Music written for oboe and orchestra in the nineteenth century falls into three categories: Classical Concerto, Opera Fantasy, and Concertino. The classical, or standard, three movement, sonata-ritornello format was only sparingly used. Instead, composers chose more the experimental forms of the Opera Fantasy and Concertino. The Opera Fantasy was used as a way for oboe players to play popular opera arias of the time, while showcasing their virtuosity and expression. It is in the Concertino … more
Date: August 2002
Creator: Murray, Lauren Baker
Item Type: Refine your search to only Thesis or Dissertation
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A Performance Guide to Tomas Svoboda's Duo Concerto for Trumpet and Organ, Op. 152

Description: The Duo Concerto Trumpet and Organ, Op.152 by Tomas Svoboda was written in memory of and commissioned by the friends of the late Richard Thornburg, second trumpet of the Oregon Symphony. Through the use of primary sources, Tomas Svoboda, composer and organist at the premiere, and Fred Sautter, principal trumpet of the Oregon Symphony and trumpeter at the premiere, the performance guide illuminates the piece with a discussion of five different topics. Chapter 2 of the guide reveals the circumst… more
Date: August 2002
Creator: Murray, Robert
Item Type: Refine your search to only Thesis or Dissertation
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Gustav Mahler's Kindertotenlieder: Subject and Textual Choices and Alterations of the Friedrich Rückert Poems, A Lecture Recital Together with Three Recitals of Selected Works of F. Schubert, J. Offenbach, G. Finzi, and F. Mendelssohn

Description: The bulk of scholarly research and discussion of Mahler's Kindertotenlieder deals with musical concerns and analyses. This study explores the significance of Mahler's selection and use of the poetry of Friedrich Rückert and, in particular, the personal significance of the textual treatment to Mahler. A comparison of the original Rückert text with Mahler's and his textual alterations, as well as a literal translation of the text, is included. The results revealed through the process stated a… more
Date: August 2002
Creator: Rushing, Randal
Item Type: Refine your search to only Thesis or Dissertation
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The Influence of Selma Meerbaum-Eisinger's Death on Xaver Paul Thoma's Composition of Ich bin in Sehnsucht Eingehüllt: Sieben Lieder für Sopran und Klavier, A Lecture Recital Together with Three Recitals of Selected Works of O. Messiaen, G.F. Handel, A. Scarlatti, J.S. Bach, W. Latham, and Others

Description: The aim of this study is to introduce the contemporary German composer, Xaver Paul Thoma, and his composition, Ich bin in Sehnsucht Eingehüllt on the poems of Selma Meerbaum-Eisinger. This study explores the possible reasons behind Thoma's decision to set the poems, as well as the circumstances and significance of the poets' life and poetry, made known through Thoma's composition. An analysis of each song is included, emphasizing especially the relationship between text and music.
Date: August 2002
Creator: Rushing, JemmiLou Rye
Item Type: Refine your search to only Thesis or Dissertation
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Performing the Trumpet works of Donald Erb; A Guide to Preparation, Interpretation and Practices: A Lecture Recital, Together with Three Recitals of Selected Works by Purcell, Hindemith, Holmes, Friedman, Koetsier and Others

Description: This study is a guide to the performer on practices associated with the trumpet music of Donald Erb. It examines the following solo and duo compositions for trumpet: the as yet unpublished Sonatina for Trumpet and Piano (1954); Four Duets for Trumpets (1960); Diversion for Two for trumpet & percussion (1966); Concerto for Trumpet and Orchestra (1980); Remembrances for two trumpets (1994); and Dance, You Monster, To My Soft Song for solo trumpet (1998). A history of each composition and informa… more
Date: August 2002
Creator: Spencer, David W.
Item Type: Refine your search to only Thesis or Dissertation
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"Ch'io t'abbandono" by Felix Mendelssohn Bartholdy: A Dramatic Image of the Education and Aptitudes of the Composer

Description: The unpublished concert aria, "Ch'io t'abbandono," by Felix Mendelssohn Bartholdy (1825), is representative of the adolescent composer's developing musical aesthetic. In this study, Mendelssohn's education, work ethic, and perfectionism are revealed, paradoxically, as both the catalysts for the piece's composition and also the reasons it was not published during Mendelssohn's lifetime. An exploration of the text, form, thematic usage, and performance demands of the aria yields specific examples… more
Date: August 2002
Creator: Turley, Charles William
Item Type: Refine your search to only Thesis or Dissertation

The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction

Description: The musical developments of the 20th century have expanded the role of the accompanist. As the compositional output of our time increases, and the opportunity to perform as soloist with an orchestra diminishes, piano reductions of an orchestral score are becoming the most frequent vehicle for concerto performances of twentieth and twenty-first century instrumental literature. While the current state of research provides solid support to many accompanists, it is in the area of instrumental accom… more
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Date: August 2002
Creator: Lington, Victoria DiMaggio
Item Type: Refine your search to only Thesis or Dissertation

Peter Lieberson's First Piano Concerto: A Buddhist-inspired poetic vision realized through twelve-tone language, other contemporary compositional techniques, together with three recitals of works by Bach, Chopin, Mozart, Albéniz, Grieg, Ginastera and Paderecki

Description: The main objective of this document is to explore the life and spiritual convictions of composer Peter Lieberson, and the creation of his Piano Concerto. Lieberson is a sought after composer who has won many awards and commissions. His works have been premiered and performed by some of the best musical artists of the late twentieth- and early twenty-first-century, such as Peter Serkin, Emmanuel Ax, Yo-Yo Ma, and Pierre Boulez. This study is divided into six chapters. After the Introduction, a… more
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Date: August 2002
Creator: Méndez-Flanigan, Maria Gisela
Item Type: Refine your search to only Thesis or Dissertation

The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others

Description: The compositions of Fisher Aubrey Tull are widely performed and many have become standard repertoire. Tull's compositions encompass a multiplicity of performance media including works for orchestra, chorus, symphonic band, jazz band, brass choir, and solo and chamber works. Tull's compositional output for the trumpet is prolific and is acknowledged to be music of high quality. An examination of Trumpet and Brass Programs, compiled and published annually by the International Trumpet Guild, shows… more
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Date: August 2002
Creator: Wenger, Alan J.
Item Type: Refine your search to only Thesis or Dissertation
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The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone

Description: A significant body of solo literature for the trombone has been written in the last fifty years that draws as much from the jazz tradition as from that of European classical music. While much attention has been paid to these works' use of characteristic jazz rhythms, harmonies and melodic inflections, there has been little focus on timbre, the musical element that perhaps most readily distinguishes jazz from other styles of Western music. This paper focuses on the important role jazz timbres sh… more
Date: December 2002
Creator: Aldag, Daniel J.
Item Type: Refine your search to only Thesis or Dissertation
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The influence of klezmer on twentieth-century solo and chamber concert music for clarinet: with three recitals of selected works of Manevich, Debussy, Horovitz, Milhaud, Martino, Mozart and others.

Description: The secular music of the Eastern European Jews is known today as klezmer. Klezmer was the traditional instrumental celebratory music of Yiddish-speaking Ashkenazi Jews who eventually populated the Pale of Settlement, which encompassed modern-day Poland, Lithuania, Ukraine, Belarus and Romania. Due to the rise of oppression and expulsion, many klezmer musicians or klezmorim immigrated to the United States between 1880 and the early 1920s. These musicians found work in klezmer bands and orchestra… more
Date: December 2002
Creator: Card, Patricia Pierce
Item Type: Refine your search to only Thesis or Dissertation
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Music student teaching in Texas: A Delphi study of issues in the new millennium.

Description: The preparation of prospective music educators is a very complex undertaking that culminates with the student teaching practicum. However, the music student teaching experience may have less predictable expectations and results than the curriculum that precedes the event. The two-fold purpose of this study was (a) to investigate the music student teaching practicum in the State of Texas in an effort to establish current levels of success as perceived by the music educators involved in the proce… more
Date: December 2002
Creator: Cannon, Rodney M.
Item Type: Refine your search to only Thesis or Dissertation
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Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World

Description: Wladimir Vogel's (1896-1984) interest in twelve-tone composition began to develop in 1936 after hearing a series of lectures by Willi Reich, a music critic and supporter of the new music of the Second Viennese School. The transition for Vogel from a large-scale orchestral “classical” style, influenced by his study with Ferruccio Busoni in Berlin in the early 1920s, to a new technique involving dodecaphony is apparent in his instrumental writing, the third and fourth movements of the Konzert für… more
Date: December 2002
Creator: Hale, Jacquelyn
Item Type: Refine your search to only Thesis or Dissertation
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The Segmentation Process and its Influence on Structure in the Malheur Me Bat Masses of Obrecht and Josquin

Description: This study examines in detail the various aspects of the segmentation process as applied by Obrecht and Josquin to the chanson Malheur me bat, especially the effect of this process on the structure of each composer's respective mass. Although musical aspects such as cadences and mode have varying degrees of influence on the structure of these two masses, the primary influence is the establishment of proportional relationships that occur as a result of the segmentation process. Sources of previo… more
Date: December 2002
Creator: Jarzombek, Ralph
Item Type: Refine your search to only Thesis or Dissertation
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Bandanna, An Opera by Daron Aric Hagen with Libretto by Paul Muldoon, Commissioned by the College Band Directors National Association: The Origins of an Artwork with a Glimpse at its Musical Character Development

Description: All information for this study was obtained by original source documents, interviews with the principal participants and the personal observations of the writer. A complete transcript of interviews with Daron Aric Hagen Michael Haithcockand Robert De Simone are included as appendices. In1961 the College Band Directors National Association (CBDNA) created its commissioning project for the purpose of contracting prominent composers to contribute works of high quality to the growing wind repertoir… more
Date: December 2002
Creator: Powell, Edwin C.
Item Type: Refine your search to only Thesis or Dissertation
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Germinal Ideas and Processes within plies (2002): A Chamber Work for Eleven Players

Description: The piece is a twenty minute work discoursing the integration and eventual dissolution of two separate musical strands. The pitch material of each strand is determined from synthetic scales whose intervalic content duplicates at the following intervals: Perfect 12th, Diminished 12th, Minor 9th, Perfect 8ve, and Major 7th. A proportional means of temporal compression is generated through the use of the factor, 11/15 (e.g. Event 2 is 11/15 the duration of Event 1). Various elements of jazz music … more
Date: December 2002
Creator: Stecher, David
Item Type: Refine your search to only Thesis or Dissertation
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The Contributions of Armenian Composers to the Clarinet Repertoire: An Annotated Bibliography of Selected Works, A Lecture Recital, Together with Three Recitals of Selected Works by Khachaturian, Bax, Castelnuovo-Tedesco, Lutoslawski, Nielsen, Burgmüller, and Others

Description: With the exception of the music of Aram Khachaturian, the output of Armenian composers has been largely overlooked. This small Middle-Eastern country with a population of almost four million and an intriguing history indeed has a rich musical heritage. From its roots in sacred music and folksong, Armenian music has evolved into a unique blend of national elements and Western art music. Although it remains largely undiscovered, there is an entire repertoire of works in this aesthetic. The Trio f… more
Date: December 2002
Creator: Wolverton, Cynthia Kay
Item Type: Refine your search to only Thesis or Dissertation
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Miles Davis: The Road to Modal Jazz

Description: The fact that Davis changed his mind radically several times throughout his life appeals to the curiosity. This thesis considers what could be one of the most important and definitive changes: the change from hard bop to modal jazz. This shift, although gradual, is best represented by and culminates in Kind of Blue, the first Davis album based on modal style, marking a clear break from hard bop. This thesis explores the motivations and reasons behind the change, and attempt to explain why it ca… more
Date: May 2007
Creator: Camacho Bernal, Leonardo
Item Type: Refine your search to only Thesis or Dissertation
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The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski

Description: The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that… more
Date: May 2007
Creator: Choi, Yun Jung
Item Type: Refine your search to only Thesis or Dissertation
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A status and vision investigation of US university piano pedagogy programs.

Description: The two major research questions were: “What is the current status of 20 prominent piano pedagogy programs?” and “what is the vision of an ideal future piano pedagogy program from the perspective of 20 piano pedagogy leaders?” Subjects were the leaders of the top 20 US university piano pedagogy programs. A survey study with interview questions was used as the instrument for the study. The results showed that faculty, curriculum, and teacher training were three top factors that contributed to th… more
Date: May 2007
Creator: Fu, Hui-Ju Camille
Item Type: Refine your search to only Thesis or Dissertation
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An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.

Description: Balakirev's two early piano and orchestra works, Grande Fantaisie on Russian Folk Songs and Concerto Op. 1 in F# Minor, were composed in the middle of the nineteenth century when in Russia there were no particularly important works for piano and orchestra. Balakirev was still a teenager when he wrote these two pieces and unfortunately both remained unfinished. However the beauty and remarkable compositional achievement of these works should be highly recognized. There are six chapters in thi… more
Date: May 2007
Creator: Kim, Miyang
Item Type: Refine your search to only Thesis or Dissertation
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The Significance of Dmitri Shostakovich's Piano Sonata Op.12

Description: The aspiration of this dissertation is to bring forth the significance of Shostakovich's Piano Sonata Op.12. This sonata is a hybrid of the German musical tradition, Russian Modernism, and Liszt's thematic transformation technique. It demonstrates Shostakovich's highly intellectual compositional skills influenced by the education that he received at St. Petersburg Conservatory as well as the exposure to modern music in the 1920s. This dissertation discusses composition techniques, such as the h… more
Date: May 2007
Creator: Kan, Ling-Yu
Item Type: Refine your search to only Thesis or Dissertation
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Sergei Taneyev (1856-1915): An Analysis of His Piano Concerto in E-flat Major and Its Relationship to Tchaikovsky’s Piano Concerto No.1

Description: This lecture recital seeks to prove that Sergei Taneyev's only piano concerto is a valuable addition to the piano concerto repertoire for historical and theoretical examination. Taneyev's biographical background proves he was one of the major figures in Russian musical life during the late nineteenth century. For one who had such an important role in music history, it is an unfortunate that his music has not been popular. Through letters to contemporary composers and friends, Taneyev's master t… more
Date: May 2007
Creator: Liu, Louise Jiayin
Item Type: Refine your search to only Thesis or Dissertation
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