UNT Libraries - 505 Matching Results

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Primary view of Hearing History: Musical Borrowing in the Percussion Ensemble Works, Duo Chopinesque and Chameleon Music
Fulton, Stephen L.
December 1999
Primary view of A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works
Kim, Jung-Ah
December 1999
Primary view of Symmetrical Features of Nikolai Medtner's Language: The Grzovaya Sonata, Opus 53 No. 2
Pitts, James L.
December 1999
Primary view of An Examination of David Maslanka's Marimba Concerti: Arcadia II for Marimba and Percussion Ensemble and Concerto for Marimba and Band, A Lecture Recital, Together With Three Recitals of Selected Works of K.Abe, M. Burritt, J. Serry, and Others
Varner, Michael L.
December 1999
Primary view of Reconstructions: Nine Movements for Solo Soprano, Chorus, and Wind Ensemble
Makela, Steven L.
December 1999
Primary view of An Analytical Study of the Variations on the Theme of Paganini's Twenty-Fourth Caprice, Op. 1 by Busoni, Friedman, and Muczynski
Ahn, Kwang Sun
May 2000
Primary view of Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others
Bogle, James Michael
May 2000
Primary view of Young-Jo Lee's Variations on the theme of Baugogae: In search of his own language, a lecture recital, together with three recitals of selected works of J. Haydn, S. Rachmaninoff, R. Schumann, O. Messiaen, and F. Liszt
Kwon, Suk-Rahn
May 2000
Primary view of New Resources in Twentieth-Century Piano Music and Richard Wilson's Eclogue (1974)
Lan, Ping-Ting
August 2000
Primary view of Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison Denisov's Quatre Pièces pour flûte et piano, With Three Recitals of Selected Works by Bach, Beaser, Carter, Fauré, Martin, Ibert, Liebermann, and Others
Luce, Brian Arzy
August 2000
Primary view of Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
Chae, Eunhee
December 2000
Primary view of The Nightingale's Flight from Opera to Symphonic Poem: A Comparative Study of The Nightingale and The Song of the Nightingale by Igor Stravinsky
Couturiaux, Clay
December 2000
Primary view of The Study of English, French, German and Italian Techniques of Singing Related to the Female Adolescent Voice
Cobb-Jordan, Amy
May 2001
Primary view of A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble
Woods, Christopher P.
May 2001
Primary view of Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
Malan, Petronel
August 2001
Primary view of The Songs of David Amram: A representative analysis and review of published vocal music for accompanied and unaccompanied voice
Bieritz, Gerald L.
August 2001
Primary view of Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues
Mihelcic, Sonja
August 2001
Primary view of Two selected works for solo trumpet commissioned by the International Trumpet Guild: A structural and performance analysis with a history of the commission project, with three recitals of selected works by Arutunian, Haydn, Fasch, Chaynes and others
Wurtz, Gary Thomas
August 2001
Primary view of Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham
White, Marc M.
August 2001
Primary view of Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Repertoire of John Philip Sousa
Hemberger, Glen J.
December 2001
Primary view of Form and Lyricism as Elements of Neo-Romanticism in Summer Music Op. 31 by Samuel Barber (1957) with three recitals of selected works by Bach, Mozart, Hindemith, Handel, Gaubert, and others
Grosklos, Hollie Jo
December 2001
Primary view of The Musical Language of Joan Tower: An Energy Line Analysis of  Island Prelude for Oboe and Wind Quartet
Shouha, Laura
December 2001
Primary view of A Performer's Analysis of Lili Boulanger's  Clairières dans le ciel: Song Cycle for High Voice and Piano; a Lecture Recital Together with the Role of Blanche in  Dialogues of the Carmelites  by F. Poulenc and Two Recitals of Selected Works by H. Purcell, F. Schubert, S. Prokofieff, E. Chausson, W. A. Mozart, R. Schumann and G. Fauré
Williamson, Deborah
December 2001
Primary view of Carl Gottlieb Reissiger (1798-1859) Forgotten Composer for the Clarinet
Coltman, Charles Arthur
May 2002